Mwalim

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Mwalim (Morgan James Peters I, born June 6, 1968), also known as "Mwalim *7" and "Mwalim DaPhunkee Professor" is an American performing artist, writer, and educator. He is a tenured associate professor of English and former director of Black Studies at the University of Massachusetts Dartmouth. [1] [2] He is also a founding member of The GroovaLottos, a multiple Grammy Award-nominated soul-funk-blues band, for which he is the keyboard player, a vocalist, and the resident songwriter. [3]

Contents

Early life

Born to a West Indian American (Barbados) mother and Mashpee Wampanoag father, Mwalim grew up in both the Northeast Bronx and Mashpee, Massachusetts. Mwalim's first instrument was the viola which he began studying at the age of ten, playing in his school orchestra, the Bronx Borough-wide Orchestra, and studied privately at Bronx House music school. He auditioned for and attended Music & Art High School (Now LaGuardia School for the Arts), and was interested in music and short-story writing from an early age. As a student at Music & Art he studied viola privately at the 3rd Street Music School and also began studying piano and composition with his grandfather, noted band leader, arranger, and record producer for Decca and Southern Records in the 1920s, '30s and '40s, Allan H. Nurse. Mwalim also began his career as a studio session player at age 16, adding string parts to various recordings and becoming one of the youngest session players in EMI Records history. He went on to major in music composition and history at Boston University. [4] During this time, he also worked as an intern and session musician at various recording studios around the Boston and New York City, most notably, Jazzy J Recording Studio in the Bronx. He also became a part of the college's Black Drama Collective as a stage band musician and sketch writer. Mwalim joined New African Company in 1991, where he received his formal training in theater arts and education. [5]

Career

After college and graduate school, Mwalim chose to settle on Cape Cod as opposed to back to New York. He worked with a small group of local performers to co-found Oversoul Theatre Collective, Inc., and became the group's artistic director. He has used music, theater and storytelling as a platform to explore the Black and Native American experience; and the American phenomenon of having to choose one race, despite the rhetoric of the American melting pot. He has called himself a "Black Wampanoag." [6]

In 2000, Mwalim became a part of the Lincoln Center Theatre's Director's Lab program, and later held residencies at the Harlem Theatre Company, The POINT CDC/Live From The Edge theater, and the Bronx Writer's Center, where he presented his original plays and performance pieces as well as taught workshops in creative writing, filmmaking and drama. He was also a very active presenter and performer at the Nuyorican Poet's Cafe, the Afrikan Theatre, and The Baggot Inn in Greenwich Village, where he led the house band. His plays also began getting picked up for productions by various Off-Broadway and Off-Off Broadway theater groups as well as productions throughout the US, Canada, the U.K. and the Caribbean.

His award-winning one-man show "A Party at the Crossroads" is subtitled the tales and adventures of a Black Indian growing up in a Jewish neighborhood, has been presented at the Mashantucket Pequot Museum in Connecticut and as a part of the Indian Summer series at the American Indian Community House in New York City. His performance piece, based on memories of Mashpee of the past, "Backwoods People" was presented at the 1999 National Black Theatre Festival in Winston-Salem, NC. His romantic comedy, Working Things Out was a hit at the 2005 festival.

Mwalim became a professor of English and African American studies at UMass Dartmouth in 2003 and the Director of Black Studies (formerly African & African American Studies) in 2011. He sometimes calls himself "DaPhunkee Professor." [7]

According to Black Masks Magazine, Mwalim is considered a leading voice in the new generation of artists. [8]

Mwalim earned his MFA in creative writing from Goddard College in July 2006. His focus was playwriting. He was recently named Filmmaker-In-Residence by WGBH, Bostons PBS television station, and will be the residency programs first narrative filmmaker, where he will be producing a film adaptation of Look At My Shorts, a collection of Mwalim's short plays exploring contemporary Black Indian experiences in Massachusetts.

Some of his musical recordings have won awards from the New England Urban Music Awards [9]

Books

  1. A Mixed Medicine Bag: Original Black-Wampanoag Folklore (2017, Talking Drum Press, LTD)
  2. LAND of the BLACK SQUIRRELS: A Bronx Boheme Novel (2020, Thirty-three Pages, LLC)

+ Mwalim appears in numerous poetry, short story, and essay anthologies and edited volumes.

Plays & Performance Works

  1. The Barber of Seville Street (1995)
  2. Things I've Enjoyed Telling White Folks: The Quaker & Unitarian Monologues (1997)
  3. Out! By The Roots!!! (1997)
  4. A Party at the Crossroads (1998)
  5. Guess Who's Rockin' The Party... (1999)
  6. OM! A Street Corner Griot's Comedy (2000)
  7. Horror In The Bronx (2002)
  8. Working Things Out (2003)
  9. Meanwhile, Elsewhere...: A Collection of Short Plays (2005)
  10. WETU In The City (2007)
  11. Seek & Ye Shall Find (1 of the Among Brothers Trilogy) (2008)
  12. You're An Indian?? (2009)
  13. Knock & It Shall Be Opened (2 of the Among Brothers Trilogy) (2010)
  14. Ask & It Shall Be Given (3 of the Among Brothers Trilogy) (2014)
  15. LEGACY (2016)
  16. Listen To Sipu (2021)

Discography

1. "Her Groove" 12' Single (1990 Midnight Groove Recordings)
2. "Voices Of My Ancestors" E.P. (1995, MGR/MFV Group)
3. "Thief In The Night" CD single (2000, MGR/OTC Records)
4. "Jazzy- Soul Club Grooves" Vinyl/E.P. (2001 Midnight Groove Recordings/ OTC Records)
5. "The Liberation Sessions" CD/Album (2010 MGR/LM3/ Lore Music Group)
6. "DEEP Soul Chants & Hollers" CD/Album (2012 MGR/LM3)
7. "Awakened By A Noon Day Sun" CD/Album (2014 MGR/LM3/ Spirit Wind Records)
8. "Ask Yo' Mama" by The GroovaLottos CD/Album (2017 MGR/LM3/Sing Keepers, LTD.)

9. "Downstreeter Suite Digital Album (2021 MGR/LM3)

10. "Mama's Hamper" a remixtape by The GroovaLottos Digital Album (2021 MGR/LM3)

+ Mwalim appears on at least 80 other recordings as a musician, singer, producer, and/or songwriter

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References

  1. "About Us".
  2. "Black Native Americans beginning to assert identity". 30 December 2014.
  3. http://www.southcoasttoday.com/news/20171123/groovalottos-receive-grammy-consideration-for-ask-yo-mama
  4. "Mwalim DaPhunkee Professor music @ All About Jazz".
  5. "Mwalim DaPhunkee Professor music @ All About Jazz".
  6. "Black Native Americans beginning to assert identity". 30 December 2014.
  7. "Home". daphunkeeprofessor.com.
  8. Black Masks Magazine, January/ February 2006 Issue, Vol. 17, No. 4; pg. 3
  9. https://indiancountrymedianetwork.com/news/opinions/the-funk-and-jazz-of-morgan-james-peters/