My Old Kentucky Home (1926 film)

Last updated

My Old Kentucky Home
Title card for 'My Old Kentucky Home'.png
The title card
Directed by Dave Fleischer
Produced by Max Fleischer
Music by Lou Fleischer
song "My Old Kentucky Home" by Stephen Foster
Production
companies
Distributed byRed Seal Pictures
Release date
  • June 1926 (1926-06)
CountryUnited States
LanguageEnglish

My Old Kentucky Home is a short animation film originally released in June 1926, by Max and Dave Fleischer of Fleischer Studios as one of the Song Car-Tunes series. [1] The series, between May 1924 and September 1926, eventually totaled 36 films, of which 19 were made with sound. This cartoon features the original lyrics of "My Old Kentucky Home" (1853) by Stephen Foster, and was recorded in the Lee de Forest Phonofilm sound-on-film system.

Contents

My Old Kentucky Home appears to be the first attempt at animated dialogue in cartoon history, as an unnamed dog, an early prototype of future studio mascot Bimbo, in the film mouths the words "Follow the ball, and join in, everybody" in remarkable synchronization though the animation was somewhat limited, making sure that lip-synch was synchronized perfectly. The Fleischers had previously started the follow the bouncing ball gimmick in their Song Car-Tune My Bonnie Lies Over the Ocean (released on September 15, 1925).

My Old Kentucky Home

This film came two years after the Fleischers started the Song Car-Tune series in May 1924.

Reception

Motion Picture News (March 23, 1926): "The old familiar favorite 'My Old Kentucky Home' furnishes the subject for this Max Fleischer Song Car-Tune. The verses are shown in the usual manner and the comedy handling of the chorus shows a darky girl leaping from word to word doing stunts... This should prove one of the most popular of the series". [2]

The Film Daily (March 28, 1926): "Ko-Ko and his quartet render this time the old southern classic 'My Old Kentucky Home', with the help of the audience of course. Fleischer has a new instruction for the opening, showing the quartet as a band marching and playing, and winding up on the stage of the theatre. There is always a humorous touch added to the chorus of the song. This time in the shape of a little pickaninny who dances along on top of the words". [2]

A clip from the film is used in the opening credits of the Futurama episode "Why Must I Be a Crustacean in Love?"

Related Research Articles

The golden age of American animation was a period in the history of U.S. animation that began with the popularization of sound synchronized cartoons in 1928, began to decline around 1957, and ended by 1969, when theatrical animated shorts started to lose popularity to the newer medium of television. Animated media from after the Golden Age were produced on cheaper budgets and with more limited animation techniques by companies such as Terrytoons, UPA, Famous Studios, Jay Ward Productions, Hanna-Barbera, DePatie-Freleng Enterprises, Rankin/Bass and Filmation. In artefact, the history of animation became very important in the United States.

<span class="mw-page-title-main">Fleischer Studios</span> American animation studio

Fleischer Studios was an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s.

<span class="mw-page-title-main">Max Fleischer</span> American animator and inventor (1883–1972)

Max Fleischer was a Polish-American animator, inventor, film director and producer, and studio founder and owner. Born in Kraków, Poland, Fleischer immigrated to the United States where he became a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios, which he co-founded with his younger brother Dave. He brought such comic characters as Koko the Clown, Betty Boop, Popeye, and Superman to the movie screen, and was responsible for several technological innovations, including the rotoscope, the "follow the bouncing ball" technique pioneered in the Ko-Ko Song Car-Tunes films, and the "stereoptical process". Film director Richard Fleischer was his son.

<span class="mw-page-title-main">Bosko</span> Warner Bros. theatrical cartoon character

Bosko is an animated cartoon character created by animators Hugh Harman and Rudolf Ising. Bosko was the first recurring character in Leon Schlesinger's cartoon series and was the star of thirty-nine Looney Tunes shorts released by Warner Bros. He was voiced by Carman Maxwell, Johnny Murray, and Billie "Buckwheat" Thomas during the 1920s and 1930s and once by Don Messick during the 1990s.

<i>Talkartoons</i> Series of animated cartoons

Talkartoons is a series of 42 animated cartoons produced by Fleischer Studios and distributed by Paramount Pictures between 1929 and 1932.

<span class="mw-page-title-main">Koko the Clown</span> Cartoon character

Koko the Clown is an animated cartoon character created by Max Fleischer. He first appeared as the main protagonist in Out of the Inkwell (1918–1929), a major animated series of the silent era. Throughout the series, he goes on many adventures with his canine companion "Fitz the Dog", who would later evolve into Bimbo in the Betty Boop cartoons.

Animated films in the United States date back to at least 1906 when Vitagraph released Humorous Phases of Funny Faces. Although early animations were rudimentary, they rapidly became more sophisticated with such classics as Gertie the Dinosaur in 1914, Felix the Cat, Oswald the Lucky Rabbit, and Koko the Clown.

Mother, Mother, Mother Pin a Rose on Me is a film, produced by Out of the Inkwell Studios in the Phonofilm sound-on-film system, and released on March 1, 1925, as part of the Song Car-Tunes series.

<span class="mw-page-title-main">Bray Productions</span> American animation studio

Bray Productions was a pioneering American animation studio that produced several popular cartoons during the years of World War I and the early interwar era, becoming a springboard for several key animators of the 20th century, including the Fleischer brothers, Walter Lantz, Paul Terry, Shamus Culhane and Grim Natwick among others.

<i>Out of the Inkwell</i> 1918-1929 American animated film series

Out of the Inkwell is an American animated film series of the silent era. It was produced by Max Fleischer from 1918 to 1929 and was called The Inkwell Imps at the end of that period.

<span class="mw-page-title-main">In My Merry Oldsmobile</span> Song performed by Billy Murray

"In My Merry Oldsmobile" is a popular song from 1905, with music by Gus Edwards and lyrics by Vincent P. Bryan.

<span class="mw-page-title-main">Sweet Adeline (song)</span> 1903 ballad

"(You're the Flower of My Heart,) Sweet Adeline" is a ballad best known as a barbershop standard. It was first published in 1903, with lyrics by Richard Husch Gerard to music by Harry Armstrong, from a tune he had written in 1896 at the age of 18. According to a 1928 newspaper story, the lyrics were inspired "by a girl who worked at the music counter of a New York department store." After failing to find a publisher with the initial title, "You're the Flower of My Heart, Sweet Rosalie", according to a story the two decided a new title was in order and were inspired by a poster advertising the farewell tour of opera singer Adelina Patti. It did not become a hit until it was performed in 1904 by the group The Haydn Quartet. The Haydn Quartet's version was #1 for 10 weeks in 1904, and the Peerless Quartet also hit #1 with their version in 1904, for three weeks, according to Joel Whitburn's Pop Memories.

<i>Aesops Fables</i> (film series) Series of animated short films (1921-1933)

Aesop's Fables is a series of animated short subjects, created by American cartoonist Paul Terry. Produced from 1921 to 1933, the series includes The Window Washers (1925), Scrambled Eggs (1926), Small Town Sheriff (1927), Dinner Time (1928), and Gypped in Egypt (1930). Dinner Time is the first cartoon with a synchronized soundtrack ever released to the public. The series provided inspiration to Walt Disney to found the Laugh-O-Gram Studio in Kansas City, Missouri, where he created Mickey Mouse.

<i>Screen Songs</i> Series of animated cartoons

Screen Songs are a series of animated cartoons produced at the Fleischer Studios and distributed by Paramount Pictures between 1929 and 1938. Paramount brought back the sing-along cartoons in 1945, now in color, and released them regularly through 1951. Two of Paramount's one-shot cartoons quietly revived the format later: Candy Cabaret (1954) and Hobo's Holiday (1963).

<span class="mw-page-title-main">Bouncing ball (music)</span> Visual indicator of the rhythm of a song

The bouncing ball is a virtual device used in motion picture films and video recordings to visually indicate the rhythm of a song, helping audiences to sing along with live or prerecorded music. As the song's lyrics are displayed on the screen in a lower third of projected or character-generated text, an animated ball bounces across the top of the words, landing on each syllable when it is to be sung.

Phonofilm is an optical sound-on-film system developed by inventors Lee de Forest and Theodore Case in the early 1920s.

<i>Bimbos Initiation</i> 1931 film

Bimbo's Initiation is a 1931 Fleischer Studios Talkartoon animated short film starring Bimbo and featuring an early version of Betty Boop with a dog's ears and nose. It was the final Betty Boop cartoon to be animated by the character's co-creator, Grim Natwick, prior to his departure for Ub Iwerks' studio.

Ko-Ko Song Car-Tunes, Song Car-Tunes, or Sound Car-Tunes, is a series of short three-minute animated films produced by Max Fleischer and Dave Fleischer between May 1924 and September 1927, pioneering the use of the "Follow the Bouncing Ball" device used to lead audiences in theater sing-alongs. The Song Car-Tunes also pioneered the application of sound film to animation.

The Sidewalks of New York are two cartoon short films made by animation pioneers Max Fleischer and Dave Fleischer, both films using the 1894 song "The Sidewalks of New York".

Little Annie Rooney is a short animated film that is part of the Fleischer Studios Screen Songs series. It is based on the popular song Little Annie Rooney and uses it in the soundtrack. The chorus says:

References

  1. Lenburg, Jeff (1999). The Encyclopedia of Animated Cartoons. Checkmark Books. pp. 44–45. ISBN   0-8160-3831-7 . Retrieved June 6, 2020.
  2. 1 2 Sampson, Henry T. (1998). That's Enough, Folks: Black Images in Animated Cartoons, 1900-1960. Scarecrow Press. p. 139. ISBN   978-0810832503.