National Film Award for Best Book on Cinema

National Film Award for Best Book on Cinema
National award for contributions to Best Writing on Indian Cinema
Sponsored by	Directorate of Film Festivals
Reward(s)	Swarna Kamal (Golden Lotus) ₹50,000 (US$660)
First awarded	1981
Last awarded	2018
Most recent winner	Mouna Prathanapole
Highlights
Total awarded	43
First winner	Thamizh Cinemavin Kathai

The National Film Award for Best Book on Cinema is one of the National Film Awards presented annually by the Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India. It is one of several awards presented for Best Writing on Indian Cinema and awarded with Swarna Kamal (Golden Lotus).

The award was instituted in 1981, at 29th National Film Awards and awarded annually for books written in the year across the country, in all Indian languages.

Winners

Award includes 'Swarna Kamal' (Golden Lotus) and cash prize. Following are the award winners over the years:

Awards legends
	Indicates a joint award for the year

List of books, showing the year (award ceremony), language(s), author(s), publisher(s) and citation
Year	Book(s)	Language(s)	Author(s)	Publisher(s)	Citation	Refs.
1981 (29th)	Thamizh Cinemavin Kathai	Tamil	Aranthai Narayanan	–	For being the first systematic full length account of the Tamil cinema from its inception, with pertinent observation on the art of film making, for the likelihood of it enduring as a standard reference work, for lucid, systematic writing with appropriate illustrations, for being based more on original and personal perceptions than on derived or second-hand sources.	[1]
1982 (30th)	Chalachitra Sameeksha	Malayalam	Vijayakrishnan	–	For fairly systematic analysis of the way in which the film has reflected the major concerns of man-aesthetic, social, spiritual, with specific reference to various film classics and the outlooks of well known directors, for persuasive argument and clear communication.	[2]
1983 (31st)	Cinemayude Lokam	Malayalam	Adoor Gopalakrishnan	–	–	[3]
1984 (32nd)	Chalachitrer Abirbhab	Bengali	Jagannath Chathopadhyay	–	–	[4]
1985 (33rd)	Guru Dutt: Teen Anki Shokantika	Marathi	Arun Khopkar	–	For a book as it is a major critical work on Guru Dutt, which is researched, attractively published at a reasonable price with a wealth of visual which enriches any book on cinema.	[5]
1986 (34th)	Rabindranath O Chalachithra	Bengali	Arun Kumar Roy	–	For making an original evaluation and analysis of films and documentaries made on Tagore's writings and personality from the silent era of cinema to date and thus linking cinema, an important creative mediumm, to a great creative mind.	[6]
1987 (35th)	Kazhchayude Asanthi (Torments of Seeing)	Malayalam	V. Rajakrishnan	–	For focussing of major trends and impulses in National and International cinemam, for promoting the appreciation of cinema as a serious art form, for underlining the relevance of cinema in the depiction of the basic concerns of present day society.	[7]
1988 (36th)	The Moving Image	English	Kishore Vallicha	Orient Longman	For its analytic insights and its plausible theoretical framework.	[8]
1989 (37th)	Shataranj Ke Khiladi	Hindi	Surendranath Tiwari	Madhya Pradesh Film Development Corporation	For painstakingly analysing and delineating the interrelationship between a literary masterpiece and its film version, created by a master of cinema, without overlooking the salient characteristics of each art form.	[9]
1989 (37th)	Cinema, Kannakkum Kavithayum	Malayalam	Sreekumaran Thampi	Sahithya Pravarthaka	For portraying the development of the medium poetically by blending its ethos and technique.
1990 (38th)	Hindi Cinema Ka Itihaas	Hindi	Manmohan Chadhha	Sachin Prakashan	For placing the development of Hindi Cinema in the context of the totality of Indian Cinema and World Cinema, while giving due importance to research.	[10]
1991 (39th)	Athmanindayude Pookal (Flowers of Self-Condemnation)	Malayalam	Aravindan Vallachira	V. R. Pushpakaran	For critical analysis of M. T. Vasudevan Nair's film. The book is an in-depth study of the complexity of human values and the interaction between social institutions and the individual.	[11]
1992 (40th)	Awara	English	Gayatri Chatterjee	Wiley Eastern Ltd	Her work is a novel experiment, which analyses the film in depth both at a personal and at a social level. What emerges is a clear reflection of the socio-economic fabric of a newly independent India. The book can be rightly termed an extension of Raj Kapoor's artistic sensibilities.	[12]
1993 (41st)	Naalo Nenu	Telugu	Bhanumathi Ramakrishna	K. N. T. Sastry	Her riveting autobiography provides an insight into the working of the Telugu film industry, while tracing her fascinating life and career, written with candour and in an immensely fluent style, the book undergoes the independent spirit of a woman in an excessively male dominated system of the show business. The lively and self-analytical work is a rare phenomenon in a field, where artistes seem to be unnecessarily hesitant to author their life stories.	[13]
1994 (42nd)	Abhinayam Anubhavam	Malayalam	Bharath Gopi	P. Bhuvanesan	For his introspective and self-analytical first person account. Abhinayam Anubhavam is serious and wistful at times, as the actor weaves and interesting picture of his interaction with cinema and his colleagues in the medium. The book is as unusual as it is revealing.	[14]
1995 (43rd)	Marathi Cinema: In Retrospect	English	Sanjit Narwekar	Govind Swarup	For thoroughly researched and well written history of Marathi cinema from the silent era to the present. The text is combined with photographs in such a way as to make the book as visually pleasing as it is valuable as a reference book.	[15]
1996 (44th)	The Eye of the Serpent	English	S. Theodore Baskaran	East West Books Pvt. Ltd.	For the methodically researched books on Tamil films which informs and enlightens the reader about one of the most prolific cinemas of our country which has kept re-defining itself over the decades.	[16]
1997 (45th)	Cinemachi Goshta	Marathi	Anil Jhankar	Rajhans Prakashan	For a certain originality of analysis written in perceptive style together with reliability of information which makes this book capable of enriching the readers understanding of cinema.	[17]
1997 (45th)	Hindi Cinema Aur Delhi	Hindi	•Savita Bhakhri  •Adithya Aswathi	Praveen Prakashan	For a well researched account of Hindi cinema with socio-economic aspects supported by extensive opinion surveys in the Delhi region which endows this book with considerable interest.
1998 (46th)	Cinemaee Bhasha Aur Hindi Samvadon Ka Vishleshan	Hindi	Kishore Vaswani	Hindi Book Centre	For it’s taking on a new area of study, and for its original analysis of the evolution of language in Hindi cinema, drawing links with Indian theatre and literature.	[18]
1999 (47th)	Malayala Cinemayum Sahithyavum	Malayalam	Madhu Eravankara	D. C. Books	For its in-depth analysis of the relationship between literature and film, its thorough understanding of the medium, rigorous research and high readability.	[19]
1999 (47th)	Marathi Chitrapat Sangeetachi Vatchal	Marathi	Aruna Anant Damle	Anil Damle	For its meticulous research its understanding of musical tradition in Marathi film and accessible style.
2000 (48th)	Sholay: The Making of a Classic	English	Anupama Chopra	Penguin Books	For its lucid story-telling. A fast-paced, informative book, a fitting tribute to a box-office phenomenon. Even after 25 years, the making of Sholay, reported crisply and researched thoroughly, makes absorbing reading.	[20]
2001 (49th)	Asoumiya Chalachitrar Chaa-Pohar	Assamese	Apurba Sarma	Jnan Pujari	For its panoramic and incisive analysis of Assamese cinema in the context of National and International scenario.	[21]
2001 (49th)	Moulik Marathi Chitrageete	Marathi	Gangadhar Mahambare	Rajiv D. Barve	For its lucid, anecdotal narration of the growth of Marathi cinema through its film songs.
2002 (50th)	Paroma and other Outsiders: The Cinema of Aparna Sen	English	Shoma Chatterjee	Parumita Publications	For her painstaking work and thought-provoking study of the works of Aparna Sen with a clear focus on their socio-economic relevance and context.	[22]
2002 (50th)	Ritu Aaye Ritu Jaaye	Hindi	Sarat Dutt	Saaransh Publications	For a biography of a trend-setting music director, the late Anil Biswas, whose life story encompasses not just his personal struggles and achievements but also the scenario of Hindi film music when it was at its creative best.
2003 (51st)	Filmi Jagat Mein Ardhashakti Ka Romanch	Hindi	Bharatiya Jnanpith	Ramakrishna	For a unique style of chronicling the flip side of film personality through his own biography. It gives an insight into the history of cinema and film journalism in a refreshingly different style.	[23]
2004 (52nd)	Stardust: Vignettes from the Fringes of Film Industry	English	Roopa Swaminathan	Penguin Books	For giving a rare, fascinating insight into the lives of people on the fringes of the film industry whose contribution to cinema is no less significant. The work is marked by painstaking research and incisive analysis that does not alienate the average cinema lover.	[24]
2005 (53rd)	Kundan	Hindi	Saransh Prakashan	Sharad Dutt	For its warm and insightful reconstruction of the life and art of the legendary singer-actor K. L. Saigal, as well as its significance as reference material which will be accessible to students and cineastes of Indian cinema history.	[25]
2006 (54th)	Helen: The Life and Times of an H-Bomb	English	Jerry Pinto	Penguin Books	For an insightful and witty account of a marginal yet iconic persona of the Hindi cinema.	[26]
2007 (55th)	From Raj to Swaraj: The Non-fiction Film In India	English	B. D. Garga	Penguin Books	For its engaged and illuminating study of non-feature cinema in its social, political and cultural context.	[27]
2008 (56th)	Bollywood Melodies	English	Ganesh Anantharaman	Penguin Books	For sailing down the mainstream of Hindi film music but manages to find rivulets of solace all his own. He blends substance with style, taking care not to appear too profound or flimsy. He brings out the lesser known aspects of popular Hindi film songs thereby infusing them with fresh dignity. Ganesh delves into the ragas of film songs, keeping some space for little banter between artists.	[28]
2009 (57th)	Cinemaa Yaana	Kannada	K. Puttaswamy	Hasiru Prakashana	For its probingly critical introduction to Kannada cinema in its interconnections with literature and theatre, history and society; with insightful analyses of the classics of Kannada cinema and assessments of individual contributions, often from beyond the borders of Karnataka; supplemented by excellent photographs and annotations; and extraordinary production values.	[29]
2010 (58th)	From Rajahs and Yogis to Gandhi and Beyond: Images of India in International Films of the Twentieth Century	English	Vijaya Mulay	Seagull Books	Here is a work of rigorous film scholarship which took the author to many lands and consumed many years of her life. Written in a clear lucid style, the book evokes a panoramic view of India that perhaps was through the eyes of several filmmakers of foreign origin. What adds an extra dimension to the book is the author’s narration of her own life in films even as she is engaged in telling the larger events on and off screen.	[30]
2011 (59th)	R. D. Burman: The Man The Music	English	•Anirudha Bhattacharjee  •Balaji Vittal	HarperCollins India	True to its title this well researched book provides insight into the life and the musical journey of a man who created a new genre of fusion music for films of several decades. The writing illuminates beautifully different aspects of this journey.	[31]
2012 (60th)	Silent Cinema in India - A Pictorial Journey	English	B. D. Garga	HarperCollins India	For its meticulous research and outstanding production qualities that have great archival value of which film-lovers around the world will be proud.	[32]
2013 (61st)	Cinema Ga Cinema	Telugu	Nandagopal	Praga India, Hyderabad	Cinema Ga Cinema is a refreshing treatise on various aspects of film making from its beginning in the early 20th century to the present and even into the future. Veteran film journalist Shri Nandagopal deals in an exhaustive, research based and yet elegant manner with different aspects of the art of cinema, aesthetic values, roles of dance and music,photography, costumes and myriad other aspects of film making not just in India but even in world cinema. His extensive exposure and experience in the film industry lends richness to all parts of the book.	[33]
2014 (62nd)	Silent Cinema (1895-1930)	•English  •Telugu	Pasupuleti Purnachandra Rao	EMESCO BOOKS	Pasupuleti Purnachandra Rao’s work on silent cinema commands attention. It is as worthy of a scholar’s consideration as a common cinegoer’s time. He walks down the memory lane to come up with a work that is likely to go down as a benchmark for serious research in Indian cinema.	[34]
2015 (63rd)	Dr. Rajkumar Samagra Charitre	Kannada	Doddahullur Rukkoji	Preethi Prakashana	Doddahulluru Rukkoji’s work is an encyclopedic study into the life and career of one of India’s greatest screen legends Dr Rajkumar. The 15 year research behind the writing of this double volume makes it a valuable resource for scholars, students and cinephiles of today and tomorrow.	[35]
2016 (64th)	Lata : Sur Gatha	Hindi	Yatindra Mishra	Vani Prakashan	Yatindra Mishra’s encyclopaedic presentation encompasses her life, seven decade career and its impact on Indian cinema. Divided into three sections, the book offers rare insights on the icon, her music and reflects a changing nation.	[36]
2017 (65th)	Matmagi Manipur: The first Manipuri Feature Film		Bobby Wahengbam	Angomningthou Preservation and Documentation	Bobby Wahengbam's book provides a vivid account of the socio-political scenario in which Manipur regional cinema was born. The book denotes a compassionate account of the dreams, challenges, preparation, execution and success of the team involved. The critical analysis of the film makes it more praiseworthy and insightful.
2018 (66th)	Mouna Prathanapole	Malayalam	S. Jayachandran Nair	Kerala State Chalachitra Academy	S Jayachandra Nair’s Mounaprarthana Pole (Like A Silent Prayer) is a detailed appreciation on the cinema of auteur G Aravindan’s in a format that makes for approachable reading for both the serious cinema student and the common man. The book analyses Aravindan’s creations from the point of view of his cultural and personal backgrounds, and deals with both the filmmaker and his films.

References

1. "29th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
2. "30th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
3. "31st National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
4. "32nd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
5. "33rd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
6. "34th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
7. "35th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
8. "36th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
9. "37th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
10. "38th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
11. "39th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
12. "40th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
13. "41st National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
14. "42nd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
15. "43rd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
16. "44th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
17. "45th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
18. "46th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
19. "47th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
20. "48th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
21. "49th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
22. "50th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
23. "51st National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
24. "52nd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
25. "53rd National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
26. "54th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
27. "55th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
28. "56th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
29. "57th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
30. "58th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
31. "59th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
32. "60th National Film Awards" (PDF). Directorate of Film Festivals. Retrieved 27 March 2022.
33. "61st National Film Awards" (PDF). Directorate of Film Festivals. 16 April 2014. Archived from the original (PDF) on 16 April 2014. Retrieved 16 April 2014.
34. "62nd National Film Awards" (PDF) (Press release). Directorate of Film Festivals. 24 March 2015. Retrieved 24 March 2015.
35. "63rd National Film Awards: List of winners". The Times of India. 28 March 2013. Retrieved 28 March 2016.
36. "64th National Film Awards: List of winners" (PDF). Directorate od Film Festivals . 7 April 2017. Retrieved 8 April 2017.

External links

• Official Page for Directorate of Film Festivals, India
• National Film Awards Archives