The NMM's renowned collections, which include American, European, and non-Western instruments from a wide breadth cultures and historical periods, are among the world's most inclusive. They contain many of the earliest, best preserved, and historically most Western important instruments known to survive. The quality and scope of the NMM has earned it international recognition.[citation needed]
In August 2023, the museum re-opened its permanent exhibitions following a multi-year renovation and reinstallation. Alongside a modern addition to the historic Carnegie Library building, the new galleries offer over 16,000 square feet of displays showcasing the way musical instruments, across time and space, a part of our lives.[2]
The museum's current director is Dwight Vaught.[3]
Background
Grand piano by Louis Bas of Villeneuve-lès-Avignon, France, 1781. Earliest French grand piano known to survive; includes an inverted wrestplank and action derived from the work of Bartolomeo Cristofori (ca. 1700) with ornately decorated soundboard.
The NMM was founded as a partnership between the University of South Dakota, which provides staff and facilities for preservation, teaching, and research, and the Board of Trustees of the NMM, a non-profit, 501(c)(3) corporation that is responsible for acquisitions, public exhibiting, and programming. The NMM was established around the private musical-instrument collection, numbering approximately 2500 instruments, of Arne B. Larson. Larson's son, Dr. André P. Larson, was the founding director of the museum until his retirement in 2011.[4]
The NMM is housed in a complex that incorporates an historic building (originally the university's library, built in 1910 with a grant from Andrew Carnegie's library building program) mated with a modern addition, which was opened in 2021.[5] The Concert Hall has superb acoustics and provides a perfect setting for performing and recording music played on original instruments of various historical periods and cultural milieu. There is a specialized library, extensive study-storage areas, and a laboratory for the conservation and restoration of the instruments. There are violin-making tools and Baroque fittings, early harpsichord and fortepiano tuning hammers, and 1,000 brass instrument mouthpieces from virtually every turn-of-the-century manufacturer.
It also has rich holdings of related objects and archival materials, such as the unequaled Salabue-Fiorini-De Wit-Hermann-Witten-Rawlins Collection of 650 violin makers' labels. The American musical instrument manufacturers archives is the largest of its kind. Scholars from around the world make frequent use of the NMM's collections and facilities, providing an important opportunity for students to meet and work with individuals on the latest scholarship on musical research.
The NMM is the only place in the world where one can find two 18th-century grand pianos with the specific type of action conceived by the piano's inventor, Bartolomeo Cristofori. One of these, built in 1767 by Manuel Antunes of Lisbon, is the earliest signed and dated piano by a maker native to Portugal; the other, built by Louis Bas in Villeneuve-lès-Avignon in 1781, is the earliest extant French grand piano.
Other extraordinary keyboards include a Neapolitan virginal (ca. 1520), three 17th-century Flemish harpsichords (two by Andreas Ruckers), 17th- and 18th-century English, German, Portuguese, and French harpsichords, and German and Swedish clavichords.
A group of 500 instruments made in the late 19th and early 20th centuries by the C.G. Conn Company of Elkhart, Indiana, is a resource unparalleled anywhere for historical research about a major American industry and the American band movement.
The NMM's holdings by 17th- and 18th-century Nürnberg makers of wind instruments, including members of the Denner, Ehe, Haas, Oberlender,[6] and Steinmetz families, as well as Ernst Busch, Paul Hainlein, Johann Benedikt Gahn, Johann Carl Kodisch, Leonhard Maussiel, Michael Nagel, and Paulus Schmidt, are unique outside of Germany.
The sum of these groups of American, Dutch, German, and Italian instruments is to be found nowhere else.
The 1994 addition of the John Powers Saxophone Collection (Aspen, Colorado) and the Cecil Leeson Saxophone Collection and Archives (transferred from Ball State University) make the NMM the preeminent center for studying the history of the saxophone.
The 1996 addition of the Rosario Mazzeo (Carmel, California) and the Bill Maynard (Massapequa, New York) Clarinet Collections make the NMM the preeminent center for studying the clarinet.
The 1999 addition of the Joe & Joella Utley (Spartanburg, South Carolina) Collection and the establishment of the Utley Institute for Brass Studies makes the NMM the preeminent center for studying the history of brass instruments.
The Alan Bates Harmonica Collection and Archives (Wilmington, Delaware), received as a gift in 2000, is second in size and importance only to the Harmonika Museum in Trossingen, Germany.
In April 2007, the museum outbid New York's Metropolitan Museum of Art at a Christie's auction in acquiring a rare English cittern dating from the late 16th century, "This instrument is extremely rare, probably the only English cittern from the Renaissance known to survive," museum director André Larson said. "We already have an Italian cittern from the same period, but it's one of two or three that have survived."
A harpsichord is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute.
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds and percussion instruments, or the concert band, which uses brass, woodwinds and percussion.
Bartolomeo Cristofori di Francesco was an Italian maker of musical instruments famous for inventing the piano.
In music, a bow is a tensioned stick which has hair coated in rosin affixed to it. It is moved across some part of a musical instrument to cause vibration, which the instrument emits as sound. The vast majority of bows are used with string instruments, such as the violin, viola, cello, and bass, although some bows are used with musical saws and other bowed idiophones.
A luthier is a craftsperson who builds or repairs string instruments that have a neck and a sound box. The word luthier is originally French and comes from the French word for "lute". The term was originally used for makers of lutes, but it came to be used in French for makers of most bowed and plucked stringed instruments such as members of the violin family and guitars. Luthiers, however, do not make harps or pianos; these require different skills and construction methods because their strings are secured to a frame.
A fortepiano, sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. Most typically, however, it is used to refer to the mid-18th to early-19th century instruments, for which composers of the Classical era, especially Haydn, Mozart, and the younger Beethoven and Hummel, wrote their piano music.
Eugène Arnold Dolmetsch, was a French-born musician and instrument maker who spent much of his working life in England and established an instrument-making workshop in Haslemere, Surrey. He was a leading figure in the 20th-century revival of interest in early music.
The Ruckers family were harpsichord and virginal makers from the Southern Netherlands based in Antwerp in the 16th and 17th century. Their influence stretched well into the 18th century, and to the harpsichord revival of the 20th.
The Yale Morris Steinert Collection of Musical Instruments, a division of the Yale School of Music, is a museum in New Haven, Connecticut. It was established in 1900 by a gift of historic keyboard instruments from Morris Steinert, and later enriched in 1960 and 1962 by the acquisition of the Belle Skinner and Emil Herrmann collections. Initially housed under the dome of Woolsey Hall, it was moved in 1961 to a historic Romanesque structure on Hillhouse Avenue, constructed in 1895 for the Alpha Delta Phi fraternity.
The Cité de la Musique, also known as Philharmonie 2, is a group of institutions dedicated to music and situated in the Parc de la Villette, 19th arrondissement of Paris, France. It was designed with the nearby Conservatoire de Paris (CNSMDP) by the architect Christian de Portzamparc and opened in 1995. Part of François Mitterrand's Grands Projets, the Cité de la Musique reinvented La Villette – the former slaughterhouse district.
The Kirkman family were English harpsichord and later piano makers of Alsatian origin, active from the 1750s until the late 1800s.
The harpsichord was an important keyboard instrument in Europe from the 15th through the 18th centuries, and as revived in the 20th, is widely played today.
John D'Angelico was a luthier from New York City, noted for his handmade archtop guitars and mandolins. He founded the D'Angelico Guitars company, where other notable luthiers like Jimmy D'Aquisto served as apprentices.
Stewart Pollens is an expert on historical musical instruments. His work includes restoration, analysis, and scholarly publication; and it embraces keyboard instruments as well as historical stringed instruments such as the violin and cello. Andrew Manze has called him "one of the world’s foremost authorities on musical instruments."
Rembert Wurlitzer Co. was a distinguished firm in New York City that specialized in fine musical instruments and bows.
The English guitar or guittar is a stringed instrument – a type of cittern – popular in many places in Europe from around 1750–1850. It is unknown when the identifier "English" became connected to the instrument: at the time of its introduction to Great Britain, and during its period of popularity, it was apparently simply known as guitar or guittar. The instrument was also known in Norway as a guitarre and France as cistre or guitarre allemande. There are many examples in Norwegian museums, like the Norsk Folkemuseum and in British ones, including the Victoria and Albert Museum. The English guitar has a pear-shaped body, a flat base, and a short neck. The instrument is also related to the Portuguese guitar and the German waldzither.
The Berlin Musical Instrument Museum is located at the Kulturforum on Tiergartenstraße in Berlin, Germany. The museum holds over 3,500 musical instruments from the 16th century onward and is one of the largest and most representative musical instrument collections in Germany. Objects include a portable harpsichord once owned by Prussia's Queen Sophie Charlotte, flutes from the collection of Frederick the Great, and Benjamin Franklin's glass harmonica.
Andrea Amati was a luthier, from Cremona, Italy. Amati is credited with making the first instruments of the violin family that are in the form we use today. Several of his instruments survive to the present day, and some of them can still be played. Many of the surviving instruments were among a consignment of 38 instruments delivered to Charles IX of France in 1564.
D'Angelico Guitars of America is an American musical instrument manufacturer based in Manhattan, New York. The brand was initially founded by master luthier John D'Angelico in 1932, in Manhattan's Little Italy. In 1999, Steve Pisani, John Ferolito Jr., and Brenden Cohen purchased the D'Angelico Guitars trademark. Cohen serves as the brand's president and CEO. Original D'Angelico guitars are collector's items and have been used by musicians including Pete Townshend, Eric Clapton, Drake Bell, Bucky Pizzarelli, Chet Atkins, and Chuck Wayne. The D'Angelico Mel Bay New Yorker model was featured on the cover of the Mel Bay Publications' guitar method books for decades.
The Antunes family were Portuguese harpsichord- and early piano builders in the 18th and 19th centuries.
References
↑ "About Us". National Music Museum. Retrieved August 30, 2023.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
