Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
The Carmignano Visitation is a c.1528-1530 oil on panel painting of the Visitation by Pontormo, now in the propositura dei Santi Michele e Francesco in Carmignano.
Faith is a 1470 oil on panel painting by Piero del Pollaiolo, now in the Uffizi in Florence.
Portrait of a Woman is a c.1475 tempera and oil on panel painting by Antonio or Piero del Pollaiolo. It has been in the Uffizi in Florence since 1861. Since 1861 it has been misattributed to Piero della Francesca, a young Leonardo da Vinci and Cosimo Rosselli.
Moses Defends Jethro's Daughters is a c.1523-1524 oil on canvas painting attributed to Rosso Fiorentino, now in the Uffizi in Florence, which acquired it in 1632. It depicts Moses defending the seven daughters of Jethro, his father-in-law.
The Dei Altarpiece is an oil on panel painting by Rosso Fiorentino, commissioned in 1509 by the Dei family and completed in 1522. It is now in Florence's Galleria Palatina, whilst the Uffizi holds a preparatory drawing which may be the original idea for the work.
Cherub Playing a Lute or Musical Cherub is a 1521 oil on panel painting by Rosso Fiorentino, now in the Uffizi in Florence. It is signed "Rubeus Florentinus" and dated - though the date is unclear it probably reads 1521.
Portrait of a Young Woman is a c.1510 oil on canvas painting, usually attributed to Rosso Fiorentino, though Giovanni Larciani has also recently been suggested as its artist. It is now in the Uffizi in Florence. It is usually thought to be an early work by Rosso, produced before the frescos of the Chiostrino dei Voti at Santissima Annunziata, Florence, though its sharp style makes it hard to give a definite attribution to Rosso.
Supper at Emmaus is a 1525 oil on canvas painting by Pontormo and now in the Uffizi in Florence. It is one of the smallest works signed and dated by the artist, in this case on the abandoned scroll in the foreground.
Expulsion from Paradise or the Expulsion of Adam and Eve is an oil on panel painting by Pontormo, now in the Uffizi in Florence, whose Gabinetto Disegni e Stampe also has a preparatory drawing for it. Its dating is also uncertain and varies between c.1519 and c.1543, but is held to be c.1535 by the Uffizi.
Woman with a Basket of Spindles is an oil on panel painting, executed c. 1514-1515, now in the Uffizi in Florence. It is attributed to Pontormo or Andrea del Sarto. The work arrived in the Palazzo Pitti's gallery in 1773, as recorded in a note on the reverse, and in 1784 is was hanging in the Sala dell'Ermafrodito. It was last restored in 1996.
The Ten Thousand Martyrs is a oil on panel painting by Pontormo, executed c. 1529-1530, produced for the monks of Florence's Spedale degli Innocenti and now in the city's Galleria Palatina. It shows the martyrdom of the eponymous martyrs alongside Saint Maurice. A copy of the left hand side of the work in the Uffizi is attributed to a young Bronzino.
Scene from Hospital Life is a monochrome fresco fragment by Pontormo, executed c. 1514, originally in Florence's Ospedale di San Matteo, from which it was removed in the 18th century when that building was converted into a museum. It is now in the city's Galleria dell'Accademia.
Madonna and Child with the Infant Saint John the Baptist is an oil on panel painting by Pontormo, now in the Uffizi, whose Gabinetto dei Disegni e delle Stampe also houses a preparatory drawing for the work. The two theories on its dating are 1534-1536 and Antonio Natali's theory of 1529–1530.
Madonna of the Book is a c.1540-1545 oil on panel painting by Pontormo, heavily influenced by Michelangelo and now in a private collection. It may be the work described in Lives of the Artists as a "canvas of Our Lady" found among drawings, cartoons and terracotta models in the painter's home after his death and which was then given to Piero Salviati by the painter's heirs.
Holy Family with the Infant Saint John the Baptist is a c.1522-1523 oil on panel painting by Pontormo, produced early in his career. It now hangs in the Hermitage Museum, which acquired it with countess E. I. Mordvinova's collection. A preparatory drawing survives in the Uffizi's Gabinetto dei Disegni e delle Stampe.
Saint Anthony Abbot is an oil on panel painting by Pontormo, now in the Uffizi in Florence.
Portrait of Cosimo the Elder is a oil on panel painting by Pontormo, executed c. 1519-1520, now in the Uffizi, Florence.
Portrait of Maria Salviati is a oil on panel painting attributed to Pontormo, executed c. 1543-1544, in the Uffizi, Florence.
Portrait of Monsignor Della Casa is a c. 1541-1544 oil on panel by Pontormo, now in the National Gallery of Art in Washington, D.C.. Previously identified as Niccolò Ardinghelli, it is now thought to show Giovanni della Casa, author of Galateo.
