New Ways but Love Stays

Last updated
New Ways But Love Stays
The Supremes - New Ways but Love Stays.png
Studio album by
ReleasedOctober 1970 [1]
Recorded1970
Genre Soul, pop
Length31:12 [1]
Label Motown
MS 720
Producer Frank Wilson
The Supremes chronology
The Magnificent 7
(1970)
New Ways But Love Stays
(1970)
The Return of the Magnificent Seven
(1971)
Singles from New Ways but Love Stays
  1. "Stoned Love"
    Released: October 15, 1970

New Ways But Love Stays is the twentieth studio album by the Jean Terrell-led Supremes. Building on the foundation of the group's first LP, Right On , New Ways was produced by Frank Wilson and features The Supremes' most successful single with Terrell, "Stoned Love".

Contents

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [1]
Cashbox (Favorable) [2]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [3]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [4]

The Rolling Stone Album Guide praised the "magnificent" "Stoned Love", before lamenting the group's slide into "mere professionalism." [4] A Cashbox reviewer wrote: 'An apt title indeed for this new Supremes outing showcasing some of Motown's newer writers. And there's been a subtle change in the group along much the same lines as the Temps. Songs are longer with a shift in emphasis to arranging of the instrumental parts of the songs. No longer is the band just a backing group but, again as with the Temps, has become a totally integrated entity along with the girls so that the Supremes now are not simply a trio but a twenty piece group. This then is Motown's key to chart success, never stand still. "Stoned Love," "It's Time To Break Down," and "Together We Can Make Such Sweet Music" are perfect examples. Paul and Artie's "Bridge" is given the best treatment since the original. Super LP!' [2] Robert Hilburn wrote in his syndicated record review column that 'Without Miss Ross, the Supremes still have a pleasant sound, but not really an impressive or commanding one.' [5]

Covers

On New Ways But Love Stays The Supremes covered Simon & Garfunkel's "Bridge Over Troubled Water", The Beatles' "Come Together, Steam's "Na Na Hey Hey (Kiss Him Goodbye)", and The Spinners' "Together We Can Make Such Sweet Music".

Track listing

Side one

  1. "Together We Can Make Such Sweet Music" (Martin Coleman, Richard Drapkin)
  2. "Stoned Love" (Yennik Samoht, Frank Wilson)
  3. "It's Time to Break Down" (Ellean Hendley, Wilson)
  4. "Bridge Over Troubled Water" (Paul Simon)
  5. "I Wish I Were Your Mirror" (Pam Sawyer, Frank Wilson)

Side two

  1. "Come Together" (John Lennon, Paul McCartney)
  2. "Is There a Place (In His Heart for Me)" (Clay McMurray, Martin Coleman)
  3. "Na Na Hey Hey (Kiss Him Goodbye)" (Gary DeCarlo, Dale Frashuer, Paul Leka)
  4. "Shine on Me" (Frank Wilson)
  5. "Thank Him for Today" (Vincent DiMirco)

Bonus tracks

  1. "Love the One You're With" (Stephen Stills) (CD bonus track, position # 7, it does not appear on the original LP)

Personnel

Production

Charts

Chart (1970)Peak
position
US Billboard 200 [6] 68
US Top R&B/Hip-Hop Albums (Billboard) [7] 12
US Cashbox Top 100 [8] 59

Related Research Articles

<span class="mw-page-title-main">The Supremes</span> American Motown female singing group

The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.

<span class="mw-page-title-main">Cindy Birdsong</span> Black American singer (born 1939)

Cynthia Ann Birdsong is an American singer who became famous as a member of The Supremes in 1967, when she replaced co-founding member Florence Ballard. Birdsong had previously been a member of Patti LaBelle & The Bluebelles.

Velma Jean Terrell is an American R&B and jazz singer. She replaced Diana Ross as the lead singer of The Supremes in 1970.

<span class="mw-page-title-main">Stoned Love</span> 1970 single by The Supremes

"Stoned Love" is a 1970 hit single recorded by The Supremes for the Motown label. It was the last Billboard Pop Top Ten hit for the group, peaking at number seven, and their last Billboard number-one R&B hit as well, although the trio continued to score top ten hits in the UK into 1972. In the UK, it was the post-Ross Supremes' biggest hit, reaching number 3 in the singles chart. The single spent six weeks in the UK top ten and five weeks in the US top ten. The BBC ranked "Stoned Love" at number 99 on The Top 100 Digital Motown Chart, which ranks Motown releases solely on their all time UK downloads and streams.

<span class="mw-page-title-main">Love Child (song)</span> 1968 single by Diana Ross & the Supremes

"Love Child" is a 1968 song released by the Motown label for Diana Ross & the Supremes. The second single and title track from their album Love Child, it became the Supremes' 11th number-one single in the United States, where it sold 500,000 copies in its first week and 2 million copies by year's end.

<i>Farewell</i> (The Supremes album) 1970 live album by Diana Ross & the Supremes

Farewell is a 1970 live album by Diana Ross & the Supremes. The album was recorded over the course of the group's final engagement together at the New Frontier Hotel and Casino in Las Vegas, Nevada, including the final night on January 14, 1970. The show marked Diana Ross' penultimate performance with fellow Supremes members Mary Wilson and Cindy Birdsong. At the conclusion of the show, new Supremes lead singer Jean Terrell was brought onstage and introduced to the audience.

<span class="mw-page-title-main">Up the Ladder to the Roof</span> 1970 single by The Supremes

"Up the Ladder to the Roof" is a 1970 hit single recorded by The Supremes for the Motown label. It was the first Supremes single to feature new lead singer Jean Terrell in place of Diana Ross, who officially left the group for a solo career two weeks before the recording of this song in January 1970. This song also marks a number of other firsts: it is the first Supremes single since "The Happening" in 1967 to be released under the name "The Supremes" instead of "Diana Ross & The Supremes", the first Supremes single solely produced by Norman Whitfield associate Frank Wilson, and the first Supremes single to make the United Kingdom Top 10 since "Reflections" in 1967.

<i>Diana Ross & the Supremes Join the Temptations</i> 1968 studio album by Diana Ross & the Supremes and The Temptations

Diana Ross & the Supremes Join the Temptations is a collaborative album combining Motown's two best selling groups, Diana Ross & the Supremes and the Temptations. Issued by Motown in late 1968 to coincide with the broadcast of the Supremes/Temptations TCB television special, the album was a success, reaching #2 on the Billboard 200. Diana Ross & the Supremes Join the Temptations spent four weeks at number one on the UK Albums Chart.

<i>Right On</i> (The Supremes album) 1970 studio album by The Supremes

Right On is the nineteenth studio album by The Supremes, released in 1970 for the Motown label. It was the group's first album not to feature former lead singer Diana Ross. Her replacement, Jean Terrell, began recording Right On with Mary Wilson and Cindy Birdsong in mid-1969, while Wilson and Birdsong were still touring with Ross.

<i>Cream of the Crop</i> 1969 studio album by Diana Ross & The Supremes

Cream of the Crop is the eighteenth studio album released by Diana Ross & the Supremes for the Motown label. It was the final regular Supremes studio album to feature lead singer Diana Ross. The album was released in November 1969, after the release and rising success of the hit single "Someday We'll Be Together."

<i>Touch</i> (The Supremes album) 1971 studio album by The Supremes

Touch is the twenty-third studio album by The Supremes, released in the summer of 1971 on the Motown label. It was the third and final LP under the supervision of Frank Wilson, who had been the group's main producer since 1970, when Jean Terrell joined as lead singer. The album also marked the first Motown contributions by composer-producer Leonard Caston, Jr. and writer-lyricist Kathleen Wakefield: "Nathan Jones", a hit single sung by all three members, which was later recorded by Bananarama, and "Love It Came to Me This Time".

<i>The Supremes Produced and Arranged by Jimmy Webb</i> 1972 studio album by The Supremes

The Supremes Produced and Arranged by Jimmy Webb is the twenty-sixth studio album released by The Supremes on the Motown label in 1972. It stands as a unique entry in The Supremes' discography as it was the only album produced by a non-Motown artist, the accomplished songwriter and producer Jimmy Webb. This album also marked the final appearance of Jean Terrell as the lead singer of The Supremes during the early 1970s.

<i>Greatest Hits</i> (The Supremes album) 1967 greatest hits album by The Supremes

Diana Ross & the Supremes: Greatest Hits is a two-LP collection of singles and b-sides recorded by The Supremes, released by Motown in August 1967. The collection was the first LP to credit the group under the new billing Diana Ross & the Supremes. Although founding member Florence Ballard is pictured on all album artwork and sings on all the tracks, by the time the set was released, she had been fired from the group and replaced by Cindy Birdsong.

<i>The Magnificent 7</i> (album) 1970 studio album by The Supremes and The Four Tops

The Magnificent 7 is a collaborative album combining Motown's premier vocal groups, The Supremes and The Four Tops. Issued by Motown in 1970, it followed two collaborative albums The Supremes did with The Temptations in the late 1960s. The album featured their hit cover of Ike & Tina Turner's "River Deep – Mountain High", which reached number 14 on the US Billboard Hot 100 singles chart. In the UK, the album peaked at number 6. In December 1971, Billboard reported UK album sales of 30,000 copies.

<i>The Return of the Magnificent Seven</i> 1971 studio album by The Supremes and The Four Tops

The Return of the Magnificent Seven is the second collaborative album between Motown label-mates The Supremes and Four Tops, released in 1971.

<span class="mw-page-title-main">Everybody's Got the Right to Love</span> 1970 single by The Supremes

"Everybody's Got the Right to Love" is a socially conscious–inspired pop song written by Lou Stallman, produced by Frank Wilson and released as a single in 1970 by Motown group The Supremes, who took the song into the top forty in mid-1970 following the release of "Up the Ladder to the Roof".

<span class="mw-page-title-main">Touch (The Supremes song)</span> 1971 single by The Supremes

"Touch" is a soft ballad written by Pamela Sawyer and Frank Wilson, who also produced it as a single for Motown recording group The Supremes, who issued it as a single in 1971.

<i>This Is the Story: The 70s Albums, Vol. 1 – 1970–1973: The Jean Terrell Years</i> 2006 box set by The Supremes

This Is The Story is a box set, released in 2006, comprising The Supremes' albums from the period 1970-1973, featuring new lead singer Jean Terrell, along with Mary Wilson, Cindy Birdsong and Lynda Laurence In addition to the five studio albums Right On, New Ways But Love Stays, Touch, Floy Joy, and The Supremes Produced and Arranged by Jimmy Webb, the set also includes thirteen tracks from the group's unreleased 1972 album, Promises Kept. Not included from the same time period are the three duet albums recorded with Four Tops; these were issued in full in 2009 on the 2-CD compilation Magnificent - The Complete Studio Duets, which included 13 previously unreleased recordings.

"Together We Can Make Such Sweet Music" is a 1967 song co-written by Richard Drapkin and Marty Coleman. In 1968 it was assigned to Artie Fields' Top Dog label in Detroit and issued as a 45 by rhythm and blues singer Joe Towns.

<span class="mw-page-title-main">Your Wonderful, Sweet Sweet Love</span> 1972 single by The Supremes

"Your Wonderful, Sweet Sweet Love" is a song written by Smokey Robinson, recorded in October 1966 by Kim Weston. Her recording was not issued at the time as she left the label over a dispute over royalties in 1967. Weston's original version was first released in 2005.

References

  1. 1 2 3 "New Ways but Love Stays". AllMusic . Retrieved 2012-03-03.
  2. 1 2 "cashbox / album reviews" (PDF). Cashbox . October 17, 1970. p. 42. Retrieved 2 January 2022.
  3. Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 7. MUZE. p. 859.
  4. 1 2 The Rolling Stone Album Guide. Random House. 1992. p. 684.
  5. Robert Hilburn, 'Johnny Cash waxes an "easy" album' Los Angeles Times, "Calendar" section 1 November 1970, p. 46
  6. "The Supremes Chart History (Billboard 200)". Billboard. Retrieved 1 January 2020.
  7. "The Supremes Chart History (Top R&B/Hip-Hop Albums)". Billboard. Retrieved 1 January 2020.
  8. "TOP 100 Albums" (PDF). Cashbox . October 31, 1970. p. 88. Retrieved 2 January 2022.