New York Gilbert and Sullivan Players

Last updated
Albert Bergeret, Artistic Director, and David Wannen, Executive Director, of NYGASP Albert and David 2014.jpg
Albert Bergeret, Artistic Director, and
David Wannen, Executive Director, of NYGASP

New York Gilbert and Sullivan Players (often known as NYGASP) is a professional repertory theatre company, based in New York City that has specialized in the comic operas of Gilbert and Sullivan for over 40 years. It performs an annual season in New York City and tours extensively in North America.

Contents

Beginning in New York City in 1974 by performing the Savoy operas with piano accompaniment, the company hired its first orchestra in 1979 for its seasons at Symphony Space theatre in New York. The company was fully professional by the 1980s and began touring, presenting its full-scale productions at such venues as Wolf Trap in Virginia, as well as its New York seasons. In 2002, NYGASP first rented the 2,750-seat New York City Center, where it performed most of its annual New York seasons until 2013. It has also performed at the International Gilbert and Sullivan Festival several times. NYGASP also performs at schools and offers smaller touring groups and cabaret performances.

History

Early years

Albert Bergeret founded the New York Gilbert and Sullivan Players in 1974, together with his wife, Gail Wofford (they married in 1978) and a few others. Bergeret, Wofford and most of the other founders were alumni of the Barnard Gilbert and Sullivan Society, a New York City college theatre group that presented the operas of Gilbert and Sullivan at Columbia University from 1948 to 1991. [1] [2] [3]

Symphony Space, the company's home from 1978 to 2001 and occasionally thereafter WTM NewYorkDolls 029.jpg
Symphony Space, the company's home from 1978 to 2001 and occasionally thereafter

The nascent group's first performance was in Straus Park, on the Upper West Side of Manhattan, on July 14, 1974 as part of a street fair. In the early years of the company, singers were drawn from Columbia University and from the semi-pro New York theatre community, including Vincent La Selva's opera workshop, and sang without compensation. Originally called "West Side Gilbert & Sullivan Players", the group originally performed scenes from Gilbert and Sullivan operas with a sound system and a cast of nine people in outdoor performances and in nursing homes and hospitals around New York City, with borrowed costumes, set pieces and an electric piano from the New York Grand Opera, the Bloomingdale School of Music and other supporters. Their first indoor home was at the theatre in the B’nai Jeshurun Community Center. Bergeret designed and built the sets and acted as stage and musical director. In 1975, the company incorporated as a not-for-profit organization under the current name. [4]

At the beginning of 1976, the company began to offer runs in repertory on Sundays, the only day the theater was available, since the New York School of Opera used the space on other days. After several Sunday performances of H.M.S Pinafore and Trial by Jury , NYGASP expanded its repertoire by premiering a new production of The Pirates of Penzance on Sunday afternoon, February 29, 1976 – the 30th birthday of the character Frederic from that opera. Bergeret appeared on stage ahead of the performance, made up as the 120-year-old hero, and a large cake was cut and shared with the audience. WQXR Radio's manager, Robert Sherman assisted with the festivities. That autumn, the company had grown sufficiently to permit four shows – Pinafore, Pirates, The Mikado , and Iolanthe – to be presented in rotation. Beginning in the fall of 1977, the company was performing full weeks runs of the operas, and the following year it moved into the 700-seat Symphony Space theatre in New York, including a production celebrating the centenary of H.M.S. Pinafore. Bergeret traded his services as the first Technical Director of Symphony Space (and Wofford as House Manager) in exchange for office space, storage and theatre dates. [4]

Bergeret was ambitious, and he wanted his company to grow and become fully professional. In May 1979, NYGASP hired its first 25-piece orchestra and began to pay performance fees to principal singers as the level of professionalism of its cast continued to increase. NYGASP scored a publicity coup on October 28, 1979, when pictures of the cast performing excerpts from Pinafore on the Staten Island Ferry were displayed in the Sunday New York Times and the New York Daily News . The company expanded its audience further at Symphony Space as it celebrated the centennials of the G&S operas there, beginning with The Pirates of Penzance in 1979, eventually performing all of the extant Savoy operas. NYGASP attracted such loyal fans and supporters as writer Isaac Asimov and began to gain favorable and frequent reviews in The New York Times and the Daily News, among others. [5]

The 1980s and 1990s

The company frequently performs The Pirates of Penzance Pirate King1.jpg
The company frequently performs The Pirates of Penzance

The 1981 season opened with NYGASP's celebration of the Patience centenary in April 1981 (hosted by Asimov). In the fall of 1981, NYGASP began touring its productions along the U.S. East Coast in addition to its short New York seasons. By the early 1980s, NYGASP paid performance fees not only to principal singers, but also to choristers. The company was able to attract an increased level of contributions, including annual grants from the New York State Council on the Arts. By the mid-1980s, NYGASP had attracted an independent Board of Directors to assist with fund raising and risk management. [6]

NYGASP has imported various guest stars over the years to appeal to a larger audience. In 1984, NYGASP hired John Reed, the former principal comedian of the D'Oyly Carte Opera Company, to join NYGASP for a centennial production of Princess Ida at Symphony Space. [7] He remained as the company's principal comedian for five more of its New York seasons. [8] His presence also attracted additional professional singers to NYGASP for the chance to perform with him, and he was able to impart some of his experience to company regulars. At a gala benefit for the company at Symphony Space in 1987, Reed, dressed as the Lord Chancellor from Iolanthe, proposed marriage, on stage, to celebrity sex therapist and author Dr. Ruth Westheimer. Later guest stars came mostly from a television background. [9] Some of those, like Steve Allen in 1995, were criticized for their lack of experience in the genre, [10] while others, like Hal Linden in 2008, fared well.

NYGASP averaged four productions a year at Symphony Space during the 1980s and 1990s, each playing for about a week. In 1985, the orchestra was unionized, and in 1989 the company entered into an agreement with the Actors' Equity union. The company's repertoire expanded throughout the 1980s, and it gradually produced all of the extant Gilbert and Sullivan operas. There was also a short-lived attempt in 1989 to broaden the company's repertory beyond G&S, when it presented Gershwin's Pulitzer Prize-winning musical Of Thee I Sing . [11] But the experiment proved too expensive for the company, and since then, NYGASP has stayed with G&S (and a few presentations of Sullivan collaborations with other librettists). NYGASP recovered from a financially difficult 1990 with the help of supporter contributions and a willingness of its audiences to pay higher ticket prices, and the company survived (after one dark season), and continued to grow, through the 1990s, outliving the other professional light opera companies in New York City, notably the year-round Light Opera of Manhattan. In 1997 the company hired a professional touring management company.

21st century

In 2001, Symphony Space closed for renovations. NYGASP rented New York City Center, a 2,750-seat theatre in midtown Manhattan, for its 2002 season. [12] During a three-week run of Pirates, H.M.S. Pinafore, and The Mikado, the company enjoyed good box office results and continued to perform at City Center most seasons thereafter until 2013. Moving to this large house increased NYGASP's level of recognition and its annual budget to nearly 1.5 million dollars. [13] [14] Since 2014, the company has used other venues for its New York seasons. [2] [15] [16] Bergeret still serves as NYGASP's Artistic Director and General Manager, and Wofford continues to supervise the costumes and helps to run the company, along with other members of the NYGASP team, including executive director David Wannen (since 2006) and associate director and choreographer David Auxier (since 2008). [17] In 2022, Bergeret received a Legend of Off Broadway award at the Off Broadway Alliance Awards, for "extraordinary contributions over many years". [18]

H.M.S. Pinafore is another mainstay of the company Pinafore1899.jpg
H.M.S. Pinafore is another mainstay of the company

For their recent New York seasons, NYGASP has generally programmed about three G&S operas, one or two of which are drawn from the "Big Three" (Pinafore, Pirates or Mikado) and at least one of which is one of the less often seen Savoy operas. [14] In 2007, NYGASP presented, at City Center, a performance of The Rose of Persia , a comic opera by Sullivan and Basil Hood that had not been performed by a professional company for over seventy years. [19] NYGASP continues to present broadly traditional productions of Gilbert and Sullivan, usually with a number of topical references added in. [20] In their Pirates production, for instance, at one point the company performs a kick-line parody of A Chorus Line . [21] But mostly they stay close to Gilbert's libretti. [22]

NYGASP uses a number of different directors and conductors from time to time, but most of the productions are still directed and conducted by Bergeret. [16] Notable singers who have recently performed with the company include Broadway soprano Kimilee Bryant and tenors Keith Jameson (ENO; NYCO) and Brandon Jovanovich (San Francisco Opera; NYCO), who have gone on to substantial opera careers. In reviewing the company's Pinafore in 2008, The New York Times wrote, "From a staging perspective, there is nothing remotely subtle about Mr. Bergeret’s approach. Spoken dialogue is emphatically underlined with endless mugging and exaggerated gestures. ... Still, all hands treat the music with style and respect. Mr. Bergeret drew playing of bouncy refinement from the orchestra. The principals were uniformly good." [23] In a 2010 review of Ruddigore , the Financial Times praised the company's "roster of principals, mostly youthful, who treat the music with lilting grace, rhythmic bravado and patter virtuosity, as needed". [24] A 2012 review called the company's Pirates "a spectacularly entertaining show that channels decades of great theatrics, a little modern humor, and a perfectly picturesque staging." [25] [26]

NYGASP continues to tour on the East Coast, in the Midwest and in other parts of the U.S. several times each year, performing regularly at Wolf Trap's Filene Center in Vienna, Virginia; Van Wezel Hall in Sarasota, Florida; the Mann Center outside Philadelphia; McCarter Theater in Princeton, New Jersey; the Shubert Theater in New Haven, Connecticut; and in Saratoga Springs, New York, among other venues, often earning positive reviews. [27] [28] In 2004, the company presented two G&S productions in England at the International Gilbert and Sullivan Festival. It also presented two full-scale productions (Pinafore and Pirates) and its cabaret-style revue, "I've Got a Little Twist", at Gettysburg, Pennsylvania, as part of the U.S. leg of the 2010 International G&S Festival.[ citation needed ]

NYGASP usually presents a New Year's Eve gala and sometimes other special events, featuring pastiches or lesser-known Sullivan music or company members' favorite songs in concert, and there is sometimes a segment where spontaneous audience requests are played, with orchestra, and with singers chosen on the spot by the conductor. [29] It also offers small groups of singers for concerts, private and corporate events and outdoor performances, under the name "Wand’ring Minstrels" and its cabaret-style revue combining Gilbert and Sullivan with musical theatre, I've Got a Little Twist, written and directed by David Auxier. [30] [31] The piece won a Backstage Bistro Award in 2010. [32] In addition, NYGASP groups have often performed on the "listening room" program on WQXR radio in New York City and have been seen on The Today Show on Saturday morning on NBC. In 2002, the company produced a Gilbert and Sullivan potpourri CD titled Oh Joy! Oh, Rapture!.

The company celebrated its 40th anniversary in 2014 with a New York season at the Skirball Center for the Performing Arts in New York University [16] and a return to the International Gilbert and Sullivan Festival in England. [33] [34] In 2015, the company withdrew a planned revival of The Mikado after a protest by Asian-Americans about stereotypical elements of their production reflected in the company's publicity materials. [35] The company redesigned its production after consulting with an advisory group of Asian-American theatre professionals and journalists and debuted the new concept in December 2016, receiving a warm review in The New York Times. [36] Recent New York seasons have played at the Sylvia and Danny Kaye Playhouse at Hunter College. Of the company's production of The Yeomen of the Guard there in 2018, Aaron Elstein wrote in Crain's New York Business , "the crowd ... exulted in delight." [37]

School and outreach programs

Each season, NYGASP offers a few full-scale performances of its main stage productions to NYC public school groups free of charge (paid for by corporate sponsors). It also presents its "Family Overtures" series of pre-show introductions for multi-generational audiences. [38] In addition, Bergeret and small groups of performers from NYGASP travel to private schools in New York City to give concert-classes about the music and satire of Gilbert and Sullivan and other aspects of presenting G&S. The company also presents nearly full-scale or shortened versions of the shows at various schools throughout the school year, and sometimes invites school groups to see their shows for free or at reduced prices. [39]

NYGASP has an arrangement with the school district in Syosset, New York, in which, each spring, a shortened version of one of a G&S opera is presented at a school, with piano accompaniment, using NYGASP principals, and giving an opportunity to 40-60 6th grade students to act as the chorus. [38] The music teachers teach the students their vocal parts, and then Bergeret and a NYGASP accompanist teach the students the staging and choreography of the show and refine the choral music. The children rehearse for a full day with the NYGASP principals and have the opportunity to ask any questions that may occur to them. Two performances are given by the students at their school. In addition, introductory programs are given in advance to each of the 5th and 6th grade classes in the school district, to acquaint the students with some of the material and any special concepts they may need to understand (such as "apprenticeship" in The Pirates of Penzance or the British class structure in H.M.S. Pinafore). Sometimes the children also travel to New York City to see a full-scale NYGASP production.

See also

Notes

  1. ↑ Smith, Dinitia. "Decades of Polishing Up the Handle", The New York Times , December 31, 2005, p. 9
  2. 1 2 Stewart, Zachary. "What Does Justin Bieber Have to Do With Gilbert & Sullivan?", TheatreMania.com, December 13, 2013
  3. ↑ "Barnard Gilbert and Sullivan Society to Give Two Operettas", Columbia Daily Spectator, Vol. C, No. 97, April 18, 1956
  4. 1 2 NYGASP Theatre Program, "Prime Time G&S: 20th Anniversary Celebration", April 24, 1994, Symphony Space, New York City
  5. ↑ Recent and archived reviews of the company's performances
  6. ↑ Current members of the NYGASP Board of Directors
  7. ↑ Holden, Stephen. "Operetta: Gilbert and Sullivan's Ida", The New York Times, January 1, 1984
  8. ↑ Kozinn, Allan. "A Pirates of Penzance With Some Opulence", The New York Times, December 22, 1988
  9. ↑ Morrison, Michael A. "A Topsy-Turvy World", Theatre Mania, December 2001, accessed December 3, 2012
  10. ↑ Oestreich, James R. "Giving The Mikado a Steve Allen Treatment", The New York Times, January 7, 1995, accessed December 3, 2012
  11. ↑ Holden, Stephen. "Reviews/Music; Gilbert and Sullivan Yield to Gershwin and Ryskind", The New York Times, April 3, 1990, accessed December 26, 2013
  12. ↑ Griffiths, Paul. "Operetta Review; Softhearted Pirates and One Sappy Guy", The New York Times, January 15, 2002, accessed July 22, 2016; and Kennerley, David. "Fairies Gone Wild, Fa-la", Gay City News, Vol. 3, issue 303, January 15–21, 2004, accessed July 22, 2015
  13. ↑ Gluck, Victor. The Mikado, TheatreScene.net, January 7, 2013
  14. 1 2 Smith, Steve. "When Yeomen Seek Yeowomen", The New York Times, January 21, 2013
  15. ↑ Smith, Steve. "A Satire With Targets Not So Well Remembered", The New York Times, 5 January 2014
  16. 1 2 3 Schweitzer, Vivien. "Naughty in Spite of Himself", The New York Times, November 2, 2014, accessed July 19, 2016; and Fonseca-Wollheim, Corinna da. "Is The Mikado Too Politically Incorrect to Be Fixed? Maybe Not.", December 30, 2016
  17. ↑ Rice, David M. "New York Gilbert & Sullivan Players – Iolanthe – conducted & directed by Albert Bergeret", Classical Source, November 8, 2015. Wannen and Auxier have also acted on stage with the company since 2003 and 1992, respectively.
  18. ↑ Rabinowitz, Chloe. "Harmony, Assassins & More Win 2022 Off Broadway Alliance Awards", BroadwayWorld.com, May 24, 2022
  19. ↑ Dale, Michael. "The Rose of Persia: Sullivan Without Gilbert", BroadwayWorld.com, 14 January 2007
  20. ↑ Smith, Steve. "Gilbert and Sullivan Made Jokes About Costco and Smartphones? Who Knew?", The New York Times, December 3, 2012
  21. ↑ Ciletti, Elena. "Pirates at The Smith was effervescent". Finger Lakes Times, April 11, 2011
  22. ↑ Review of NYGASP's Mikado. The New York Times, 2007
  23. ↑ Smith, Steve. "All Hands on Deck for Absurd Relevance", The New York Times, June 9, 2008
  24. ↑ Bernheimer, Martin. "Ruddigore, New York G&S Players", Financial Times, January 18, 2010
  25. ↑ Laxson, Erica. "The Pirates of Penzance at Wolf Trap", DCMetroTheaterArts.com, June 30, 2012
  26. ↑ Schweitzer, Vivien. "Those Brash Buccaneers, Pattering at Top Speed", The New York Times, 5 January 2014
  27. ↑ Burns, Ellen. "NYGASP's The Pirates of Penzance Delightfully Invades Wolf Trap", BroadwayWorld.com, June 15, 2015; and Peña, Susan L. "Pirates of Penzance judged perfect, perfect, perfect", Reading Eagle, March 2, 2009
  28. ↑ Sobelsohn, David. "H.M.S. Pinafore - W.S. Gilbert/Arthur Sullivan", CultureVulture.net, June 11, 2005
  29. ↑ Stewart, Zachary. "New York Gilbert and Sullivan Players Return for H.M.S. Pinafore and The Pirates of Penzance", TheaterMania.com, October 5, 2021
  30. ↑ Moore, Oscar E. "Gilbert & Sullivan with a twist at the Triad", TalkEntertainment.com, January 12, 2009, accessed September 29, 2011
  31. ↑ Kelley, Daniel. "I've Got a Little Twist", nytheatre.com, January 8, 2009, accessed September 29, 2011
  32. ↑ "Bistro Award Hall of Fame" (2010), Bistroawards.com, accessed September 29, 2010
  33. ↑ "NY Gilbert & Sullivan Players to Sail Across the Pond for Harrogate's 2014 International G&S Festival, Aug 5-10", BroadwayWorld.com, June 25, 2014
  34. ↑ Chalmers, Graham. "G&S festival at Harrogate: organiser’s lot is a happy one", Harrogate Advertiser, August 23, 2014
  35. ↑ Nguyen, Michael D. "New York City Production of 'The Mikado' Canceled Following Accusations of Racism", NBC News, September 18, 2015
  36. ↑ Fonseca-Wollheim, Corinna da. "Is The Mikado Too Politically Incorrect to Be Fixed? Maybe Not.", December 30, 2016; and "New York Gilbert & Sullivan Players Reveals Concepts for Reimagined The Mikado; Kelvin Moon Loh Joins Creative Team!", BroadwayWorld.com, October 6, 2016
  37. ↑ Elstein, Aaron. "The opera business has found its voice again", Crain's New York Business , November 12, 2018
  38. 1 2 Hochswender, Woody. "City Center: G & S Fest 2008", PlayBillArts.com, June 8, 2008
  39. ↑ Hochswender, Woody. "High Standards and Hijinks". Playbillarts.com, November 30, 2007, accessed 4 August 2010

Related Research Articles

<span class="mw-page-title-main">Gilbert and Sullivan</span> Victorian-era theatrical partnership

Gilbert and Sullivan was a Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.

<i>The Pirates of Penzance</i> 1879 comic opera by Gilbert & Sullivan

The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where it was well received by both audiences and critics. Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances.

<i>H.M.S. Pinafore</i> 1878 comic opera by Gilbert & Sullivan

H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.

<span class="mw-page-title-main">Anthony Warlow</span> Musical artist

Anthony Warlow is an Australian musical theatre performer, noted for his character acting and considerable vocal range. He is a classically trained lyric baritone and made his debut with the Australian Opera in 1980.

<span class="mw-page-title-main">John Reed (actor)</span> English actor, singer and dancer

John Lamb Reed, OBE was an English actor, dancer and singer, known for his nimble performances in the principal comic roles of the Savoy Operas, particularly with the D'Oyly Carte Opera Company. Reed has been called "the last great exponent" of the Gilbert and Sullivan comedy roles.

<span class="mw-page-title-main">D'Oyly Carte Opera Company</span> British theatre company

The D'Oyly Carte Opera Company is a professional British light opera company that, from the 1870s until 1982, staged Gilbert and Sullivan's Savoy operas nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere. The company was revived for short seasons and tours from 1988 to 2003, and since 2013 it has co-produced four of the operas with Scottish Opera.

Music Theater Works is a resident professional not-for-profit musical theatre company in Evanston, Illinois. It was founded in 1980 by Philip Kraus, Bridget McDonough, and Ellen Dubinsky.

<span class="mw-page-title-main">Light Opera of Manhattan</span>

Light Opera of Manhattan, known as LOOM, was an off-Broadway repertory theatre company that produced light operas, including the works of Gilbert and Sullivan and European and American operettas, 52 weeks per year, in New York City between 1968 and 1989.

<span class="mw-page-title-main">Donald Adams</span> English opera singer and actor (1928–1996)

Charles Donald Adams was an English opera singer and actor, best known for his performances in bass-baritone roles of the Savoy operas with the D'Oyly Carte Opera Company and his own company, Gilbert and Sullivan for All.

<span class="mw-page-title-main">Richard Walker (baritone)</span> English singer and actor (1897–1989)

Richard Walker, was an English opera singer and actor, best known for his performances in the baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. Between 1932 and 1939 Walker was married to D'Oyly Carte chorister Ena Martin. He married the company's principal soprano Helen Roberts in 1944.

<span class="mw-page-title-main">Patricia Leonard</span>

Patricia Leonard was an English opera singer, best known for her performances in mezzo-soprano and contralto roles of the Savoy Operas with the D'Oyly Carte Opera Company.

For nearly 150 years, Gilbert and Sullivan have pervasively influenced popular culture in the English-speaking world. Lines and quotations from the Gilbert and Sullivan operas have become part of the English language, such as "short, sharp shock", "What never? Well, hardly ever!", "let the punishment fit the crime", and "A policeman's lot is not a happy one".

LOOK Musical Theatre (LOOK) was a professional musical theatre company based in Tulsa, Oklahoma. The organization, governed by an elected board of directors, followed a repertory model in presenting a summer festival program of musicals and comic opera. LOOK's annual summer season of performances at the Tulsa Performing Arts Center was known as "The LOOK Festival."

Lamplighters Music Theatre is a semi-professional musical theatre company based in San Francisco, California. Founded in 1952 by Orva Hoskinson and Ann Pool MacNab, the Lamplighters specialize in light opera, particularly the works of Gilbert and Sullivan, as well as such works as The Merry Widow, Die Fledermaus, Of Thee I Sing, My Fair Lady, Candide, and A Little Night Music.

Kimilee Karyn Bryant is an American actress, singer and former Miss South Carolina. Bryant is best known for playing the role of Christine Daaé in the Broadway and other productions of The Phantom of the Opera, and later the role of Carlotta in the same musical. She has sung at Lincoln Center's Avery Fisher Hall and played many roles in U.S. regional theatres and opera, including at New York City Center with the New York Gilbert and Sullivan Players. She has also performed in cabaret, film and television.

<span class="mw-page-title-main">Derby Gilbert & Sullivan Company</span>

Derby Gilbert & Sullivan Company, based in Derby, England, produced the works of Gilbert and Sullivan from 1966 to 2018. The company won the amateur competition at the International Gilbert and Sullivan Festival an unprecedented six times and was called "one of the most highly acclaimed nonprofessional theatre companies in the UK". The company also won awards from the Waterford International Festival of Light Opera.

<span class="mw-page-title-main">Lakeshore Light Opera</span>

Lakeshore Light Opera (LLO) is an amateur community theatre group that performs Gilbert and Sullivan operas in Pointe-Claire, Quebec, Canada. The company produced its first show in 1955. Early in its history, the group was directed by former D'Oyly Carte Opera Company member Doris Hemingway, and briefly conducted by her husband, former D'Oyly Carte conductor Harry Norris. The group was known as St Paul's Operatic Society until 1980, when it changed its name to Lakeshore Light Opera. For over 35 years, proceeds from its annual production have been contributed to the Lakeshore General Hospital.

The Toronto Light Opera Association was an opera company based in Toronto, Ontario, Canada that specialized in performing the works of Gilbert and Sullivan. It was founded in 1940 and disbanded in 1955.

<span class="mw-page-title-main">The Gilbert and Sullivan Light Opera Company of Long Island</span>

The Gilbert and Sullivan Light Opera Company of Long Island is a 501(c)(3) non-profit organization whose mission is the promotion and performance of theater, musical theater and opera, including the works of Gilbert & Sullivan. The company is based in Long Island, New York and was founded in 1954.

<span class="mw-page-title-main">National Gilbert & Sullivan Opera Company</span>

The National Gilbert & Sullivan Opera Company is an English professional repertory company that performs Gilbert and Sullivan's Savoy operas. Founded in 1995 to perform at the International Gilbert and Sullivan Festival, the company generally stages three or four productions each summer, giving up to 16 performances in Harrogate, North Yorkshire, and also touring.

References

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.