Fairport Convention are an English folk rock band, formed in 1967 by guitarists Richard Thompson and Simon Nicol, bassist Ashley Hutchings and drummer Shaun Frater. They started out influenced by American folk rock, with a set list dominated by Bob Dylan and Joni Mitchell songs and a sound that earned them the nickname "the British Jefferson Airplane". Vocalists Judy Dyble and Iain Matthews joined them before the recording of their self-titled debut in 1968; afterwards, Dyble was replaced by Sandy Denny, with Matthews later leaving during the recording of their third album.
Rise Up Like the Sun is a British folk rock album released in 1978 by The Albion Band. The album is in part a collaboration between John Tams on vocals and melodeon and Ashley Hutchings on electric bass. This is not the first album on which the two worked together but it remains the most fulfilling for listeners. To build the sound Hutchings brought in two of his former compatriots from Fairport Convention, Dave Mattacks on drums and tambourine and Simon Nicol on vocals and electric and acoustic guitars. In addition another ex-member of Fairport, Richard Thompson, contributed songs and backing vocals. Having assembled the principal contributors and an ambiance that encouraged their friends to drop in, Hutchings gave Tams the freedom to act as the project's musical director. They were joined by Philip Pickett on shawms, bagpipes, curtals and trumpet, Pete Bullock on synthesiser, piano, clarinet, sax, and organ, Michael Gregory on percussion, Ric Sanders on violin and violectra and Graeme Taylor on electric and acoustic guitars. Kate McGarrigle, Julie Covington, Linda Thompson, Pat Donaldson, Martin Carthy, Andy Fairweather-Low and Dave Bristow make guest appearances.
The Albion Band, also known as The Albion Country Band, The Albion Dance Band, and The Albion Christmas Band, is a British folk rock band, originally brought together and led by musician Ashley Hutchings. An important grouping in the genre, it has contained or been associated with a large proportion of major English folk performers in its long and fluid history.
Anthems in Eden is a 1969 album by Shirley and Dolly Collins, with the Early Music Consort of London, directed by David Munrow. The album originally consisted of a 28-minute set of folk songs plus seven other individual pieces performed by the same group. The musical arrangements for these eight pieces included early music instruments, such as viols, recorders, sackbuts and crumhorns. In 1976, six new songs were recorded with a different assortment of accompanists, to replace the original seven individual songs. This 1976 album consisting of the 28-minute set plus the six new songs was released by Harvest Records under the title Amaranth. Subsequent releases have combined all fourteen pieces under the original title, Anthems in Eden.
Liege & Lief is the fourth album by the British folk rock band Fairport Convention. It is the third album the group released in the UK during 1969, all of which prominently feature Sandy Denny as lead female vocalist, as well as the first to feature future long-serving personnel Dave Swarbrick and Dave Mattacks on violin/mandolin and drums, respectively, as full band members. It is also the first Fairport album on which all songs are either adapted (freely) from traditional British and Celtic folk material, or else are original compositions written and performed in a similar style. Although Denny and founding bass player Ashley Hutchings quit the band before the album's release, Fairport Convention has continued to the present day to make music strongly based within the British folk rock idiom, and are still the band most prominently associated with it.
Simon John Breckenridge Nicol is an English guitarist, singer, multi-instrumentalist and record producer. He was a founding member of British folk rock group Fairport Convention and is the only founding member still in the band. He has also been involved with the Albion Band and a wide range of musical projects, both as a collaborator, producer and as a solo artist. He has received several awards for his work and career.
Morris On is a folk/rock album released in 1972 under the joint names of Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield. Like the subsequent "Descendant Of" Morris On albums, it features English Morris dance tunes and songs, played with a combination of traditional instruments and modern ones. In common with later records, dancers complete with bells and sticks were also included in the sessions. The album's name echoes that of Rock On, another 1972 record in which Hutchings was involved.
Battle of the Field is a folk rock album by the Albion Country Band, recorded in summer 1973 immediately prior to the band's breakup and only released in 1976 following public demand.
Gladys' Leap is the fourteenth studio album by Fairport Convention, released in August 1985. It was recorded in April and May 1985 at Woodworm Studios, Barford St. Michael, Oxfordshire, UK. It was produced and engineered by Simon Nicol, Dave Mattacks and Dave Pegg and the assistant engineers were Tim Matyear and Mark Powell. The album features the first contributions to a Fairport album by founding member Richard Thompson since Rosie in 1973. Thompson wrote the opening track "How Many Times" and played lead guitar on "Head in a Sack".
Rock On is a 1972 one-off album of oldies covers by The Bunch, a group of English folk rock singers and musicians. The Bunch was put together by Trevor Lucas in late 1971 to record this sole album. This album consisted of covers of the band’s favourite songs by Elvis Presley, Buddy Holly, and The Everly Brothers, amongst others.
Grandson of Morris On is a thematic album produced by Ashley Hutchings and others.
The Bunch were a British folk rock band, which came together in 1971 to record their one off album, Rock On.
The Prospect Before Us is a British folk rock album, by The Albion Dance Band, which was released in 1977 on the EMI Harvest label.
Rosie is a 1973 album by British folk rock band Fairport Convention, their eighth album since their debut in 1968.
The Cropredy Box is an album by Fairport Convention recorded at their annual live concert in Cropredy, Oxfordshire, England to celebrate the band's thirtieth anniversary in 1997. Featuring many songs for which the band had become noted, the set also features performances from many former members including violinist Dave Swarbrick, original vocalist Judy Dyble, and Ralph McTell. Commentary is provided by their first manager, Joe Boyd, and Ashley Hutchings.
The Etchingham Steam Band were a folk group formed by Ashley Hutchings and Shirley Collins in England in 1974 after the Albion Country Band had disbanded in late 1973.
Son of Morris On is a British folk rock album released in 1976 under the joint names of Ashley Hutchings, Simon Nicol, John Tams, Phil Pickett, Michael Gregory, Dave Mattacks, Shirley Collins, Martin Carthy, John Watcham, John Rodd, The Albion Morris Men, Ian Cutler, and the Adderbury Village Morris Men.
Live at the BBC is a compilation album by English folk-rock band Fairport Convention released in 2007. It includes tracks recorded for the BBC for various radio programmes between 1968 and 1974 and consists of four CDs in a fold-out package with a fifty-page booklet including song lyrics and numerous contemporary photographs.
Steve Frank Ashley is an English singer-songwriter, recording artist, multi-instrumentalist, writer and graphic designer. Ashley is best known as a songwriter and first gained public recognition for his work with his debut solo album, Stroll On. Taking his inspiration from English traditional songs, Ashley has developed a songwriting style which is contemporary in content while reflecting traditional influences in his melodies, poetry and vocal delivery.
Bright Phoebus, fully titled Bright Phoebus: Songs by Lal & Mike Waterson, is a folk rock album by Lal and Mike Waterson. It was recorded in May 1972 with musical assistance from various well-known members of the British folk rock scene. The album failed to make an impact on its original release, but it was subsequently championed by many musicians, including Billy Bragg, Arcade Fire, Richard Hawley and Jarvis Cocker. For years the album was difficult to obtain. In 2017, a re-release of Bright Phoebus was announced and shortly thereafter pulled from the market for legal reasons.
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