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Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others.
The music of Bangladesh spans a wide variety of styles. Bangladesh claims some of the most renowned singers, composers and producers in Asia. Music has served the purpose of documenting the lives of the people and was widely patronized by the rulers. It comprises a long tradition of religious and regular song-writing over a period of almost a millennium.
The Music of Pakistan includes diverse elements ranging from music from various parts of South Asia as well as Central Asian, Middle Eastern, and modern-day Western popular music influences. With these multiple influences, a distinctive Pakistani music has emerged.
Pantun is a Malayic oral poetic form used to express intricate ideas and emotions. It generally consists of even-numbered lines and based on ABAB rhyming schemes. The shortest pantun consists of two lines better known as the pantun dua kerat in Malay, while the longest pantun, the pantun enam belas kerat have 16 lines. Pantun is a disjunctive form of poetry which always come in two parts, the first part being the prefatory statement called pembayang or sampiran that has no immediate logical or the narrative connection with the second or closing statement called maksud or isi. However, they are always connected by the rhymes and other verbal associations, such as puns and repeating sounds. There is also an oblique but necessary relationship and the first statement often turns out to be a metaphor for the second one. The most popular form of pantun is the quatrain, and the couplet (two-lines), which both featured prominently in the literature and modern popular culture.
Crossover is a term applied to musical works or performers who appeal to different types of audience. This can be seen, for example, when a song appears on two or more of the record charts which track differing musical styles or genres. If the second chart combines genres, such as a "Hot 100" list, the work is not a crossover.
Singapore has a diverse music culture that ranges from rock and pop to folk and classical. Its various communities have their own distinct musical traditions: the Chinese form the largest ethnic group in Singapore, with Malays, Indians as well as a lesser number of other peoples of different ethnicities including Eurasians. The different people with their traditional forms of music, the various modern musical styles, and the fusion of different forms account for the musical diversity in the country.
Dikir barat is a musical form, native to the Malay Peninsula, that involves singing in groups—often in a competitive setting. Dikir barat may be performed either with a percussion instrumental accompaniment, or with no instruments at all. The origins of dikir barat are unclear; it is found in both Malaysia and Thailand, and today the Malaysia National Department for Culture and Arts actively promotes it as an important part of Malaysian national culture.
Celtic fusion is an umbrella term for any modern music which incorporates influences considered "Celtic", or Celtic music which incorporates modern music. It is a syncretic musical tradition which borrows freely from the perceived "Celtic" musical traditions of all the Celtic nations, as well as from all styles of popular music, it is thus sometimes associated with the Pan-Celtic movement. Celtic fusion may or may not include authentic traditional music from any one tradition under the Celtic umbrella, but its common characteristic is the inspiration by Celtic identity.
Malaysian Malays are Malaysians of Malay ethnicity whose ancestry originates wholly or partly in the Malay world. According to the 2023 population estimate, with a total population of 17.6 million, Malaysian Malays form 57.9% of Malaysia's demographics, the largest ethnic group in the country. They can be broadly classified into two main categories; Anak Jati and Anak Dagang.
Javanese culture is the culture of the Javanese people. Javanese culture is centered in the provinces of Central Java, Yogyakarta and East Java in Indonesia. Due to various migrations, it can also be found in other parts of the world, such as Suriname, the broader Indonesian archipelago region, Cape Malay, Malaysia, Singapore, Netherlands and other countries. The migrants bring with them various aspects of Javanese cultures such as Gamelan music, traditional dances and art of Wayang kulit shadow play.
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. Genre is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably.
Reog or Réyog is a traditional Indonesian dance in an open arena that serves as folk entertainment, contains magical elements, the main dancer is a lion-headed person with a peacock feather decoration, plus several masked dancers and Kuda Lumping. Reog is one of the performing arts from the northwestern region of East Java and Ponorogo is the region where Reog originated. The city gate of Ponorogo is decorated with warok and gemblak, two characters who were present at the time when Reog is performed. Reog is one of Indonesia culture that is still very strong with mystical elements and mysticism.
Rosiah Chik or Rosiah Abdul Manaf (1931–2006) was Malay traditional singer particularly of asli and ghazal songs, made famous in the 1960s–1970s in Malaysia. She was also known as Mak We among the people of the industry and her fans.
Rodat is an Indonesian and Malay folk dance believed to have originated from the Middle East and was spread to the Maritime Southeast Asia by the Acehnese traders in the beginning of 19th century. Rodat may have been the combination of two words hadratBaghdad which means zikir Baghdad.
Malaysian popular music, sometimes called shortly Malaysian pop or abbreviated as M-pop, refers to popular music forms in Malaysia. Although popular music in various languages such as Mandopop are popular and have been produced in Malaysia, Malaysian pop refers to music recorded primarily in the Malay language in Malaysia.
The karaniing is a type of bamboo tube zither played among the Orang Asli tribal peoples of Malaysia.
The krem is a musical instrument, a type of bamboo tube zither played by the Jah Hut group of the Orang Asli tribal peoples of Malaysia.
The sumazau is a dance performed by the Kadazandusun from Penampang and adjacent areas in west coast Sabah. It is usually performed during Kaamatan. The dance involves male and female pairs who are dressed in traditional clothing. The rhythm of the dance is set by the beat of hanging gongs. It is performed by raising both arms to shoulder height and flapping them.
Malaysian folklore is the folk culture of Malaysia and other indigenous people of the Malay archipelago as expressed in its oral traditions, written manuscripts and local wisdoms. Malaysian folklores were traditionally transmitted orally in the absence of writing systems. Oral tradition thrived among the Malays, but continues to survive among Orang Asli and numerous Bornean ethnic groups in Sarawak and Sabah. Nevertheless, Malaysian folklores are closely connected with classical Malay folklore of the region. Even though, Malay folklore tends to have a regional background, with the passing of time, and through the influence of the modern media, large parts of regional Malay folklore have become interwoven with the wider popular Malaysian folklore.
References
- ↑ Patricia Ann Matusky,Sooi Beng Tan. The music of Malaysia: the classical, folk, and syncretic traditions. p. 411.
- ↑ Patricia Ann Matusky,Sooi Beng Tan. The music of Malaysia: the classical, folk, and syncretic traditions. p. 412.
- ↑ True, Chris. "Biography: Noraniza Idris". AllMusic . Retrieved 3 August 2010.
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