The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Don Juan is a 1926 American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. The film is inspired by Lord Byron's 1821 epic poem of the same name. The screenplay was written by Bess Meredyth with intertitles by Maude Fulton and Walter Anthony.
Up the River is a 1930 American pre-Code comedy film directed by John Ford, and starring Claire Luce, Spencer Tracy and Humphrey Bogart. The plot concerns escaped convicts, as well as a female convict. It was the feature film debut role of both Tracy and Bogart. Despite Bogart being billed fourth, Tracy's and Bogart's roles were almost equally large, and this is the only film in which they appeared together. Up the River is also Bogart's only film directed by John Ford. Bogart's image is featured with Luce on some of the film's posters rather than Tracy's since Bogart was the romantic lead with Luce. Fox remade the film in 1938 starring Preston Foster and Tony Martin playing their roles.
Song of the Flame is a 1930 American pre-Code musical film photographed entirely in Technicolor. Based on the 1925 operetta of the same name, the film features a screenplay by Gordon Rigby adapted from the musical book written by Oscar Hammerstein II and Otto A. Harbach for the operetta. The movies also features many of the songs from the operetta which used lyrics by Hammerstein and Orbach and music by George Gershwin and Herbert Stothart. The film was produced and distributed by First National Pictures. It was the first color film to feature a widescreen sequence, using a process called Vitascope, the trademark name for Warner Bros.' widescreen process. The film, based on the 1925 Broadway musical of the same name, was nominated for an Academy Award for Sound Recording. It is part of the tradition of operetta films, popular at the time.
Kiss Me Again is a 1931 American Pre-Code musical operetta film filmed entirely in Technicolor. It was originally released in the United States as Toast of the Legion late in 1930, but was quickly withdrawn when Warner Bros. realized that the public had grown weary of musicals. The Warner Bros. believed that this attitude would only last for a few months, but, when the public proved obstinate, they reluctantly re-released the film early in 1931 after making a few cuts to the film.
Viennese Nights is a 1930 American all-talking pre-Code musical operetta film directed by Alan Crosland and starring Alexander Gray, Vivienne Segal, Walter Pidgeon, Jean Hersholt, Bela Lugosi and Louise Fazenda. It was photographed entirely in Technicolor and released by Warner Brothers. Viennese Nights was the first original operetta written especially for the screen by Oscar Hammerstein II and Sigmund Romberg. It was filmed in March and April 1930, before anyone realized the extent of the economic hardships that would arrive with the Great Depression, which had begun in the autumn of the previous year. Although not a box office hit in the United States, the film had long box office runs in Britain and Australia. It is one of the earliest sound films to have a short pre-credit sequence.
Side Show is a 1931 American pre-Code musical comedy drama film directed by Roy Del Ruth and starring Winnie Lightner, Charles Butterworth, Evalyn Knapp and Donald Cook. It was produced and released by Warner Bros. The film was based on a story by William K. Wells. Although it was planned and filmed as a full-scale musical, most of the songs were cut from the film before release due to the public tiring of musicals.
No, No, Nanette is a 1930 American pre-Code musical comedy film with Technicolor sequences that was directed by Clarence G. Badger and released by First National Pictures. It was adapted from the play of the same title by Otto A. Harbach and Frank Mandel. No, No, Nanette was a popular show on Broadway, running for 321 performances, and was produced and directed by Harry Frazee.
Say It with Songs is a 1929 American pre-Code musical drama film, directed by Lloyd Bacon and released by Warner Bros. The film stars Al Jolson and Davey Lee and was a follow-up to their previous film, The Singing Fool (1928).
Top Speed is a 1930 American Pre-Code musical comedy film released by First National Pictures, a subsidiary of Warner Brothers. It was based on a 1929 stage musical of the same name by Harry Ruby, Guy Bolton and Bert Kalmar. The film stars Joe E. Brown, Bernice Claire, Jack Whiting, Laura Lee, and Frank McHugh.
Going Wild is a 1930 Warner Brothers pre-Code comedy film based on the 1910 play The Aviator by James Montgomery and directed by William A. Seiter. The film stars many musical stars along with Joe E. Brown, Frank McHugh and Johnny Arthur.
Grand National Films, Inc was an American Poverty Row motion picture production-distribution company in operation from 1936 to 1939. The company had no relation to the British Grand National Pictures.
Life Begins is a 1932 American pre-Code drama film starring Loretta Young, Eric Linden, Aline MacMahon, and Glenda Farrell. The film was adapted from the 1932 play of the same name by Mary M. Axelson. It was released by Warner Bros. on September 10, 1932. The film was praised for its honest portrayal of a maternity ward.
Bernice Claire was an American singer and actress. She appeared in 13 films between 1930 and 1938.
Moonlight and Pretzels is a 1933 American Pre-Code musical film, directed by Karl Freund, about a man who puts on a Broadway show. The film was released by Universal Studios and featured Mary Brian and William Frawley, now best-known as "Fred Mertz" on the 1950s TV show I Love Lucy; Freund was the groundbreaking cinematographer for I Love Lucy.
Tenderloin is a 1928 American part-talkie crime film directed by Michael Curtiz and starring Dolores Costello. While the film was a part-talkie, it was mostly a silent film with a synchronized musical score and sound effects on Vitaphone discs. It was produced and released by Warner Bros. Tenderloin is considered a lost film, with no prints currently known to exist.
Spring Is Here is a 1930 American Pre-Code musical comedy film produced by First National Pictures and distributed by Warner Bros. It was adapted by James A. Starr from the 1929 musical play, of the same name, by Owen Davis, with music by Richard Rodgers and Lorenz Hart. The film stars Lawrence Gray, Alexander Gray, and Bernice Claire.
The Girl from Chicago is a lost 1927 American silent criminal romantic drama film directed by Ray Enright and starring Myrna Loy and Conrad Nagel. It was produced and distributed by the Warner Bros. and is based upon a short story by Arthur Somers Roche that appeared in the June 1923 Redbook. The film later had a Vitaphone soundtrack of sound effects and music added.
Sons O' Guns is a 1936 American comedy film directed by Lloyd Bacon and written by Jerry Wald and Julius J. Epstein. It stars Joe E. Brown, and features Joan Blondell, with Beverly Roberts, Eric Blore, Craig Reynolds and Wini Shaw. It was released by Warner Bros. on May 30, 1936.
Kid Gloves is a 1929 American pre-Code part-talkie drama film directed by Ray Enright, and starring Conrad Nagel, Lois Wilson, Edward Earle, Edna Murphy, and Maude Turner Gordon. The film was released by Warner Bros. on March 23, 1929.
