Obi-Wan Kenobi (soundtrack)

Last updated

All music is composed by Natalie Holt, except where noted. [16] [17]

Obi-Wan Kenobi (Original Soundtrack)
Obi-Wan Kenobi Soundtrack cover.jpg
Film score by
ReleasedJune 29, 2022
RecordedFebruary–April 2022
StudioNewman Scoring Stage,
Twentieth Century Studios
Genre Soundtrack
Length1:22:34
Label Walt Disney
Producer Natalie Holt
Natalie Holt chronology
Loki: Season 1
(2021)
Obi-Wan Kenobi (Original Soundtrack)
(2022)
Loki: Season 2
(2023)
Star Wars soundtrack chronology
The Book of Boba Fett
(2022)
Obi-Wan Kenobi
(2022)
Andor
(2022)
Obi-Wan Kenobi (Original Soundtrack)
No.TitleComposer(s)Length
1."Obi-Wan"John Williams4:06
2."Order 66" 1:40
3."Inquistors' Hunt" 3:09
4."Young Leia" 1:04
5."Days of Alderaan" 1:38
6."The Journey Begins"William Ross2:57
7."Bail and Leia" 2:19
8."Nari's Shadow" 1:14
9."Ready to Go" 2:26
10."Daiyu" 2:25
11."Cat and Mouse" 3:10
12."Spice Den" 1:10
13."First Rescue"William Ross3:10
14."Mapuzo"Natalie Holt & Andreas Gutuen Aaser1:17
15."The Path" 1:35
16."Sensing Vader" 2:49
17."Parallel Lines" 2:12
18."Some Things Can't Be Forgotten"William Ross4:47
19."Stormtrooper Patrol" 2:34
20."Hangar Escape" 2:33
21."Hold Hands" 1:39
22."Empire Arrival" 2:04
23."Dark Side Assault" 2:37
24."I Will Do What I Must"William Ross2:48
25."Sacrifice" 1:41
26."No Further Use" 3:39
27."Overcoming the Past"William Ross4:28
28."Tatooine Desert Chase" 2:19
29."Who You Become" 3:36
30."Saying Goodbye"William Ross5:26
31."End Credit"William Ross4:02
Total length:1:22:34

Critical reception

The Obi-Wan theme by Williams received praise from critics. Shane Romanchick of Collider said that the theme is "fit for a fallen Jedi Knight" and is "a much more reserved piece that fits our reluctant hero well". [13] Lacy Long of Collider wrote that Holt's score "really brings out the atmosphere, mood, and tone of the series". [15] Zanobard Reviews criticised the score saying "instead of a highly memorable, powerfully Star Wars Kenobi score, we got a fairly dull, meandering one that delivers very few actual highlights." [18] Jonathan Broxton wrote "In context, though, that’s a different matter, and I remain baffled by the creative decisions that the director, the producers, and seemingly John Williams himself took to limit the use of the legacy Star Wars themes. In the end it might have been better if they had simply gone fully one way or fully the other – either let Natalie Holt go full Ludwig Göransson and create an entirely new sonic world, or let William Ross score the whole thing using all the John Williams legacy themes in the classic Star Wars style. The hybrid model we have, while absolutely enjoyable as a listening experience, is ultimately damaging to the dramatic narrative development of the actual story, and that’s basically unforgivable." [19] Marvelous Geek Media wrote "What Holt does with this soundtrack is so unique that so few words come close to describing the comfort that they evoke. It’s the same comfort that we often feel entering a galaxy far, far away—the kind of homecoming that feels right and emotionally rewarding." [20]

Charts

Chart performance for Obi-Wan Kenobi (Original Soundtrack)
Chart (2022)Peak
position
UK Album Downloads (OCC) [21] 45

Related Research Articles

<span class="mw-page-title-main">Duel of the Fates</span> 1999 single by John Williams

"Duel of the Fates" is a musical theme recurring in the Star Wars prequel trilogy and the Expanded Universe. It was composed by John Williams and recorded for the film soundtrack of Star Wars Episode I: The Phantom Menace by the London Symphony Orchestra (LSO) and the London Voices. This symphonic piece is played with both a full orchestra and a choir. The lyrics are based on a fragment of an archaic Welsh poem Cad Goddeu, and are sung in Sanskrit. The piece debuts during the final lightsaber duel in Star Wars: Episode I – The Phantom Menace. With the music video for this theme, the LSO became the only classical group to ever have a video debut on MTV’s Total Request Live. "Duel of the Fates" lasted 11 days on the countdown.

Music of <i>Star Wars</i>

The music of the Star Wars franchise is composed and produced in conjunction with the development of the feature films, television series, and other merchandise within the epic space opera multimedia franchise created by George Lucas. The music for the primary feature films was written by John Williams. Williams' work on the series included the scores of nine feature films, a suite and several cues of thematic material for Solo and the theme music for the Galaxy's Edge Theme Park. These count among the most widely known and popular contributions to modern film music, and utilize a symphony orchestra and features an assortment of about fifty recurring musical themes to represent characters and other plot elements: one of the largest caches of themes in the history of film music.

<i>Star Wars: Episode III – Revenge of the Sith</i> (soundtrack) 2005 film score by John Williams

Star Wars Episode III: Revenge of the Sith – Original Motion Picture Soundtrack is the film score to the 2005 film of the same name released by Sony Classical on May 3, 2005, more than two weeks before the film's release. The music was composed and conducted by John Williams, and performed by the London Symphony Orchestra and London Voices in February 2005, with orchestrations provided by Conrad Pope and Eddie Karam. The score was Williams' sixth score in the saga. Shawn Murphy recorded the score. Ramiro Belgardt and Kenneth Wannberg served as music editors; Wannberg served as music editor for the previous Star Wars scores. A remastered version of the soundtrack was released by Walt Disney Records on May 4, 2018.

William Ross is an American composer, orchestrator, arranger, conductor and music director. Ross is the recipient of three Primetime Emmy Awards, one Daytime Emmy Award, and has been nominated for one Annie Award. He has been nominated twice for the Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s).

<span class="mw-page-title-main">Mos Eisley</span> Fictional city in Star Wars

Mos Eisley is a spaceport town in the fictional Star Wars universe. Located on the planet Tatooine, it first appeared in the 1977 film Star Wars, described by the character Obi-Wan Kenobi as a "wretched hive of scum and villainy".

<span class="mw-page-title-main">Ludwig Göransson</span> Swedish composer (born 1984)

Ludwig Emil Tomas Göransson is a Swedish composer, conductor, songwriter, and record producer.

Natalie Ann Holt is a British composer who has worked on numerous film and television projects. She is primarily recognised for her work on several notable productions, including Paddington (2014) and Loki (2021–2023). She trained at the Royal Academy of Music and then the National Film and Television School and had a career as a classical violinist before becoming a film composer. Holt's distinction in her field was recognised by being made an associate of the Royal Academy of Music in 2017.

<i>Solo: A Star Wars Story</i> (soundtrack) 2018 soundtrack album by John Powell and John Williams

Solo: A Star Wars Story is the soundtrack album to the 2018 film of the same name directed by Ron Howard, which is the second instalment in the Star Wars anthology series. The score is composed by John Powell, with the Han Solo's theme conducted and composed by John Williams, whom he had collaborated for several Star Wars films, was included in the album. Williams further composed several demos, that were not included in the soundtrack but was released in the deluxe edition. Besides composing the original themes, Powell also incorporated Williams' music from Star Wars films.

<i>Obi-Wan Kenobi</i> (miniseries) American television miniseries

Obi-Wan Kenobi is an American space opera television miniseries produced by Lucasfilm for the streaming service Disney+. It is part of the Star Wars franchise. Set ten years after the Jedi Order was purged during the events of the film Star Wars: Episode III – Revenge of the Sith (2005), the series follows surviving Jedi Master Obi-Wan Kenobi who emerges from hiding to rescue the kidnapped Princess Leia from the Galactic Empire's Inquisitors. This brings Kenobi into conflict with his former apprentice, Darth Vader.

<i>The Mandalorian</i> season 2 Season of television series

The second season of the American television series The Mandalorian is part of the Star Wars franchise, set after the events of the film Return of the Jedi (1983). It follows a bounty hunter trying to return "The Child" to the Jedi. The season was produced by Lucasfilm, Fairview Entertainment, and Golem Creations, with Jon Favreau serving as showrunner.

<i>The Mandalorian</i> season 3 Season of television series

The third season of the American television series The Mandalorian is part of the Star Wars franchise, set after the events of the film Return of the Jedi (1983). It continues the story of a bounty hunter and his charge, Grogu, after they were reunited in the spin-off series The Book of Boba Fett. It also depicts efforts to unite the scattered Mandalorian people and retake their home planet from remnants of the Empire. The season was produced by Lucasfilm, Fairview Entertainment, and Golem Creations, with Jon Favreau serving as showrunner.

<i>The Book of Boba Fett</i> American television series

The Book of Boba Fett is an American space Western television miniseries created by Jon Favreau for the streaming service Disney+. It is part of the Star Wars franchise and a spin-off from The Mandalorian, taking place in the same timeframe as that series and its other interconnected spin-offs after the events of the film Return of the Jedi (1983). The Book of Boba Fett follows bounty hunter Boba Fett from The Mandalorian and other Star Wars media as he establishes himself as the new crime lord of Jabba the Hutt's former territory.

Ahsoka, also known as Star Wars: Ahsoka, is an American space fantasy television series created by Dave Filoni for the streaming service Disney+. It is part of the Star Wars franchise and a spin-off from The Mandalorian, taking place in the same timeframe as that series and its other interconnected spin-offs after the events of the film Return of the Jedi (1983). Ahsoka follows former Jedi apprentice Ahsoka Tano and her allies as they fight the remnants of the Galactic Empire during the time of the fledgling New Republic.

Part I (<i>Obi-Wan Kenobi</i>) Episode of Obi-Wan Kenobi

"Part I" is the first episode of the American streaming television series Obi-Wan Kenobi, based on Star Wars created by George Lucas. It follows Obi-Wan Kenobi in a self-imposed exile on Tatooine a decade after the events of Star Wars: Episode III - Revenge of the Sith (2005) as he monitors Luke Skywalker on Tatooine to ensure his safety. It was written by Stuart Beattie, Hossein Amini, and Joby Harold and directed by Deborah Chow.

Part II (<i>Obi-Wan Kenobi</i>) Episode of Obi-Wan Kenobi

"Part II" is the second episode of the American streaming television series Obi-Wan Kenobi, based on Star Wars created by George Lucas. It follows Obi-Wan Kenobi as he attempts to rescue Leia Organa on the planet Daiyu. The episode is set in the Star Wars universe, occurring ten years after the film Star Wars: Episode III – Revenge of the Sith (2005). Its story was written by Stuart Beattie and Hossein Amini, and the teleplay was written by Joby Harold, while Deborah Chow directed the episode.

Part III (<i>Obi-Wan Kenobi</i>) Episode of Obi-Wan Kenobi

"Part III" is the third episode of the American streaming television series Obi-Wan Kenobi, based on Star Wars created by George Lucas. It follows Obi-Wan Kenobi and Leia Organa as they attempt to hide from the Inquisitors and Darth Vader. It is set in the Star Wars universe, occurring ten years after the film Star Wars: Episode III – Revenge of the Sith (2005). The episode was written by Joby Harold & Hannah Friedman and Hossein Amini and Stuart Beattie, while Deborah Chow directed the episode.

"Part IV" is the fourth episode of the American streaming television series Obi-Wan Kenobi. It follows Obi-Wan Kenobi as he collaborates with the Path network to rescue Princess Leia from the Fortress Inquisitorius. It is set in the Star Wars universe, occurring ten years after the film Revenge of the Sith (2005). The episode was written by Joby Harold & Hannah Friedman, and directed by Deborah Chow.

"Part V" is the fifth episode of the American streaming television series Obi-Wan Kenobi. It follows Obi-Wan Kenobi. It is set in the Star Wars universe, occurring ten years after the film Revenge of the Sith (2005). The episode was written by Joby Harold & Andrew Stanton, and directed by Deborah Chow.

Part VI (<i>Obi-Wan Kenobi</i>) Episode of Obi-Wan Kenobi

"Part VI" is the sixth episode and series finale of the American streaming television series Obi-Wan Kenobi. It follows Obi-Wan Kenobi. It is set in the Star Wars universe, occurring ten years after the film Revenge of the Sith (2005). The episode was written by Joby Harold, Andrew Stanton, Hossein Amini, and Stuart Beattie, and directed by Deborah Chow.

References

  1. Burlingame, Jon (February 17, 2022). "John Williams Returns to 'Star Wars' Universe with 'Obi-Wan Kenobi' Theme (EXCLUSIVE)". Variety. Retrieved June 25, 2022.
  2. Natalie Holt [@filmmusicholt] (July 8, 2021). "Oh my...yes please!!!!! 💚🔥" (Tweet). Retrieved June 25, 2022 via Twitter.
  3. 1 2 Grobar, Matt (April 22, 2022). "'Obi-Wan Kenobi': Natalie Holt Becomes First Woman To Score Live-Action 'Star Wars' Project". Deadline. Retrieved June 25, 2022.
  4. Codega, Linda (April 22, 2022). "Obi-Wan Kenobi's Composer Has a New Take on Classic Star Wars Themes". Gizmodo. Retrieved June 25, 2022.
  5. Epicleff Media (June 19, 2022). "Watching the early cut of Obi-Wan Kenobi | composer Natalie Holt on More Score". YouTube. Retrieved June 25, 2022.
  6. 1 2 White, Abbey (May 4, 2022). "'Obi-Wan Kenobi' Composer Breaks Down Her 'Star Wars' Sound and Reveals Cherished John Williams' Gift". The Hollywood Reporter. Retrieved June 25, 2022.
  7. 1 2 Bradshaw, Paul (June 26, 2022). "How to score a 'Star Wars' series, according to 'Obi-Wan Kenobi' composer Natalie Holt". NME. Retrieved June 27, 2022.
  8. Miller, Leon (March 10, 2022). "Obi-Wan Kenobi Writer Discusses Star Wars' 'Edgy' New Planet". CBR. Retrieved June 25, 2022.
  9. 1 2 Danoff, Owen (June 24, 2022). "Obi-Wan Kenobi: Composer Natalie Holt Interview". ScreenRant. Retrieved June 25, 2022.
  10. Arneson, Krystin (May 10, 2022). "John Williams wrote the 'Obi-Wan Kenobi' theme song in just 2 weeks". San Francisco Chronicle. Retrieved June 27, 2022.
  11. 1 2 3 4 Burlingame, Jon (May 26, 2022). "'Obi-Wan Kenobi' Score Has 'Loki' Composer Natalie Holt Balancing 'Star Wars' Heritage With Fresh Touches". Variety. Retrieved June 25, 2022.
  12. 1 2 Breznican, Anthony (April 22, 2022). "Obi-Wan Kenobi Composer Natalie Holt Reveals "Haunting" Approach". Vanity Fair. Archived from the original on April 22, 2022. Retrieved June 25, 2022.
  13. 1 2 Romanchick, Shane (May 28, 2022). "'Obi-Wan Kenobi': Listen to John Williams' Full Theme Song for the Jedi". Collider. Retrieved June 25, 2022.
  14. Coggan, Devan (May 31, 2022). "All the major news out of Star Wars Celebration, from The Mandalorian to Obi-Wan Kenobi". Entertainment Weekly. Retrieved June 25, 2022.
  15. 1 2 Long, Lacy (June 29, 2022). "You Can Now Listen to the 'Obi-Wan Kenobi' Soundtrack". Collider. Retrieved June 29, 2022.
  16. "'Obi-Wan Kenobi' Soundtrack Album Details". Film Music Reporter. June 22, 2022. Retrieved October 11, 2023.
  17. "Obi-Wan Kenobi (Original Soundtrack)". Apple Music. Retrieved June 29, 2022.
  18. Zanobard (2022-06-27). "Obi-Wan Kenobi – Soundtrack Review". Zanobard Reviews. Retrieved 2022-10-29.
  19. "OBI-WAN KENOBI – Natalie Holt, William Ross, John Williams". MOVIE MUSIC UK. 2022-07-01. Retrieved 2022-10-29.
  20. Sophia, Gissane (2022-07-11). "Music Monday: 'Obi-Wan Kenobi' (Original Soundtrack) by Natalie Holt". Marvelous Geeks Media. Retrieved 2022-10-29.
  21. "Official Album Downloads Chart Top 100". Official Charts Company. Retrieved July 2, 2022.