The American Folk Art Museum is an art museum in the Upper West Side of Manhattan, at 2, Lincoln Square, Columbus Avenue at 66th Street. It is the premier institution devoted to the aesthetic appreciation of folk art and creative expressions of contemporary self-taught artists from the United States and abroad.
Claire Zeisler was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Throughout her career Zeisler sought to create "large, strong, single images" with fiber. Zeisler's non-functional structures were constructed using traditional weaving and avant-garde off the loom techniques such as square knotting, wrapping, and stitching. Zeisler preferred to work with natural materials such as jute, sisal, raffia, hemp, wool, and leather. The textiles were often left un-dyed, evidence of Zeisler's preference for natural coloration that emphasized the fiber itself. When she used color, however, Zeisler gravitated towards red.
Quilt art, sometimes known as art quilting, mixed media art quilts or fiber art quilts, is an art form that uses both modern and traditional quilting techniques to create art objects. Practitioners of quilt art create it based on their experiences, imagery, and ideas rather than traditional patterns. Quilt art generally has more in common with the fine arts than it does with traditional quilting. This art is generally either wall hung or mounted as sculpture, though exceptions exist.
The San Jose Museum of Quilts & Textiles is an art museum in Downtown San Jose, California, USA. Founded in 1977, the museum is the first in the United States devoted solely to quilts and textiles as an art form. Holdings include a permanent collection of over 1,000 quilts, garments and ethnic textiles, emphasizing artists of the 20th- and 21st-century, and a research library with over 500 books concerning the history and techniques of the craft.
Sterling Ruby is an American artist who works in a large variety of media including ceramics, painting, drawing, collage, sculpture, video, and textiles. Often, his work is presented in large and densely packed installations. The artist has cited a diverse range of sources and influences including aberrant psychologies, urban gangs and graffiti, hip-hop culture, craft, punk, masculinity, violence, public art, prisons, globalization, American domination and decline, waste and consumption. In opposition to the minimalist artistic tradition and influenced by the ubiquity of urban graffiti, the artist's works often appear scratched, defaced, camouflaged, dirty, or splattered. Proclaimed as one of the most interesting artists to emerge this century by New York Times art critic Roberta Smith, Ruby's work examines the psychological space where individual expression confronts social constraint. Sterling Ruby currently lives and works in Los Angeles. His studio is located in Vernon, south of downtown Los Angeles.
San Diego Art Institute is located in San Diego, California, US. The San Diego Art Institute was initially founded in 1941 as the San Diego Business Men's Art Club. In 1950 the name was changed to the San Diego Art Institute, and three years later women were allowed membership into the organization.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Polly Barton is an American textile artist.
Katherine Westphal was an American textile designer and fiber artist who helped to establish quilting as a fine art form.
Women of Color Quilters Network (WCQN) is a national organization dedicated to preserving African American quiltmaking.
Linda MacDonald (born 1946, is a multimedia artist who was at the forefront of the studio quilt art movements. She has been called a "fine artist [who works] with quilting techniques."
Joyce J. Scott is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditions, Mexican, Czech, and Russian beadwork, illustration and comic books, and pop culture.
Kay Sekimachi is an American fiber artist and weaver, best known for her three-dimensional woven monofilament hangings as well as her intricate baskets and bowls.
Françoise Grossen is a textile artist known for her braided and knotted rope sculptures. She lives and works in New York City. Grossen’s work has been acquired by the Metropolitan Museum of Art, New York; the Renwick Gallery, Smithsonian American Art Museum, Washington, DC; and the State Hermitage Museum, Saint Petersburg, Russia.
Jane Dunnewold is an textile artist and author. She had been the president of the Surface Design Association.
Wendy Maruyama is an artist, furniture maker, and educator from California. She was born in La Junta, Colorado.
Bhavna Mehta is an Indian-American visual artist specializing in cut paper and embroidery. She has exhibited widely throughout Southern California and lives and works in San Diego, CA.
Consuelo Jiménez Underwood is an American fiber artist, known for her pieces that focus on immigration issues. She is an indigenous Chicana currently based in Cupertino, California. As an artist she works with textiles in attempt to unify her American roots with her Mexican Indigenous ones, along with trying to convey the same for other multicultural people.
Joan Schulze is an American artist, lecturer, and poet. Schulze's career spans over five decades: she is best known for her work of contemporary quilts, fiberarts, and collage. Schulze has been named a “pioneer of the art quilt movement,” and her influence has been compared to that of Robert Rauschenberg’s. Her work is in galleries and private collections worldwide including the Renwick Gallery/Smithsonian Institution in Washington DC, the Museum of Arts and Design in New York, & the Oakland Museum of California.
Jan Rindfleisch is an American artist, educator, author, curator, and community builder. Rindfleisch is known for the programming she initiated and oversaw at the Euphrat Museum of Art; for her book on the history of art communities in the South Bay Area, Roots and Offshoots: Silicon Valley's Art Community, and for her role in documenting the careers and legacies of Agnes Pelton and Ruth Tunstall Grant.
