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Oiseaux exotiques (Exotic birds) is a piece for piano and small orchestra by Olivier Messiaen. It was written between 5 October 1953 and 3 January 1956 and was commissioned by Pierre Boulez. It is dedicated to the pianist Yvonne Loriod, who later became the composer's wife. [1]
This piece was first performed at the Théâtre du Petit Marigny by Yvonne Loriod and the ensemble Domaine musical, conducted by Rudolf Alberth.
Piano, piccolo, 2 flutes, oboe, 2 Bb clarinets, clarinet in E-flat, bass clarinet, bassoon, 2 French horns, trumpet, and 6 percussionists playing glockenspiel, xylophone, chimes, cowbell, three gongs, snare drum, tam-tam, temple blocks, and wood block.
The birdsongs in this piece are from Asia and the Americas: the southern hill myna, the golden-fronted leafbird, the Baltimore oriole, the greater prairie chicken, the northern mockingbird, the catbird, the Indian robin, the white-crested laughingthrush, the american robin (entrusted to the two clarinets), the Swainson's thrush, the hermit thrush, the red-whiskered bulbul and the wood thrush.
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Decî-Tâlas of ancient India, Cârngadeva system: Nihcankalîla, Gajalîla, Laksmîca, Caccarî, Candrakâla, Dhenkî, Gajajhampa, and karnâtic theory: Matsya-Sankirna, Triputa-Miśra, Matsya-Tiśra, Atatâla-Cundh.
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Composed feet by the metre: Typistlo-Epitrite; verses by the metre: lambelegiac, logaedic verses: Asclepiad, Saphique, Glyconic, Aristophanian, Phalaean, Peregrinean.
The piece lasts about 16 minutes.
Michael Thompson (French horn), London Sinfonietta (Orchestra), Paul Crossley (piano) (+ Des Canyons aux étoiles... , Couleurs de la Cité céleste) CBS Records, 1989, Angelin Chang (piano) and Cleveland Chamber Symphony) New European Recordings, won the 2007 GRAMMY for Best Instrumental Soloist(s) Performance (with orchestra).
Olivier Eugène Prosper Charles Messiaen was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex. Harmonically and melodically, he employed a system he called modes of limited transposition, which he abstracted from the systems of material his early compositions and improvisations generated. He wrote music for chamber ensembles and orchestra, voice, solo organ, and piano, and experimented with the use of novel electronic instruments developed in Europe during his lifetime.
Yvonne Louise Georgette Loriod-Messiaen was a French pianist, teacher, and composer, and the second wife of composer Olivier Messiaen. Her sister was the Ondes Martenot player Jeanne Loriod.
The Turangalîla-Symphonie is the only symphony by Olivier Messiaen (1908–1992). It was written for an orchestra of large forces from 1946 to 1948 on a commission by Serge Koussevitzky in his wife's memory for the Boston Symphony Orchestra. Along with the Quatuor pour la fin du temps, the symphony is one of the composer's most notable works.
Gilles Tremblay, was a Canadian composer from Quebec.
Tristan Murail is a French composer associated with the "spectral" technique of composition. Among his compositions is the large orchestral work Gondwana.
Éclairs sur l'Au-Delà... is the final completed work of the composer Olivier Messiaen. Scored for a very large orchestra of over a hundred players and unusually lacking a solo piano part, it was written from 1988 to 1991.
The Cleveland Chamber Symphony (CSS) is an American chamber orchestra based in Cleveland, Ohio. It is dedicated to the performance of contemporary classical music, and has presented over 200 performance premieres. They work in partnership with Baldwin-Wallace Conservatory of Music.
Feuillets inédits is a piece of music by Olivier Messiaen for piano and ondes Martenot. It is not known when the work was composed but it was put together by the composer's second wife Yvonne Loriod and published in 2001. The manuscript of the fourth part of the work was entitled "Déchiffrage" (deciphering).
La Transfiguration de Notre Seigneur Jésus-Christ is a work written between 1965 and 1969 by Olivier Messiaen. It is based on the account found in the synoptic gospels of Jesus' transfiguration. The writing is on a very large scale; the work requires around 200 performers. The forces required include a mixed choir, seven instrumental soloists and a large orchestra; only being surpassed by his opera Saint François d'Assise.
Matthew Odell is an American pianist. He has performed as both a solo and collaborative pianist, performing at a variety of locations throughout the United States including New York's Carnegie Hall and the Kennedy Center in Washington, DC, Paris, Nice, Moscow, St. Petersburg, Helsinki, Taipei, and Kyoto.
Des canyons aux étoiles... is a large twelve-movement orchestral work by the French composer Olivier Messiaen. American Alice Tully commissioned the piece in 1971 to celebrate the bicentenary of the United States Declaration of Independence 1976.
Concert à quatre is the final work of the French composer Olivier Messiaen. It is a concerto written for four solo instruments and orchestra.
Quatre Études de rythme is a set of four piano compositions by Olivier Messiaen, written in 1949 and 1950. A performance of them lasts between 15 and 20 minutes.
Visions de l'Amen is a suite of seven pieces for two pianos by the French composer Olivier Messiaen (1908–1992), commissioned for the Concerts de la Pléiade that were held during the German occupation of Paris. It was composed in 1943 for the composer and Yvonne Loriod, and its performance requires about 40–45 minutes.
Catalogue d'oiseaux is a work for piano solo by Olivier Messiaen consisting of thirteen pieces, written between October 1956 and September 1958. It is devoted to birds and dedicated to his second wife Yvonne Loriod.
Petites esquisses d'oiseaux, is a piano work by Olivier Messiaen composed in 1985, dedicated to his wife Yvonne Loriod. It has six parts, three of which are devoted to robins.
Poèmes pour Mi is a song cycle for dramatic soprano and piano or orchestra by Olivier Messiaen, composed in 1936 and 1937 and dedicated to his first wife, Claire Delbos. The text are poems by the composer based on the New Testament.
Sept haïkaï — esquisses japonaises is a composition for piano and small orchestra by Olivier Messiaen. It was published by Alphonse Leduc in 1966 and subsequently republished numerous times. It typically lasts about twenty minutes.
Réveil des oiseaux is a work by Olivier Messiaen for piano and orchestra written in 1953. Messiaen invoked birdsong in this composition, as he had in the earlier Quatuor pour la fin du temps (1941). In Réveil des oiseaux he used bird song motifs throughout.
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