Tully Marshall was an American character actor. He had nearly a quarter century of theatrical experience before his debut film appearance in 1914 which led to a film career spanning almost three decades.
The Black Cat is a 1941 American comedy horror and mystery film directed by Albert S. Rogell and starring Basil Rathbone. The film was a hybrid of style: being inspired by comedy "Old Dark House" films of the era as well as the 1843 short story "The Black Cat" by Edgar Allan Poe. It stars Basil Rathbone as Montague Hartley, the head of a greedy family who await the death of Henrietta Winslow so that they can inherit her fortune. When she is found murdered, an investigation begins into who might be the culprit. Alongside Rathbone and Loftus, the film's cast includes Hugh Herbert, Broderick Crawford, and Bela Lugosi.
Carol Dempster was an American film actress of the silent film era. She appeared in films from 1916 to 1926, working with D. W. Griffith extensively.
The Cat and the Canary is a 1922 stage play by John Willard, adapted at least four times into feature films, in 1927, 1930, 1939, and again in 1979. The original stage play opened on Broadway February 7, 1922.
The Cat and the Canary is a 1927 American silent comedy horror film directed by the German Expressionist filmmaker Paul Leni. An adaptation of John Willard's 1922 black-comedy play of the same name, the film stars Laura La Plante as Annabelle West, Forrest Stanley as Charlie Wilder, and Creighton Hale as Paul Jones. The plot revolves around the death of Cyrus West, who is Annabelle, Charlie, and Paul's uncle, and the reading of his will twenty years later. Annabelle inherits her uncle's fortune, but when she and her family spend the night in his haunted mansion, they are stalked by a mysterious figure. Meanwhile, a lunatic mainly known as the Cat escapes from an asylum and hides in the mansion.
The Cat Creeps is a 1930 American pre-Code mystery film directed by Rupert Julian based on the 1922 play The Cat and the Canary by John Willard. The film is a sound remake of The Cat and the Canary (1927). Starring Helen Twelvetrees, Raymond Hackett, Neil Hamilton, Lilyan Tashman, Jean Hersholt, Elizabeth Patterson, and Montagu Love.
The Last Warning is a 1928 sound part-talkie American mystery film directed by Paul Leni, and starring Laura La Plante, Montagu Love, and Margaret Livingston. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film apparently only survives in a cut-down edited silent version which was made for theatres who had not yet converted to sound. The soundtrack for the sound version, which was also released on sound-on-disc format, survives in private hands on Vitaphone type discs.
The Half-Way Girl is a 1925 American silent drama film directed by John Francis Dillon that was filmed around the Jersey Shore.
The Cat and the Canary is a 1939 American southern gothic horror comedy film directed by Elliott Nugent starring Bob Hope and Paulette Goddard. It is a remake of the 1927 silent film The Cat and the Canary, which was based on the 1922 play of the same name by John Willard.
The Greatest Thing in Life is a 1918 American silent drama film about World War I, directed by D. W. Griffith and starring Lillian Gish, Robert Harron, and David Butler. The film is now considered lost as no prints are known to exist.
The Canary Murder Case is a 1929 American Pre-Code crime-mystery film based on the 1927 novel of the same name by S.S. Van Dine. The film was directed by Malcolm St. Clair, with a screenplay by Wright, Albert Shelby LeVino, and Florence Ryerson. William Powell starred in the role of detective Philo Vance, with Louise Brooks co-starred as "The Canary"; Jean Arthur, James Hall, and Charles Lane also co-starred in other principal roles.
Margaret Dale was an American stage and film actress. She performed on Broadway for over fifty years and occasionally did films in the 1920s. She appeared in a large number of Broadway hits over the course of her years as an actress.
The Thirteenth Hour is a 1927 American silent mystery film produced and distributed by Metro Goldwyn Mayer and directed by Chester Franklin. The film stars Lionel Barrymore in a role where, as noted criminologist Professor Leroy, he dons a weird series of disguises to hide a dark secret. This was the first film where Barrymore was cast opposite talented dogs, and the first where he was cast as a serial killer.
The Love Flower is a 1920 American silent drama film produced by D. W. Griffith and released through the then nascent United Artist company of which Griffith was a founding partner.
Midnight Faces (1926) is a silent film starring Francis X. Bushman, Jr. and Jack Perrin. The film is an 'old dark house' murder mystery in the same genre as One Exciting Night (1922), The Ghost Breaker (1922), The Bat (1926) and The Cat and the Canary (1927).
The Awful Truth is a 1925 American silent drama film directed by Paul Powell and released by the Producers Distributing Corporation. It is based on a 1922 play, The Awful Truth, by Arthur Richman. Agnes Ayres stars in this silent film version of the play. It was remade in 1937 as the talkie The Awful Truth.
John Franklin Sheridan was an American actor of the silent and early sound film eras.
The Hottentot is a lost 1929 American all-talking sound pre-Code comedy film directed by Roy Del Ruth and starring Edward Everett Horton and Patsy Ruth Miller. It is based on the 1920 Broadway play The Hottentot by William Collier, Sr. and Victor Mapes.
Go and Get It is a 1920 American silent comedy-drama mystery film directed by Marshall Neilan and Henry Roberts Symonds and written by Marion Fairfax. The film stars Pat O'Malley, Wesley Barry, Noah Beery Sr. and Agnes Ayres. The cinematographer was David Kesson. The film was released on July 18, 1920 by First National Exhibitors' Circuit.
Black Waters is a 1929 British/American horror all-talking sound film produced by Herbert Wilcox and directed by Marshall Neilan. It was the first British-produced talking picture ever shown in England, but it was actually made in Hollywood since that is where the needed sound equipment was at that time. Wilcox sent Neilan to the U.S. to film the picture there, using a mostly American cast and crew.
