"Let's Stay Together" is a song by American singer Al Green from his 1972 album of the same name. It was produced and recorded by Willie Mitchell, and mixed by Mitchell and Terry Manning. Released as a single in 1971, "Let's Stay Together" reached number 1 on the Billboard Hot 100, and remained on the chart for 16 weeks and also topped Billboard's R&B chart for nine weeks. Billboard ranked it as the number 11 song of 1972.
"Only You (And You Alone)" (often shortened to "Only You") is a pop song composed by Buck Ram. It was originally recorded by The Platters with lead vocals by Tony Williams in 1955.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
"I Can't Stop Loving You" is a popular song written and composed by country singer, songwriter, and musician Don Gibson, who first recorded it on December 3, 1957, for RCA Victor Records. It was released in 1958 as the B-side of "Oh, Lonesome Me", becoming a double-sided country hit single. At the time of Gibson's death in 2003, the song had been recorded by more than 700 artists, most notably by Ray Charles, whose recording reached No. 1 on the Billboard chart.
"Are You Lonesome Tonight?" is a song written by Roy Turk and Lou Handman in 1926. It was recorded several times in 1927—first by Charles Hart, with successful versions by Vaughn De Leath, Henry Burr, and the duet of Jerry Macy and John Ryan. In 1950, the Blue Barron Orchestra version reached the top twenty on the Billboard's Pop Singles chart.
"Why Do Fools Fall in Love" is a song by American rock and roll band Frankie Lymon & the Teenagers that was released on January 10, 1956. It reached No. 1 on the R&B chart, No. 6 on Billboard's Pop Singles chart, and No. 1 on the UK Singles Chart in July. Many renditions of the song by other artists have also been hit records in the U.S., including versions by the Diamonds, the Beach Boys, and Diana Ross.
"When a Man Loves a Woman" is a song written by Calvin Lewis and Andrew Wright and first recorded by Percy Sledge in 1966 at Norala Sound Studio in Sheffield, Alabama. It made number one on both the Billboard Hot 100 and R&B singles charts. Country singer John Wesley Ryles had a minor hit with his version of the song in 1976 while singer and actress Bette Midler recorded the song 14 years later and had a Top 40 hit with her version in 1990. In 1991, Michael Bolton recorded the song and his version peaked at number one on both the Billboard Hot 100 chart and the Billboard Adult Contemporary Singles chart.
"A Place in the Sun" is a 1966 soul single by American and Motown musician Stevie Wonder. Written by Ronald Miller and Bryan Wells, it was one of Wonder's first songs to contain social commentary. "A Place in the Sun" was his third Top Ten hit since 1963, hitting number 9 on the Billboard pop singles chart and number 3 on the R&B charts. Billboard described the song as a "folk-oriented release" to which Wonder gives an "exciting treatment." The Originals and The Andantes sang background vocals on the recording. Stevie Wonder also recorded a version of the song in Italian titled "Il Sole è di Tutti".
"It's All in the Game" is a pop song whose most successful version was recorded by Tommy Edwards in 1958. Carl Sigman composed the lyrics in 1951 to a wordless 1911 composition titled "Melody in A Major", written by Charles G. Dawes, who was later Vice President of the United States under Calvin Coolidge. It is the only No. 1 single in the U.S. to have been co-written by a U.S. Vice President or a Nobel Peace Prize laureate.
"He's Got the Whole World in His Hands" is a traditional African-American spiritual, first published in 1927. It became an international pop hit in 1957–58 in a recording by English singer Laurie London, and has been recorded by many other singers and choirs.
"Superstar" is a 1969 song written by Bonnie Bramlett and Leon Russell, with a songwriting credit also given to Delaney Bramlett, that has been a hit for many artists in different genres in the years since. The best-known versions are by the Carpenters in 1971, and by Luther Vandross in 1983.
"Soul Man" is a 1967 song written and composed by Isaac Hayes and David Porter, first successful as a number 2 hit single by Atlantic Records soul duo Sam & Dave, which consisted of Samuel "Sam" Moore and David "Dave" Prater. In 2019, "Soul Man" was selected for preservation in the National Recording Registry as "culturally, historically, and aesthetically significant" by the Library of Congress. It was No. 463 in "Top 500 Greatest Songs of All Time" by Rolling Stone Magazine in 2010 and No. 458 in 2004.
The Danleers were an American doo-wop group formed in Brooklyn, New York in 1958. The group's original and most famous lineup consisted of Jimmy Weston, Johnny Lee, Willie Ephraim, Nat McCune, and Roosevelt Mays. One of many streetcorner vocal groups in Brooklyn, they rose to prominence in 1958 on the strength of the single "One Summer Night", written by their manager, Danny Webb, who also named the group. The single was one of the biggest hits of that year and sold over one million copies. Further releases were not so successful and the group mostly dissolved by the mid-1960s. It continued to tour for several decades with Weston as the main original member.
"By the Time I Get to Phoenix" is a song written by Jimmy Webb. Originally recorded by Johnny Rivers in 1965, it was reinterpreted by American country music singer Glen Campbell on his album of the same name. Released on Capitol Records in 1967, Campbell's version topped RPM's Canada Country Tracks, reached number two on Billboard's Hot Country Singles chart, and won two awards at the 10th Annual Grammys. Broadcast Music, Inc. (BMI) named it the third most performed song from 1940 to 1990. The song was ranked number 20 on BMI's Top 100 Songs of the Century. Frank Sinatra called it "the greatest torch song ever written." It was No. 450 on Rolling Stone magazine's Top 500 Songs of All Time.
"One Night" is a song written by Dave Bartholomew, Pearl King, and Anita Steiman. It originally was an R&B hit for Smiley Lewis in 1956, before being recorded with greater commercial success by Elvis Presley in 1958.
"I Thank You" is a song written by David Porter and Isaac Hayes originally recorded by Sam & Dave, released in early 1968. The single was Sam & Dave's final release on Stax Records, reaching #9 on the Billboard Pop Singles chart and #4 on the R&B chart. Shortly after its release, Stax severed its distribution deal with Atlantic Records and Sam & Dave, who were actually signed to Atlantic and loaned out to Stax, began recording for Atlantic proper. The song begins with Sam's spoken introduction that goes: "I want everybody to get off your seat,/ And get your arms together,/ And your hands together,/ And give me some of that old soul clapping". First, Sam sings the refrain, plus the first verse, and the refrain, while Dave sings the second verse, the refrain, and the third verse, with both Sam and Dave sharing on the repeated "Thank Yous" portion. Following a brief instrumental, Sam sings the refrain, with Dave, joining him, on the Coda with the repeated "thank yous".
"Detroit City" is a song written by Danny Dill and Mel Tillis, made famous by Billy Grammer, country music singer Bobby Bare and Tom Jones. Bare's version was released in 1963. The song — sometimes known as "I Wanna Go Home" — was Bare's first Top 10 hit on the Billboard Hot Country Singles chart that summer, and became a country music standard.
"Hello Stranger" is a 1963 hit single by Barbara Lewis that spent two weeks at number one on the R&B singles chart in Billboard, crossing over to #3 on the pop chart.
Barry White Sings for Someone You Love is the self-produced seventh album by soul singer Barry White, released in 1977 on the 20th Century label.
"It's Too Soon to Know" is an American doo-wop ballad by Deborah Chessler (1923–2012), performed first by The Orioles. It was number one on the American Rhythm and blues charts in November 1948. It is considered by some to be the first "rock and roll" song, and described by others as "the first rhythm and blues vocal group harmony recording".
