Lovegod is the second studio album by the Soup Dragons, released in 1990. Four songs from the album were released as singles—"Backwards Dog", "Crotch Deep Trash", "Mother Universe" and "I'm Free". The latter, a cover of a Rolling Stones cut from their 1965 album Out of Our Heads, made the top 5 in the UK charts. First pressings did not include "I'm Free", but it was subsequently placed first on the re-release, which also dates to 1990.
Hey Babe is the debut solo album by American musician Juliana Hatfield, released in 1992.
Devil's Night Out is the debut studio album by the Mighty Mighty Bosstones. It was released in 1990 by Taang! Records. It was one of the first albums to mix ska and hardcore punk.
No Depression is the first studio album by alternative country band Uncle Tupelo, released in June 1990. After its formation in the late 1980s, Uncle Tupelo recorded the Not Forever, Just for Now demo tape, which received a positive review by the College Media Journal in 1989. The review led to the band's signing with what would become Rockville Records later that year. The album was recorded with producers Sean Slade and Paul Q. Kolderie at Fort Apache Studios, on a budget of US$3,500.
Fort Apache Studios is a New England recording studio focusing on alternative rock sessions produced there since 1986.
B-Sides and Otherwise is a rarities compilation album by the alternative rock band Morphine, released in September 1997 by Rykodisc. It features B-Sides and other rare tracks not otherwise available on the band's studio albums.
Made in China is the seventh album by Juliana Hatfield, released in 2005.
Good is the first album by the Boston-based alternative rock trio Morphine. It was released in 1992 on the Accurate/Distortion label. It was reissued by Rykodisc in 1993 after the band signed with the label.
Gone Fishin' is the second studio album by San Francisco-based punk rock band Flipper, released in 1984 by Subterranean Records. The album's artwork featured a depiction of Flipper's tour van as a ready-to-cut-out-and-assemble centerpiece, with similar cutouts of the four band members on the back cover. At the time of the album's release, Subterranean offered extra empty covers of the album by mail order for $2 for those Flipper fans that wanted to have a cover to cut up and assemble. The album was reissued by Water Records on December 9, 2008, for the first time on CD, with liner notes provided by Buzz Osborne of the Melvins.
Helioself is the second album by Papas Fritas, released in 1997. According to the band's website, "Helioself is the name of the mythical Sun-Ra sessions that were so powerful ... they were sealed away in a lost vault by request of the Ra himself because the world was not ready for such harmonic energy."
Papas Fritas is the debut album by Papas Fritas, released in 1995 on the Minty Fresh record label.
Paul Q. Kolderie is an American record producer, engineer, and mixer. He has worked with Pixies, Radiohead, Orangutang, Hole, Dinosaur Jr., Juliana Hatfield, Wax, Warren Zevon, Uncle Tupelo, Throwing Muses, Morphine, the Mighty Mighty Bosstones, Abandoned Pools, the Go-Go's, and Mike Gordon of Phish. He usually works with production partner Sean Slade.
Sean Slade is an American record producer, engineer, and mixer. On many of his productions he worked in partnership with Paul Q. Kolderie.
Nicely, Nicely is the debut album by the Blake Babies, released in 1987. The band financed the album themselves.
Earwig is the second album by the Blake Babies, released in 1989.
Sunburn is the third album by the Blake Babies, released in 1990.
Sandbox: The Music of Mark Sandman is a posthumously-released 2-CD/1-DVD set by the former Morphine frontman Mark Sandman, released in November 2004 by Hi-N-Dry and distributed by KUFALA.
"Get Enough" is the debut single by American band Ivy, released in 1994 by Seed Records. It was included as the opening track for their first studio album, Realistic (1995). It was composed by band members Dominique Durand, Adam Schlesinger and Andy Chase, and produced by the latter two and Kurt Ralske. The song was conceived while the band was creating material for their first extended play, Lately (1994), a project that Durand was initially reluctant to work on. Its production, along with the rest of Realistic, was inspired by French musicians and exhibits a folk rock and pop sound.
Emit Ecaps is the third album by English techno producer Jonah Sharp under his pseudonym Spacetime Continuum. It was released in February 1996 on Reflective Records in the United Kingdom and on Astralwerks in the United States. After establishing himself as a techno producer but then moving to an ambient style on his previous album Sea Biscuit (1994), Sharp's music on Emit Ecaps balances his techno and ambient styles with influences of drum and bass and jungle music. The name of the album reverses the term 'space time'. Emit Ecaps was a radio success and received acclaim from music journalists who praised Sharp's change in direction. The album was followed in November 1996 by Remit Recaps, a remix album of material from Emit Ecaps, created with the involvement of several producers.
C'est la Vie is the second album by Minneapolis alternative rock band Polara, and their first for Interscope Records.
