Who's Got the 10½? is a live album by the American hardcore punk rock band Black Flag. It was released on March 19, 1986 through SST Records. The album was recorded live at Starry Night in Portland, Oregon on August 23, 1985.
The Roots are an American hip hop band formed in 1987 by Tariq "Black Thought" Trotter and Ahmir "Questlove" Thompson in Philadelphia, Pennsylvania. The Roots serve as the house band on NBC's The Tonight Show Starring Jimmy Fallon, having served in the same role on Late Night with Jimmy Fallon from 2009 to 2014.
Not a Pretty Girl is the sixth studio album released by singer-songwriter Ani DiFranco on her own record label, Righteous Babe Records. It was released July 18, 1995. The album extended the folk singer's early formula of acoustic guitar and drums. On subsequent records, DiFranco would add electric guitar, horns, band members and guest musicians, but on Not a Pretty Girl she was accompanied by Andy Stochansky's percussion alone.
Little Creatures is the sixth studio album by American rock band Talking Heads, released June 10, 1985, by Sire Records. The album examines themes of Americana and incorporates elements of country music, with many songs featuring steel guitar. It was voted album of the year in The Village Voice Pazz & Jop critics poll, and is the band's best-selling studio album, with more than two million copies sold in the United States. The cover art was created by outsider artist Howard Finster, and was selected as album cover of the year by Rolling Stone.
A Series of Sneaks is the second studio album by the indie band Spoon, released by Elektra Records in April 1998. Despite being overlooked critically and commercially upon its release, the album has since attained cult status.
The Tipping Point is the sixth studio album by American hip hop band the Roots, released July 13, 2004 on Geffen Records. It is named after Malcolm Gladwell's book of the same name (2000), and is the follow-up to Phrenology (2002). The album is a musical departure from their previous work, featuring a more diverse, yet pop-oriented sound, and it contains lyrics associated with rapping-prowess, political insight, and social commentary. The Tipping Point has been noted by music writers for exhibiting and emphasizing soul, jazz, and funk influences as well. The song "I Don't Care" was featured on the soundtrack of the game Gran Turismo 4.
Immobilarity is the second studio album by American rapper and Wu-Tang Clan-member Raekwon, as a follow-up to Only Built 4 Cuban Linx.... It was released in November 1999 on Loud Records, and peaked in the Top 10 of the US album charts. The album was certified gold by the Recording Industry Association of America (RIAA) on December 20, 1999.
Muse Sick-n-Hour Mess Age is the fifth studio album by American hip hop group Public Enemy, released on August 23, 1994, by Def Jam Recordings. The title is a reverse mondegreen of the phrase "music in our message". Alternatively, it could be interpreted as "music and our message." The album debuted at number 14 on the US Billboard 200 chart, selling 56,000 copies in its first week.
Things Fall Apart is the fourth studio album by American hip hop band the Roots, released on February 23, 1999, by MCA Records. Recording sessions for the album took place at Electric Lady Studios during 1997 to 1998, coinciding with recording for other projects of the Soulquarians collective, including D'Angelo's Voodoo (2000), Erykah Badu's Mama's Gun (2000), and Common's Like Water for Chocolate (2000). According to Spin magazine, the album became a landmark moment for the Roots and the collective, as it "swelled the Roots clique into a movement-style posse".
Phrenology is the fifth studio album by American hip hop band the Roots, released on November 26, 2002, by MCA Records. Recording sessions for the album took place during June 2000 to September 2002 at Electric Lady Studios in New York. It was primarily produced by members of the band and features contributions from hip hop and neo soul artists such as Cody ChesnuTT, Musiq Soulchild, Talib Kweli, and Jill Scott.
Illadelph Halflife is the third studio album by American hip hop band the Roots, released September 24, 1996, on DGC and Geffen Records. It features a tougher and broader sound than their previous album, Do You Want More?!!!??! (1995). The album also contains integration of programmed drums and guest contributions by R&B musicians such as Amel Larrieux and D'Angelo, as well as jazz musicians such as David Murray, Steve Coleman, Cassandra Wilson, Graham Haynes. In 1998, the album was selected as one of The Source's 100 Best Rap Albums. In 2006, the album was selected as one of Hip Hop Connection's 100 Best Rap Albums from 1995 to 2005. The multi-track tapes recorded to mix the album were destroyed in a fire at the Universal Studios back lot in 2008, however, the original 1996 master tape remains unaffected.
Do You Want More?!!!??! is the second studio album by American hip hop band the Roots, released January 17, 1995, on DGC Records. The band's major label-debut, it was released two years after their independent debut album, Organix (1993). Do You Want More?!!!??! has been considered by critics as a classic of jazz rap. In 1998, the album was selected as one of The Source's 100 Best Rap Albums. On November 2, 2015, twenty years after its release, the album was certified Gold by the Recording Industry Association of America for shipments of 500,000 units in the United States. The master tapes for the album, including some unreleased tracks, were destroyed in the 2008 Universal Studios fire.
Roots is Curtis Mayfield’s second studio album, released in October 1971. Having received critical praise from a variety of publications, the album is regarded as not just one of Mayfield's best works but also as a classic release of the '70s soul era, with Allmusic critic Bruce Eder stating that "the album soars on some of the sweetest and most eloquent... soul sounds heard up to that time". The album became a commercial success as well, hitting the #6 slot on Billboard's Top R&B Albums chart.
Songs the Lord Taught Us is the debut album by the American rock band the Cramps. It was released in 1980 on I.R.S. Records in America and Illegal Records in England. In 2020, Rolling Stone included Songs the Lord Taught Us in their "80 Greatest albums of 1980" list, praising the band for its "psychobilly sound that went way beyond the kitschiest moments of the Ramones or Blondie and into a whole new realm of garage-trash novelty".
Newport '63 is a live album by jazz musician John Coltrane recorded at the 1963 Newport Jazz Festival, with one additional track recorded at the Village Vanguard in 1961. The album features the Coltrane quartet with drummer Roy Haynes substituting for Elvin Jones.
Get On the Good Foot is the 34th studio album by American funk and soul musician James Brown. It was released as a double LP on November 20, 1972, by Polydor Records.
In Concert is a live double album by American jazz musician Miles Davis. It was recorded in 1972 at the Philharmonic Hall in New York City. Columbia Records' original release did not credit any personnel, recording date, or track listing, apart from the inner liner listing the two titles "Foot Fooler" and "Slickaphonics."
Of Rivers and Religion is an album by American folk musician John Fahey, released in 1972. It was his first recording on a major label and is credited to John Fahey and His Orchestra. It marked a significant change from Fahey's previous releases, incorporating a backing band and performing songs and arrangements in a Dixieland jazz style. Although Time picked it as one of the Top Ten albums of 1972, it was also a difficult album to market and had little enthusiasm at Reprise.
Nastradamus is the fourth studio album by American rapper Nas, released on November 23, 1999, by Ill Will and Columbia Records. It was originally intended to be composed entirely of material from sessions for I Am... and released October 26, but in response to bootlegging of that material, release was postponed one month for Nas to record new material for Nastradamus.
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for The Village Voice in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for The Village Voice in the manner of Christgau's "Consumer Guide", alongside contributions to Seattle Weekly, The New Rolling Stone Album Guide, NPR Music, and the webzine Static Multimedia.
