Despite Orphaned Land's songs drawing on biblical themes, the band have said that they are not religious, with the majority of the band members identifying as atheist or agnostic,[8][9][10] and are known for their ambivalence towards organized religion, blaming it as the cause of bloodshed and hatred. Kobi Farhi claims that metal is a kind of "religion."[1]
Orphaned Land has developed a large following, "tens of thousands of fans," across the Middle East and North Africa, as well as Iran, and have been described as "ambassadors of peace" for their message of unity,[11][12] despite the heavy metal genre being considered taboo in, and with Israel being considered an enemy of many of these countries. In the Arab world, metal music is part of the underground - Orphaned Land once toured in Europe with a Jordanian band who wasn't allowed to play in their home country. In 2013, Orphaned Land toured Europe with the Palestinian band Khalas which Farhi claims proved that Jewish-Muslimcoexistence is possible. The two bands would issue a split album with each other in 2021, entitled "The Peace Series Vol 1." The only Islamic country in which the band has played is Turkey; however, they were invited to play Dubai, but the show was cancelled due to the COVID-19 pandemic. They have played in Turkey over 25 times[13] which Muslim fans all over the world would attend, especially those from the Middle East, Iran, and Morocco.[1] Orphaned Land is also known for having a large Haredi following, as well.[citation needed]
At the start of the band's formation, they played "regular" death metal under the name "Resurrection," with the goal to sound like At the Gates, Morbid Angel, Death, Decide, and other similar sounding bands, and sang about topics like "death from radiation decay."[14][15][16][17] They quickly realized, however, that they are "from a different place, a place with different temperature, culture, and colours, that is also the source of all the monotheistic beliefs," as explained by frontmanKobi Farhi. The band chose to write music that better projected this, incorporating middle eastern melodies and folk rhythms into their sound. In 1992, they changed their name to "Orphaned Land," believing that this name better suits their newer, more melodic style, which they dubbed oriental metal.[6][14][16][17] This new style fused melodic death metal and melodic death-doom with elements of progressive metal, incorporating Middle Eastern and North African musical traditions as well as those of Mizrahi and Maghrebi Jewish, and Arabic origin, which has been described as a kind of early folk metal.
Sahara, El Norra Alila, and hiatus (1993-2001)
In 1993, Orphaned Land released their demoThe Beloved's Cry, and in 1994, they released their first album Sahara, in which the band reworked four of the demo's six songs and wrote four new ones.
In 1996, they released their second album El Norra Alila, their first concept album, in which they amplified the "oriental" elements. The name of the album is based on the piyyut of the same name, which is recited during Yom Kippur as a plea of forgiveness, but also acts as a play on words using both Hebrew and Arabic, and can be translated as "God of Light, Evil of the Night," referring to the album's concept. The album also includes traditional Mizrahi piyyutim as songs, as well as sporadic use of Jewish liturgy, with heavier emphasis on Arabic melodies from their previous release. It explored the themes of light and darkness, conveying the message of commonality between the three main Abrahamic religions (Judaism, Islam, and Christianity).[18] This is a theme they would continue to use throughout their next three concept albums, as well.
Uri Zelcha - bassist
After the release of El Norra Alila in 1996, Orphaned Land went into "this unknown hiatus,"[16] during which "nothing happened." However, in 2001, Farhi received an email from a Jordanian fan who sent him a video of himself revealing a tattoo of the Orphaned Land logo on his arm. Farhi, who was "shocked" by this, given the geopolitical circumstances, considers this the motivating factor to get the band back together, and began recording their next album. They played several shows in Tel Aviv and one in Turkey, their first show abroad.[16] The Jordanian fan who sent Farhi the video came to the show in Turkey, where he brought an Arabic book written by an EgyptianSheikh about Satanism. The book, which detailed how to avoid Satanic groups in Egypt, displayed the lyrics to an Orphaned Land song that contains verses from the Quran. When asked for elaboration by Farhi, the fan explained how the police raided an Egyptian metalhead's house and discovered a CD with this song on it; the Egyptian fan was sent to prison for six months as this was enough to charge him of blasphemy.
Mabool (2002-2009)
The band's third album, Mabool: The Story of the Three Sons of Seven was released in 2004, and was the band's second concept album. ""Mabool" (מבול) is the Hebrew word for "flood," and refers to the Genesis flood narrative from which the album's concept, the band's reinterpretation of Noah's Ark, is derived. It tells the story of three sons (one for each Abrahamic religion) who try to warn humanity of a flood coming as punishment for their sins. The album retains the "oriental" instruments from their previous two albums, and also includes two choruses, traditional Yemenite Jewish chants sung by Shlomit Levi, and quotes of biblical verses from chapters 6–9 in Genesis, read by Kobi Farhi.[1] In 2005, after Mabool, Orphaned Land released the EP, Ararat, named after Mount Ararat where Noah's Ark landed, which contains two demos of songs Mabool, and one reworked track from it, as well as a cover of the song "Mercy" from Paradise Lost. The band describes their first two concept albums as "a meeting of East and West, past and present, light and darkness, and a tango between God and Satan.[19]
In January, 2010, Orphaned Land released the follow-up to Mabool, and their fourth album, entitled The Never Ending Way of ORWarriOR. In Hebrew, the word "or" (אור) means "light," thus ORwarriOR can be translated as "light warrior" or "warrior of light," and is the band's third concept album. Like El Norra Alila, ORwarriOR explores themes light and darkness; this time the album is about the battle between the darkness, a place of questions, and the light, a place of answers. The album has a different sound than Mabool, was produced and mixed by Steven Wilson of Porcupine Tree, and made free to download for any fan who lives in a "number of" MENA countries.[1][21] The first single from the CD was titled "Sapari" and was put on Myspace with two other tracks, "Vayehi OR" and "Disciples of the Sacred Oath II," a sequel to a song from the deluxe edition of El Norra Alila. In early 2011, ORWarriOR was rated the Metal Storm number one progressive metal album of 2010 by users with 421/1130 total votes.[22]
On June 19, 2011, Orphaned Land performed at the French Metal Festival Hellfest held in Clisson. Orphaned Land is known to employ belly dancers at their shows, however for this show, Lebanese belly dancer Johanna Fakhry reached out to Orphaned Land and requested to perform with the band there. While Kobi Farhi agreed to this request, he warned her that it could be dangerous for her. Fakhri decided to join them on stage anyway. At this performance, Farhi and Fakhry held up the Israeli and Lebanese flags side-by-side at the end of the concert as a gesture of peace. After word in Lebanon spread about this performance, Fakhry's parents expressed outrage towards her for this action, she was ridiculed online by Arab communities, and Hezbollah issued a death warrant to her. Fakhry has not returned to Lebanon since then, and has remained in France. According to Farhi, Orphaned Land has invited her to shows in Israel, but she has rejected the offers out of respect for her parents' wishes.[23][1][24]
In 2011, Orphaned Land played two concerts in Israel to celebrate their 20th anniversary. On October 24, the band released a live music and video album entitled The Road to Or-Shalem featuring recordings of this concert to celebrate their milestone.[25]
On June 11, 2012, guitarist Matty Svatitzky announced his departure from the band, citing personal issues. Matti Svatitzky was replaced by Chen Balbus, a young musician who was had performed live with them, previously.
Orphaned Land released their fifth album, entitled All is One, on June 24, 2013. This album featured a shift in sound for Orphaned Land, who took a lusher, more symphonic approach to the album than their previous releases, and who experienced a line-up change beforehand. Despite its optimistic title, the band considers it their darkest album thematically; albeit, musically it is their most accessible, least progressive, and lightest album, being nearly devoid of death metal influence. Farhi provided very few death growls on this album,[26] and the highly acclaimed Israeli-Arab singer, Mira Awad, provided female vocals for it.
Orphaned Land won the Metal Hammer award for "Global Metal Band of the Year 2014".[28] The band also released a new music video for the track "Let the Truce Be Known," directed by Vadim Machona.[29]
Unsung Prophets & Dead Messiahs (2017-present)
In 2017, former Genesis guitarist Steve Hackett contacted Farhi, in his search for artists that work for peace between people, and asked him to perform in a song about peace. The two sides immediately clicked and started collaborating. Together with Mira Awad, Farhi sings in the song "West to East" on Hackett's album, The Night Siren. According to Farhi, Hackett offered to either play a guitar solo on an Orpahend Land album or to pay Farhi directly for his performance, and Farhi chose the guitar solo. Hackett appears on the song Chains Fall to Gravity[30] from their upcoming album.
Idan Amsalem - guitarist
On January 26, 2018, Orphaned Land released their sixth album, entitled Unsung Prophets & Dead Messiahs,[31] and is the band's fourth concept album. Once again utilizing the concepts of light and darkness to convey their message, the album is based around Plato'sAllegory of the cave to explain how humanity embraces the darkness and are afraid to break their chains and embrace the light. Farhi considers it to be their "protest album".[32] For Unsung Prophets & Dead Messiahs, Orphaned Land wanted to combine the accessible, "upfront" sound of All Is One with the conceptual and progressive sound of Mabool and ORwarriOR, believing that would lead to the creation of "the best Orphaned Land album".[33]
In September 2018, Orphaned Land won the 'Video Of The Year' award at the Progressive Music Awards 2018 in London, for their video, Like Orpheus.[34] The music video is based on a true story about a Muslim girl who used to attend metal shows in Israel. A photo taken of her in a hijab with the lead singer of Behemoth in his corpse paint went viral, after which her parents forbade her from associating with the "metal world." The music video depicts a Haredi man and a Muslim woman attending a Kreator concert at night, while hiding their association with the metal community from their families.[1]
In June 2021, Orphaned Land celebrated their 30th anniversary by playing a concert at the prestigious Heichal HaTarbut, the largest concert hall in Israel. Backed by the 45-piece Israel Chamber Opera Orchestra and Noa Gruman's Hellscore Choir, they are the first Israeli metal band to ever play a concert there. The show was attended by 2,400 people[1] despite restrictions from the COVID-19 pandemic. The show was livestreamed, and thus the band had footage of the whole concert. On December 1, 2023, the show was released as a music and video album, named A Heaven You May Create.[13] On December 10, 2021, the band released a box set containing all six of their solo studio albums, and the bonus songs from them, entitled 30 Years of Oriental Metal - Anniversary Album Collection, in tribute to their 30th anniversary.[35]
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Mabool: The Story of the Three Sons of Seven is the third full-length studio album by the Israeli metal band Orphaned Land. It was released on February 23, 2004 through Century Media Records. One limited edition version of the album has a bonus CD entitled The Calm Before the Flood containing live acoustic tracks, while another limited edition version was released by Profound Lore Records as a 2-LP album with alternate cover art in a clear wax case limited to only 500 copies. Two videos were made for the album, one for the song "Ocean Land" and the other for the song "Norra el Norra", and were the band's first music videos. Mabool is Orphaned Land's second concept album. "Mabool" (מבול) is the Hebrew word for "flood," and refers to the Genesis flood narrative from which the album's concept, the band's reinterpretation of Noah's Ark, is derived.
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Sahara is the first full-length studio album by the Israeli metal band Orphaned Land, released on November 25, 1994 by French label Holy Records. The 2002 digipak re-release of the album features three bonus tracks: "Above You All", "Pits of Despair" and "The Beloved's Cry " and edited cover art. The songs "Seasons Unite", "The Beloveds Cry", "My Requiem", "Orphaned Land – The Storm Still Rages Inside..." are all from the demo The Beloved's Cry.
El Norra Alila is the second full-length studio album by the Israeli metal band Orphaned Land, released on July 18, 1996 by Holy Records. It is the band's first concept album. The album was reissued as a deluxe edition in July 2006 as a 10-year-anniversary for the album and contains extras; the song "Disciples of the Sacred Oath" and video clips of "Ornaments of Gold" and "The Evil Urge".
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Yossi Sassi [Hebrew: יוסי סאסי] is an Israeli guitarist and producer who merges traditional and contemporary music. He is the inventor of the "bouzoukitara" musical instrument. He is known for pioneering oriental rock, as well as being the main composer, arranger, and co-founder of Orphaned Land, an Israeli progressive metal band formed in 1991. He also formed the Yossi Sassi Band/The Oriental Rock Orchestra. His debut solo album, Melting Clocks, got him voted "Top Newcomer of 2012" by Rock Hard magazine readers. His 2016 album Roots and Roads was submitted for Grammy Award consideration.
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