Osborne Macharia

Last updated
Osborne Macharia
Born (1986-04-11) April 11, 1986 (age 38)
Nairobi, Kenya
NationalityKenyan
Known forAfro-Futuristic Digital Art and Photography
Notable workKipipri 4
StyleAfrofuturism
Website k63.studio

Osborne Macharia (born 11 April 1986 in Nairobi) is a self-taught Kenyan commercial photographer and digital artist whose work focuses on themes of Afrofuturism in culture, identity, and fictional narratives. [1] He has been called "a master at creating alternate black universes." [2]

Contents

Career

Macharia did not initially pursue a commercial career in photography. [3]

His path to photography began through a failure. In 2010 he was still studying for his bachelor's degree in Architecture. [3] Then he failed his last unit in his fourth year of studying to gain a degree in architecture. In his year long gap, he found the work of New York-based photographer Joey L. [4]

Macharia is completely self-taught, relying heavily on online tutorials and research to build his skills in photography. [5] Macharia primarily works with an 80mm lens with the Medium Format camera system and Phocus Software and Lightroom. He also relies heavily on Photoshop. [3]

His artwork has been featured by many brands, including Vogue, Marie Claire, Coke, Afro Punk, and BBC. [6] He was commissioned to create original artwork for the film Black Panther and the US television drama Queen Sugar. [2] [7]

In 2017, he spoke at the Design Indaba Conference. [3]

In 2018, he was chosen to be on the judging team at the Art Director's Club of New York Awards. [3]

In 2018, Macharia was commissioned to promote the film Black Panther by designing and creating a collection of Afrofuturistic inspired photographs [5] This project was titled "Ilgelunot", which means the "Chosen Ones" in Maasai. [5]

In 2018, Macharia was selected as one of "Five Creative Revolutionaries" of African art by One Source Live. [8] In a creative showcase of their work, each artist selected depicted a different Afrofuturistic alterego. Macharia's was "The Eye" a virtuoso who can record and play back what he sees with a digital eye. [8] This is a metaphor for African people seeing their own culture and heritage as beautiful.

Works

When describing his Afrofuturistic work, Macharia stated that "it is a post-colonial narrative about the continents, where you embrace history, present culture, and future aspirations of people of color through art... music... fashion – and just tell a different narrative about the continent." [9]

Macharia cites artist Malick Sidibé as one of his African heroes in art. [10]

Kippiri Women

One of Macharia's photographic collections is based on the legend of the Kipipiri Women who lived in the Kipipiri forest. The Kipipiri women were four warriors, wives of the four generals of the Mau Mau, who found innovative ways to incorporate their culture and hairstyles in the efforts to defeat British imperialist rule of Kenya. [5] [11] Every full moon, the women would dress themselves in elaborate hairstyles that would be useful in their revolutionary efforts.

Their leader, Bobo, had hair twisted in elaborate knots and curls that mirrored the map the women would use to navigate the caves in which their husbands would hide at night to plan. [11] The second in command, Chep, was skilled in weaponry and combat and had the extraordinary ability to see in the dark. Her hair was woven into large curls so that she could hide knives and other weapons in it. [11] The third warrior, Achi, was the most skilled chef in the village. Her job was to prepare and carry large amounts of food to and from the village in her basket-weaved hair. She is depicted as having a strong neck, so as to always keep her head level and the food stored in her hair upright. [11] The last warrior, Mwende, was the entertainer of the village. She never ventured into the forest but instead prepared the women at home to welcome the men back from war when they returned. Her hair resembled large sound amplifiers, and she wore a mouth-piece connected to pipes that allowed her vocals to travel to the amplifiers in her head.

Kenya's League of Extravagant Grannies

This photographic collection depicts three older women, retired from their jobs as government ministers and business women. Macharia states, “They now live the retired high life travelling to exotic and remote areas of Africa to explore, party and enjoy in exclusivity.” [12]

Capture Kenya I and II

This photographic collection [13] was commissioned by Safaricom, Kenya's telecommunications company on the theme of "This Is My Kenya." He traveled in coastal Kenya for 10 days taking photographs. Macharia said the aim was to change negative stereotypes of Kenya. [13]

Other works

Awards

See also

Related Research Articles

<span class="mw-page-title-main">Gordon Parks</span> American photographer, musician, writer and film director

Gordon Roger Alexander Buchanan Parks was an American photographer, composer, author, poet, and film director, who became prominent in U.S. documentary photojournalism in the 1940s through 1970s—particularly in issues of civil rights, poverty and African Americans—and in glamour photography. He is best remembered for his iconic photos of poor Americans during the 1940s, for his photographic essays for Life magazine, and as the director of the films Shaft, Shaft's Big Score and the semiautobiographical The Learning Tree.

<span class="mw-page-title-main">Eve Arnold</span> American photojournalist (1912–2012)

Eve Arnold, OBE (honorary), FRPS (honorary) was an American photojournalist, long-resident in the UK. She joined Magnum Photos agency in 1951, and became a full member in 1957. She was the first woman to join the agency. She frequently photographed Marilyn Monroe, including candid-style photos on the set of The Misfits (1961).

<span class="mw-page-title-main">Ruth Bernhard</span> German-born American photographer (1905–2006)

Ruth Bernhard was a German-born American photographer.

<span class="mw-page-title-main">Afrofuturism</span> Cultural aesthetic and philosophy

Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences. While Afrofuturism is most commonly associated with science fiction, it can also encompass other speculative genres such as fantasy, alternate history and magic realism. The term was coined by American cultural critic Mark Dery in 1993 and explored in the late 1990s through conversations led by Alondra Nelson.

<span class="mw-page-title-main">Louise Dahl-Wolfe</span> American photographer (1895–1989)

Louise Emma Augusta Dahl-Wolfe was an American photographer. She is known primarily for her work for Harper's Bazaar, in association with fashion editor Diana Vreeland. At Harper's Bazaar she pioneered a new standard in color photography.

Wangechi Mutu is a Kenyan American visual artist, known primarily for her painting, sculpture, film, and performance work. Born in Kenya, Mutu now splits her time between her studio there in Nairobi and her studio in Brooklyn, New York, where she has lived and worked for over 20 years. Mutu's work has directed the female body as subject through collage painting, immersive installation, and live and video performance while exploring questions of self-image, gender constructs, cultural trauma, and environmental destruction and notions of beauty and power.

<span class="mw-page-title-main">Ruth E. Carter</span> American costume designer

Ruth E. Carter is an American costume designer for film and television. She is best known for her collaborations with Spike Lee, John Singleton, and Ryan Coogler. During her film career, Carter has been nominated four times for the Academy Award for Best Costume Design, for her work on Lee's biographical film Malcolm X (1992), Steven Spielberg's historical drama film Amistad (1997), and winning twice for Coogler's Marvel superhero films Black Panther (2018) and Black Panther: Wakanda Forever (2022). She was the first African-American to win and be nominated for Best Costume Design and the first Black woman to win multiple Academy Awards in any category. Her other film credits include Do the Right Thing (1989), What's Love Got to Do with It (1993), Love & Basketball (2000), Serenity (2005), The Butler (2013), Selma (2014), Marshall (2017), Dolemite Is My Name (2019), and Coming 2 America (2021).

<span class="mw-page-title-main">Lorna Simpson</span> American photographer and multimedia artist

Lorna Simpson is an American photographer and multimedia artist whose works have been exhibited both nationally and internationally. In 1990, she became one of the first African-American woman to exhibit at the Venice Biennale. She came to prominence in the 1980s and 1990s with photo-text installations such as Guarded Conditions and Square Deal that questioned the nature of identity, gender, race, history and representation. Simpson continues to explore these themes in relation to memory and history using photography, film, video, painting, drawing, audio, and sculpture.

<span class="mw-page-title-main">Aïda Muluneh</span> Ethiopian photographer (born 1974)

Aïda Muluneh Ethiopian photographer, educator, and entrepreneur known for her Afrofuturist photography that incorporates vibrant colours and body painting to create surreal scenes.

<span class="mw-page-title-main">Wanuri Kahiu</span> Kenyan filmmaker

Wanuri Kahiu is a Kenyan film director, producer, and author. She is considered to be “one of Africa's most aspiring directors, being part of a new, vibrant crop of talents representing contemporary African culture”. She has received several awards and nominations for the films which she directed, including the awards for Best Director, Best Screenplay and Best Picture at the Africa Movie Academy Awards in 2009 for her dramatic feature film From a Whisper. She is also the co-founder of AFROBUBBLEGUM, a media collective dedicated to supporting African art for its own sake.

Ayana V. Jackson is an American photographer and filmmaker. Born in Livingston, New Jersey, she received her B.A. in Sociology from Spelman College in 1999. In 2005, at the invitation of professor Katharina Sieverding, she studied critical theory and large format printing at the University of Arts Berlin. She is best known for her focus on Contemporary Africa and the African Diaspora, most notably the series African by Legacy, Mexican by Birth, Leapfrog Grand Matron Army, and Archival Impulse.

<span class="mw-page-title-main">Zanele Muholi</span> South African artist and visual activist (born 1972)

Zanele Muholi is a South African artist and visual activist working in photography, video, and installation. Muholi's work focuses on race, gender and sexuality with a body of work that dates back to the early 2000s, documenting and celebrating the lives of South Africa's Black lesbian, gay, transgender, and intersex communities. Muholi is non-binary and uses they/them pronouns, explaining that "I'm just human".

<span class="mw-page-title-main">Women photographers</span> Women working as photographers

The participation of women in photography goes back to the very origins of the process. Several of the earliest women photographers, most of whom were from Britain or France, were married to male pioneers or had close relationships with their families. It was above all in northern Europe that women first entered the business of photography, opening studios in Denmark, France, Germany, and Sweden from the 1840s, while it was in Britain that women from well-to-do families developed photography as an art in the late 1850s. Not until the 1890s, did the first studios run by women open in New York City.

<span class="mw-page-title-main">Dody Weston Thompson</span> American photographer (1923–2012)

Dody Weston Thompson was a 20th-century American photographer and chronicler of the history and craft of photography. She learned the art in 1947 and developed her own expression of “straight” or realistic photography, the style that emerged in Northern California in the 1930s. Dody worked closely with contemporary icons Edward Weston, Brett Weston and Ansel Adams during the late 1940s and through the 1950s, with additional collaboration with Brett Weston in the 1980s.

The practice and appreciation of photographyin the United States began in the 19th century, when various advances in the development of photography took place and after daguerreotype photography was introduced in France in 1839. The earliest commercialization of photography was made in the country when Alexander Walcott and John Johnson opened the first commercial portrait gallery in 1840. In 1866, the first color photograph was taken. Only in the 1880s, would photography expand to a mass audience with the first easy-to-use, lightweight Kodak camera, issued by George Eastman and his company.

Neil Emile Elias Kenlock is a Jamaican-born photographer and media professional who has lived in London since the 1960s. During the 1960s and 1970s, Kenlock was the official photographer of the British Black Panthers, and he has been described as being "at the forefront of documenting the black experience in the UK". Kenlock was co-founder of Choice FM, the first successful radio station granted a licence to cater for the black community in Britain.

Kwame Brathwaite was an American photojournalist and activist known for popularizing the phrase "Black is Beautiful" and documenting life and culture in Harlem and Africa.

Lina Iris Viktor is a New York-based British-Liberian visual artist who is known her paintings, sculptures, photographs, and performance art. Viktor combines ancient and modern art forms to create multimedia paintings. She does this by combing an ancient technique called gilding with photography and painting to create “symbols and intricate patterns." She overlays 24-karat gold over dark canvases to create works with “layers of light”. Allison K. Young in Haven. A Hell. A Dream Deferred says that these multimedia paintings suggest “the socio-political and historical preconceptions surrounding ‘blackness’ and its universal implications”. The New York Times described her paintings as "queenly self-portraits with a futuristic edge".

Adama Delphine Fawundu Adama Delphine Fawundu is an artist born in Brooklyn, NY the ancestral space of the Lenni-Lanape. She is a descendant of the Mende, Krim, Bamileke, and Bubi peoples. Her multi-sensory artistic language centers around themes of indigenization and ancestral memory. Fawundu co-published the critically acclaimed book MFON: Women Photographers of the African Diaspora with photographer Laylah Amatullah Barrayn. – MFON is a book featuring the diverse works of women and non-binary photographers of African descent. Her works have been presented in numerous exhibitions worldwide. She is a Professor of Visual Arts at Columbia University.

<span class="mw-page-title-main">Anny Robert</span> Nigerian celebrity photographer (born 1990)

Anietie "Anny" Robert is a Nigerian portrait photographer and creative director based in Niger State, Nigeria.

References

  1. "Osborne Macharia: The Eye (Kenya, Photographer)". oslmedia.totalexposure.co.za. Retrieved 2019-01-14.
  2. 1 2 "Osborne Macharia Introduces the 3 Blind Elders of Wakanda In Exclusive 'Black Panther' Artwork". OkayAfrica. 2018-02-22. Retrieved 2019-01-24.
  3. 1 2 3 4 5 "Ladies & Gentlemen, Photographer Extraordinaire, Osborne Macharia". The Designers Studio. 2018-05-04. Retrieved 2019-01-15.
  4. "Osborne Macharia". Communication Arts. 2017-01-09. Retrieved 2019-01-15.
  5. 1 2 3 4 Dahir, Abdi Latif. "Marvel commissioned a Kenyan photographer for these exclusive Black Panther art pieces". Quartz Africa. Retrieved 2019-01-15.
  6. 1 2 3 4 5 "Osborne Macharia". Design Indaba. Retrieved 2019-01-14.
  7. Orubo, Daniel (2018-04-20). "Osborne Macharia Shoots The Key Art For Ava DuVernay's 'Queen Sugar'". Konbini Nigeria. Retrieved 2019-01-24.
  8. 1 2 "Meet The Superheroes Of Afro-Art". HuffPost South Africa. 2017-12-04. Retrieved 2019-01-15.
  9. Meet Kenyan photographer Osborne Macharia tapped to promote the blockbuster movie "Black Panther" - CNN Video , retrieved 2019-01-14
  10. "Meet photographer Osborne Macharia: One Source Live's The Eye". Channel. 2018-02-13. Retrieved 2019-01-15.
  11. 1 2 3 4 "Behance". www.behance.net. Retrieved 2019-01-15.
  12. ""Kenya's League of Extravagant Grannies"". Design Indaba. Retrieved 2019-01-24.
  13. 1 2 "Behance". www.behance.net. Retrieved 2019-01-24.
  14. "Osborne Macharia: The storyteller extraordinaire turning photography into art". MyWeku Tastes. 2016-06-07. Retrieved 2019-01-24.