Othello (1965 British film)

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Othello
Othello Laurence Olivier 1965 BHE.png
Theatrical release poster
Directed by Stuart Burge
Written by William Shakespeare
Produced by Anthony Havelock-Allan
John Brabourne
Starring
Cinematography Geoffrey Unsworth
Edited byRichard Marden
Music byRichard Hampton
Production
companies
Distributed by Eagle-Lion Films (UK)
Warner Bros. (US)
Release date
  • 15 December 1965 (1965-12-15)
Running time
165 minutes
CountryUnited Kingdom
LanguageEnglish

Othello is a 1965 film based on the National Theatre Company's staging of Shakespeare's Othello (1964-1966) staged by John Dexter. Directed by Stuart Burge, the film stars Laurence Olivier, Maggie Smith, Joyce Redman, and Frank Finlay, who all received Oscar nominations, and provided film debuts for both Derek Jacobi and Michael Gambon.

Contents

Cast

Background

The film retains most of Shakespeare's original play, and does not change the order of scenes, as do Olivier's Hamlet and Richard III . The only major omission is the Fool's scene, although other minor lines are cut here and there, though the stage version contained more of the play than the film. Derek Jacobi (Cassio) and Michael Gambon made their film debuts in Othello, while Edward Hardwicke (Montano) would go on to work with the National for seven years.

The film of Othello used enlarged duplicates of the original stage settings, rather than having elaborate new sets built. Olivier's former backers for his Shakespeare films were all deceased by 1965, and he was unable to raise the money to do a film version on location or on elaborate sets. Nearly a decade earlier, Olivier had been attempting to find financial backing for his own film version of Macbeth after he performed the role in 1955 at Stratford, but ultimately without success. [1] The National Theatre Company had already produced a staged film of Chekhov's Uncle Vanya (1963) and would later produce Strindberg's The Dance of Death (1969). The Olivier Othello is the first English-language filmed version of the play made in colour (there had been a Russian version in colour in 1955) and widescreen. It was the second major film adaption of the work after a production in 1952 by Orson Welles. In the U.S., it did not play the usual several-week run given to most films; instead, it played for only two days. [2] The film was exhibited as a roadshow presentation. [2]

Of all Olivier's Shakespeare films, Othello is the one with the least music. Iago and the soldiers sing a drinking song in one scene, and in another, musicians are seen playing briefly on exotic instruments, but, otherwise, the film has no music.

Reception

Olivier played Othello in blackface. He also adopted an exotic accent of his own invention, developed a special walk, and learned how to speak in a voice considerably deeper than his normal one.[ citation needed ] Columnist Inez Robb disparagingly compared Olivier's performance to Al Jolson in The Jazz Singer . She described Olivier's performance as "high camp", and said "I was certainly in tune with the gentleman sitting next to me who kept asking 'When does he sing Mammy ?" [3] Film critic Pauline Kael gave the production and Olivier's portrayal one of her most glowing reviews, shaming the major movie studios for giving Olivier so little money to make the film that he and the public had to be content with what was almost literally a filmed stage production, while other films received multimillion dollar budgets. [4] John Simon, while disagreeing with the approach the production's interpretation took, declared that, "Olivier plays this misconceived Othello spectacularly, in a manner that is always a perverse joy to behold". [5]

One particular thing which has caused distinctive amounts of offense, and a device which primarily works in film rather than on-stage, was Olivier's rolling of his eyes: a mannerism often shown in early depictions of black people in blackface films. This device specifically links to Al Jolson and is unconnected to any Shakespearean-era stage direction. [6]

It remains the only Shakespeare film in which all the principals were nominated for Oscars. Finlay (Iago) was nominated for Best Supporting Actor despite having the role with the most lines in the play: 1117 to Olivier's 856. Olivier does, however, appear on screen three minutes longer than Finlay.[ citation needed ]

In 2021 music professor Bright Sheng stepped down from teaching a University of Michigan undergraduate musical composition class, where he says he had intended to show how Giuseppe Verdi adapted William Shakespeare's play Othello into his opera Otello , after a controversy over his showing the movie, allegedly without giving students a warning that it contained blackface. [7]

See also

Related Research Articles

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Bianca (<i>Othello</i>) Fictional character

Bianca is a fictional character in William Shakespeare's Othello (c. 1601–1604). She is Cassio's jealous lover. Despite her brief appearance on stage, Bianca plays a significant role in the progress of Iago's scheme to make Othello believe that his wife Desdemona is cheating on him with Cassio.

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<span class="mw-page-title-main">Roderigo</span> Character in Othello

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<i>Catch My Soul</i> (musical) Musical

Catch My Soul is a rock musical produced by Jack Good, loosely adapted from Shakespeare's Othello. The character of Iago had originally been played by Jerry Lee Lewis in the US production which had closed in 1968. The UK production of the show was a showcase for the talents of Lance LeGault, P. P. Arnold, P.J. Proby and an introduction to the rock musician Robert Tench and the band Gass.

Othello is a 1990 film produced by the Royal Shakespeare Company, starring Ian McKellen, Willard White, Imogen Stubbs, and Zoë Wanamaker. It is based on a stage production of William Shakespeare's play Othello, directed by Trevor Nunn, and later rethought for TV and filmed in a studio. It was shot in a black box theater, so minimal props or scenery were needed, and aired 23 June 1990 on Theatre Night.

<span class="mw-page-title-main">Cultural references to Othello</span>

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Othello is Liz White's 1980 dramatic adaptation of William Shakespeare's Othello. An all black cast and crew, including actor Yaphet Kotto, created the film.

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References

  1. Anthony Davies "Macbeth" in Michael Dobson & Stanley Wells The Oxford Companion to Shakespeare, Oxford: Oxford University Press, 2001, p.271-75, 275
  2. 1 2 Crowther, Bosley (2 February 1966). "Minstrel Show Othello; Radical Makeup Marks Olivier's Interpretation". The Screen. The New York Times . Retrieved 25 April 2018.
  3. Inside Oscar by Damien Boa and Mason Wiley, Ballantine Books, page 383
  4. Pauline Kael (1970) Kiss Kiss Bang Bang. Marion Boyars Publishers
  5. Stanley Wells. Shakespeare in the Theatre: An Anthology of Criticism.
  6. Pines, Jim (1975). Blacks in Films. Littlehampton Book Services Ltd. ISBN   978-0289703267.
  7. Roche, Darragh (9 October 2021). "College Music Professor Steps Down After Showing Students 'Blackface' Othello". Newsweek . Retrieved 11 October 2021.