The Girl from 10th Avenue is a 1935 American drama film directed by Alfred E. Green. The screenplay by Charles Kenyon is based on the 1914 play Outcast by Hubert Henry Davies. The film was released in the United Kingdom as Men on Her Mind.
Seven Footprints to Satan is a sound part-talkie 1929 American mystery film directed by Danish filmmaker Benjamin Christensen. Based on the 1928 story of the same name by Abraham Merritt, it stars Thelma Todd, Creighton Hale, William V. Mong and Sheldon Lewis. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film survives at the Cineteca Italiana in an alternate sound version known as an International Sound Version. The sound disks for this foreign sound version are apparently not extant.
Outcast is a 1922 American silent drama film directed by Chester Withey. The film starred Elsie Ferguson and David Powell. William Powell has a small supporting part in this which was his third film.
Why Be Good? is a 1929 American sound comedy film produced by First National Pictures starring Colleen Moore and Neil Hamilton. While the film has no audible dialogue, it is accompanied by a Vitaphone soundtrack that features a musical score with sound effects and some synchronized singing.
The Woman and the World is a 1916 American silent drama film starring Jeanne Eagels as a prostitute who seeks a second chance in the countryside. It was based on the 1914 play Outcast starring Elsie Ferguson. It was remade in 1922 as Outcast, starring Ferguson; in 1928 with Corinne Griffith, also titled Outcast; and with Bette Davis in 1935 as The Girl from 10th Avenue.
Synthetic Sin is a 1929 American sound comedy film directed by William A. Seiter, based on a play of the same name. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It was released by Warner Bros. and was recorded using the Vitaphone sound system. Only the soundtrack disc for the last reel is known to survive.
Night Watch is a 1928 American synchronized sound drama film directed by Alexander Korda and starring Billie Dove, Paul Lukas and Donald Reed. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was an adaptation of the dramatic 1921 play In the Night Watch, written by Michael Morton. The film is set almost entirely on a French warship at the beginning of the First World War. Night Watch was the first of Korda's films to feature sound.
A Sailor's Sweetheart is a 1927 Warner Bros. synchronized sound film comedy directed by Lloyd Bacon. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. It stars Louise Fazenda and Clyde Cook.
Scarlet Seas is a surviving 1929 American synchronized sound romantic adventure film produced by Richard A. Rowland and distributed by First National Pictures. Although there is no audible dialogue, the film was released with a musical score with sound effects using the Vitaphone sound-on-disc recording process. The picture was directed by John Francis Dillon. It starred Richard Barthelmess, Betty Compson, and a teen-aged Loretta Young. Originally, the film was presumed lost.
Taxi 13 is a 1928 sound part-talkie film comedy produced and distributed by Film Booking Offices of America and directed by Marshall Neilan. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the RCA Photophone sound-on-film system. The film stars Chester Conklin in what is FBO's first film with a pre-recorded soundtrack.
Waterfront is a 1928 American synchronized sound comedy drama film released with sound effects and music, produced and released by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was directed by William A. Seiter and starred Dorothy Mackaill and Jack Mulhall, then a popular duo under the First National banner.
Ham and Eggs at the Front is a 1927 American synchronized sound comedy film directed by Roy Del Ruth and starring Tom Wilson, Heinie Conklin and Myrna Loy - all in blackface. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. Long thought to be a lost film, a print was screened at the Pordenone Silent Film Festival in 2021 courtesy of the Cineteca Italiana.
Pay as You Enter is a 1928 American synchronized sound comedy film directed by Lloyd Bacon and starring Louise Fazenda, Clyde Cook and William Demarest. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process.
Show Girl is a 1928 American synchronized sound comedy-drama film starring Alice White and Donald Reed. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was based on the first of J. P. McEvoy's two Dixie Dugan novels, as was the 1929 musical. It was followed by a sequel, Show Girl in Hollywood (1930).
The Whip is a 1928 American synchronized sound drama film directed by Charles Brabin and starring Dorothy Mackaill. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was based on a 1912 play The Whip by Cecil Raleigh and Henry Hamilton and distributed by First National. This sound film was released with a synchronized Vitaphone soundtrack of music and sound effects. It is set in the horse racing world of England.
Prisoners is a 1929 American sound part-talkie film produced by Walter Morosco and directed by William Seiter for First National Pictures. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the Vitaphone sound-on-disc process. The screenplay was written by Forrest Halsey, based on the novel by Ferenc Molnar. Lee Garmes was the cinematographer.
Five and Ten Cent Annie is a 1928 American sound part-talkie comedy film directed by Roy Del Ruth and starring Louise Fazenda, Clyde Cook and William Demarest. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Domestic Troubles is a lost 1928 American synchronized sound comedy film directed by Ray Enright and starring Clyde Cook, Louise Fazenda and Betty Blythe. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was produced and released by Warner Brothers.
Brass Knuckles is a surviving 1927 synchronized sound crime film directed by Lloyd Bacon and starring Monte Blue, Betty Bronson and William Russell. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film was produced and distributed by Warner Brothers Pictures.
Vamping Venus is a 1928 American synchronized sound comedy film directed by Edward F. Cline, written by Howard J. Green and Ralph Spence, and starring Charles Murray, Louise Fazenda, Thelma Todd, Russ Powell, Joe Bonomo and Guinn "Big Boy" Williams. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was released on May 13, 1928, by First National Pictures.
