Nicole Mary Kidman is an American and Australian actress and producer. Known for her work across various film and television productions from several genres, she has continuously remained one of the world's highest-paid actresses. She is the recipient of numerous accolades, including an Academy Award, a British Academy Film Award, two Primetime Emmy Awards and six Golden Globe Awards.
Moulin Rouge! is a 2001 jukebox musical romantic drama film directed, co-produced, and co-written by Baz Luhrmann. It follows a young English poet, Christian, who falls in love with the star of the Moulin Rouge, cabaret actress and courtesan Satine. The film uses the musical setting of the Montmartre Quarter of Paris and is the final part of Luhrmann's "Red Curtain Trilogy," following Strictly Ballroom (1992) and Romeo + Juliet (1996). A co-production of Australia and the United States, it stars Nicole Kidman and Ewan McGregor. John Leguizamo, Jim Broadbent, and Richard Roxburgh feature in supporting roles.
Mark Anthony "Baz" Luhrmann is an Australian filmmaker and actor with projects spanning film, television, opera, theatre, music and recording industries. He is regarded by some as a contemporary example of an auteur for his style and deep involvement in the writing, directing, design, and musical components of all his work. He is the most commercially successful Australian director, with four of his films in the top ten highest worldwide grossing Australian films of all time.
William Shakespeare's Romeo + Juliet is a 1996 romantic crime film directed, produced, and co-written by Baz Luhrmann. It is a modernized adaptation of William Shakespeare's tragedy of the same name. The film stars Leonardo DiCaprio and Claire Danes in the title roles of two teenagers who fall in love, despite their being members of feuding families. Brian Dennehy, John Leguizamo, Harold Perrineau, Pete Postlethwaite, Paul Sorvino and Diane Venora also star in supporting roles. It is the third major film version of the play, following a 1936 film and a 1968 film.
Sofia Carmina Coppola is an American filmmaker and actress. The youngest child and only daughter of filmmakers Eleanor and Francis Ford Coppola, she made her film debut as an infant in her father's acclaimed crime drama film The Godfather (1972). Coppola later appeared in several music videos, as well as a supporting role in Peggy Sue Got Married (1986). Coppola then portrayed Mary Corleone, the daughter of Michael Corleone, in The Godfather Part III (1990). She then turned her attention to filmmaking.
Gainsborough Pictures was a British film studio based on the south bank of the Regent's Canal, in Poole Street, Hoxton in the former Metropolitan Borough of Shoreditch, north London. Gainsborough Studios was active between 1924 and 1951. The company was initially based at Islington Studios, which were built as a power station for the Great Northern & City Railway and later converted to studios.
The Red Curtain Trilogy is a DVD boxed set, released in 2002, of the first three films directed by Baz Luhrmann:
Dorothy Emma Arzner was an American film director whose career in Hollywood spanned from the silent era of the 1920s into the early 1940s. With the exception of longtime silent film director Lois Weber, who made White Heat in 1934, from 1927 until her retirement from feature directing in 1943, Arzner was the only female director working in Hollywood. Additionally, she was one of a very few women able to establish a successful and long career in Hollywood as a film director until the 1970s. Arzner made a total of twenty films between 1927 and 1943 and launched the careers of a number of Hollywood actresses, including Katharine Hepburn, Rosalind Russell, and Lucille Ball. Additionally, Arzner was the first woman to join the Directors Guild of America and the first woman to direct a sound film.
Claire Johnston (1940–1987) was a feminist film theoretician. She wrote seminal essays on the construction of ideology in mainstream cinema.
Linda Ruth Williams is Professor of Film Studies in the College of Humanities at the University of Exeter, UK. Her special interests include sexuality and censorship in cinema and literature, women in film, psychoanalytic theory and D. H. Lawrence.
Jean Kent was an English film and television actress.
Australia is a 2008 epic adventure drama film directed by Baz Luhrmann and starring Nicole Kidman and Hugh Jackman. The screenplay was written by Luhrmann and screenwriter Stuart Beattie, with Ronald Harwood and Richard Flanagan. The film is a character story, set between 1939 and 1942 against a dramatised backdrop of events across northern Australia at the time, such as the bombing of Darwin during World War II.
Edward Black was a British film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas. He also produced such classic films as The Lady Vanishes (1938). Black has been called "one of the unsung heroes of the British film industry." In 1946 Mason called Black "the one good production executive" that J. Arthur Rank had. Frank Launder called Black "a great showman and yet he had a great feeling for scripts and spent more time on them than anyone I have ever known. His experimental films used to come off as successful as his others."
Jassy is a 1947 British colour film historical melodrama set in the early 19th century, based on a novel by Norah Lofts. It is a Gainsborough melodrama, the only one to be made in Technicolor. It was the last "official" Gainsborough melodrama.
Caravan is a 1946 British black-and-white drama film directed by Arthur Crabtree. It was one of the Gainsborough melodramas and is based on the 1942 novel Caravan by Eleanor Smith.
The Gainsborough melodramas were a sequence of films produced by the British film studio Gainsborough Pictures between 1943 and 1947 which conformed to a melodramatic style. The melodramas were not a film series but an unrelated sequence of films which had similar themes that were usually developed by the same film crew and frequently recurring actors who played similar characters in each. They were mostly based on popular books by female novelists and they encompassed costume, such as The Man in Grey (1943) and The Wicked Lady (1945) and modern-dress, such as Love Story (1944) and They Were Sisters (1945) settings. The popularity of the films with audiences peaked mid-1940s when most of the cinema audiences consisted of mainly women. The influence of the films led to other British producers releasing similarly themed works, such as The Seventh Veil (1945), Pink String and Sealing Wax (1945), Hungry Hill (1947), The White Unicorn (1947), Idol of Paris (1948), and The Reluctant Widow (1950) and often with the talent that made Gainsborough melodramas successful.
Maurice Ostrer (1896–1975) was a British film executive. He was best known for overseeing the Gainsborough melodramas. He was head of production at Gainsborough Studios from 1943–46. He resigned from the studio in 1946 after a disagreement with J. Arthur Rank who had taken over the studio.
The Beguiled is a 2017 American Southern Gothic thriller film written and directed by Sofia Coppola, based on the 1966 novel of the same name by Thomas P. Cullinan. It stars Colin Farrell, Nicole Kidman, Kirsten Dunst, and Elle Fanning. It is the second film adaptation of Cullinan's novel, following Don Siegel's 1971 film of the same name.
The Norwich Women's Film Weekend was a two-day annual event that ran for 10 years, from 1979 to 1989, at Cinema City in Norwich. It was organised to 'promote and encourage women film-makers and present the audience with films dealing with women's issues', as the first programme (1979) put it. It was the first event created, curated, managed and implemented by a group called Cinewomen. The NWFW lasted longer than any other women's film festival in the UK and forms part of the history of women's cinema and feminism more generally, and also the history of culture and the arts in Norwich.
Maximalist film or maximalist cinema is related to the art and philosophy of maximalism, a reaction against minimalism.
