Part lace

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Honiton lace, showing plait knotted into motif Honiton knot.jpg
Honiton lace, showing plait knotted into motif

Part lace or sectional lace is a way of making bobbin lace. It characterises various styles, such as Honiton lace or Brussels lace. [1]

All bobbin lace is made with bobbins on a lace pillow. Some styles of lace are made in a continuous strip. Since there is a limit to how many bobbins can be handled on a pillow, this limits how wide the lace is. Part lace, on the other hand, is made in pieces or motifs. Once made, these are joined together in a ground, net or mesh, or with plaits, bars or legs. [1] This means that the lace has no limit in size, apart from the time needed to make it.

It can also be made by a team of lacemakers. "Real Honiton laces are made up of bits and bits fashioned by many different women in their own little cottages - here a leaf, there a flower, slowly woven through the long, weary days, only to be united afterward in the precious web by other workers who never saw its beginning." [2]

Part lace may be identified by the ground or plaits being separate from the motifs and joined to them with knots. In continuous lace, the threads pass from the pattern into the ground and out again, without knots. [3]

Bobbin tape lace is sometimes categorized as part lace. [1]

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<span class="mw-page-title-main">Lace</span> Openwork fabric, patterned with open holes in the work, made by machine or by hand

Lace is a delicate fabric made of yarn or thread in an open weblike pattern, made by machine or by hand. Generally, lace is divided into two main categories, needlelace and bobbin lace, although there are other types of lace, such as knitted or crocheted lace. Other laces such as these are considered as a category of their specific craft. Knitted lace, therefore, is an example of knitting. This article considers both needle lace and bobbin lace.

<span class="mw-page-title-main">Bobbin lace</span> Handmade lace

Bobbin lace is a lace textile made by braiding and twisting lengths of thread, which are wound on bobbins to manage them. As the work progresses, the weaving is held in place with pins set in a lace pillow, the placement of the pins usually determined by a pattern or pricking pinned on the pillow.

<span class="mw-page-title-main">Guipure</span> Type of bobbin lace in which motifs are connected by bars or plaits

Guipure lace is a type of bobbin lace. It connects the motifs with bars or plaits rather than net or mesh.

<span class="mw-page-title-main">Tønder lace</span> Type of bobbin lace from Denmark

Tønder lace is a point-ground type of handmade bobbin lace identified with the Tønder region of Denmark since about 1850, although lace of many types has been made there since as early as 1650. The term is also used more broadly, to refer to any bobbin lace made in Denmark.

<span class="mw-page-title-main">Antwerp lace</span> Type of bobbin lace from Antwerp, Belgium

Antwerp lace is a bobbin lace distinguished by stylized flower pot motifs on a six point star ground. It originated in Antwerp, where in the 17th century an estimated 50% of the population of Antwerp was involved in lace making. Antwerp lace is also known, from its familiar repeated motif, as Pot Lace— in Dutch Pottenkant or Potten Kant. It is sometimes said that the flowers were a depiction of the Annunciation lilies; however, the flowers were not limited to lilies.

<span class="mw-page-title-main">Freehand lace</span> Bobbin lace worked without a pricking

Freehand lace is bobbin lace worked directly on the fabric of the lace pillow without using a pricked pattern. Very few pins are needed

<span class="mw-page-title-main">Bobbinet</span> Hexagonal machine-made net fabric used in lacemaking

Bobbinet tulle or genuine tulle is a specific type of tulle which has been made in the United Kingdom since the invention of the bobbinet machine. John Heathcoat coined the term "bobbin net", or bobbinet as it is spelled today, to distinguish this machine-made tulle from the handmade "pillow lace", produced using a lace pillow to create bobbin lace. Machines based on his original designs are still in operation today producing fabrics in Perry Street, Chard, Somerset, UK.

<span class="mw-page-title-main">Valenciennes lace</span> Type of bobbin lace from Valenciennes, France

Valenciennes lace is a type of bobbin lace which originated in Valenciennes, in the Nord département of France, and flourished from about 1705 to 1780. Later production moved to Belgium, in and around Ypres. The industry continued onto the 19th century on a diminished scale. By the 19th century Valenciennes lace could be made by machine.

<span class="mw-page-title-main">Mechlin lace</span> Type of Flemish bobbin lace

Mechlin lace or Point de Malines is an old bobbin lace, one of the best known Flemish laces, originally produced in Mechelen. Worn primarily during summer, it is fine, transparent, and looks best when worn over another color. Used for women's clothing, it was popular until the first decade of the 20th century. It was made in Mechelen, Antwerp, Lier and Turnhout. It was used for coiffures de nuit, garnitures de corset, ruffles and cravats.

<span class="mw-page-title-main">Brussels lace</span> Type of bobbin lace from Brussels

Brussels lace is a type of pillow lace that originated in and around Brussels. The term "Brussels lace" has been broadly used for any lace from Brussels; however, strictly interpreted, the term refers to bobbin lace, in which the pattern is made first, and the ground, or réseau added, also using bobbin lace. Brussels lace is not to be confused with Brussels point, which is a type of needle lace, though sometimes also called "Brussels lace".

<span class="mw-page-title-main">Bucks point lace</span> Type of bobbin lace from South East England

Bucks point is a bobbin lace from the South East of England. "Bucks" is short for Buckinghamshire, which was the main centre of production. The lace was also made in the nearby counties of Bedfordshire and Northamptonshire. Bucks point is very similar to the French Lille lace, and thus is often called English Lille. It is also similar to Mechlin lace and Chantilly lace.

<span class="mw-page-title-main">Torchon lace</span> A continuous, geometric bobbin lace

Torchon lace is a bobbin lace that was made all over Europe. It is continuous, with the pattern made at the same time as the ground. Torchon lace is notable for being coarse and strong, as well as its simple geometric patterns and straight lines. It does not use representational designs. Torchon lace was used by the middle classes for edging or insertion, and also to trim cotton and linen underwear, where it was ideal because of its strength and because it was inexpensive. Torchon lace was originally made from flax, but cotton is used as well, and has been for a long time. It is made in strips 1 to 2 inches wide. Torchon lace generally has a gimp outlining the pattern. The gimp was first used in Sweden, but now is used generally. Colored threads are occasionally used, but in general Torchon lace is white.

<span class="mw-page-title-main">Honiton lace</span> Type of bobbin lace produced in Honiton, Devon

Honiton lace is a type of bobbin lace made in Honiton, Devon, in the United Kingdom. Historical Honiton lace designs focused on scrollwork and depictions of natural objects such as flowers and leaves.

<span class="mw-page-title-main">Bedfordshire lace</span> Type of bobbin lace made in the English Midlands

Bedfordshire lace is a style of bobbin lace originating from Bedfordshire in the 19th century, and made in the English Midlands lacemaking area. It was worked as a continuous width on a bolster pillow. It is a guipure style of lace.

<span class="mw-page-title-main">Lace machine</span> Powered equipment for producing imitations of hand-made lace

Lace machines took over the commercial manufacture of lace during the nineteenth century.

<span class="mw-page-title-main">Maltese lace</span> Type of bobbin lace from Malta; especially a silk guipure of the 19th century

Maltese lace is a style of bobbin lace made in Malta. It is a guipure style of lace. It is worked as a continuous width on a tall, thin, upright lace pillow. Bigger pieces are made of two or more parts sewn together.

<span class="mw-page-title-main">Cluny lace</span> Type of bobbin lace

Cluny lace is a bobbin lace style, worked as a continuous piece. It is a heavy plaited lace of geometric design, often with radiating thin, pointed wheatears. It is a guipure style of lace.

<span class="mw-page-title-main">Mesh grounded bobbin lace</span> A continuous bobbin lace distinguished from Guipure

Mesh grounded lace is a continuous bobbin lace also known as straight lace. Continuous bobbin lace is made in one piece on a lace pillow. The threads of the ground enter motifs, then leave to join the ground again further down the process, all made in one go. This is different from part lace, where the motifs are created separately, then joined together afterwards.

Bobbin lace ground is the regular small mesh filling the open spaces of continuous bobbin lace. Other names for bobbin lace ground are net or réseau. The precise course of the threads and the resultant shape of the ground are an important diagnostic feature in lace identification, as different lace styles use different grounds.

<span class="mw-page-title-main">Ipswich lace</span> Bobbin lace from Ipswich, Massachusetts

Ipswich lace is a historical fashion accessory, the only known American hand-made bobbin lace to be commercially produced. Centered in the coastal town of Ipswich, Massachusetts north of Boston, a community of lacemaking arose in the 18th century. Puritan settlers to the area likely made and wore lace as early as 1634, because Sumptuary laws from the early colonial records indicate this activity. Earliest known records of the commercial production indicate that lace produced by local women was used to barter for goods in the 1760s, as denoted by ledger account books belonging to local merchants. These laces were sold in the region from Boston to Maine.

References

  1. 1 2 3 Shepherd, Rosemary (2003). "Lace Classification System" (PDF). Powerhouse Museum, Sydney. Retrieved 2 December 2014.
  2. The Art of Modern Lace-making. London and New York: Butterick Publishing Co. (Limited). 1891.
  3. Earnshaw, Pat (1980). The identification of Lace. Shire Publications Ltd. ISBN   0-85263-484-6.