Domitian was Roman emperor from 81 to 96. The son of Vespasian and the younger brother of Titus, his two predecessors on the throne, he was the last member of the Flavian dynasty. Described as "a ruthless but efficient autocrat", his authoritarian style of ruling put him at sharp odds with the Senate, whose powers he drastically curtailed.
The Pax Romana is a roughly 200-year-long timespan of Roman history which is identified as a period and golden age of increased and sustained Roman imperialism, relative peace and order, prosperous stability, hegemonial power, and regional expansion. This is despite several revolts and wars, and continuing competition with Parthia. It is traditionally dated as commencing with the accession of Augustus, founder of the Roman principate, in 27 BC and concluding in AD 180 with the death of Marcus Aurelius, the last of the "Five Good Emperors". Since it was inaugurated by Augustus at the end of the final war of the Roman Republic, it is sometimes also called the Pax Augusta.
In ancient Roman religion, Ceres was a goddess of agriculture, grain crops, fertility and motherly relationships. She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular Ludi Ceriales. She was also honoured in the May lustration (lustratio) of the fields at the Ambarvalia festival: at harvest-time: and during Roman marriages and funeral rites. She is usually depicted as a mature woman.
In ancient Roman culture, felicitas is a condition of divinely inspired productivity, blessedness, or happiness. Felicitas could encompass both a woman's fertility and a general's luck or good fortune. The divine personification of Felicitas was cultivated as a goddess. Although felicitas may be translated as "good luck," and the goddess Felicitas shares some characteristics and attributes with Fortuna, the two were distinguished in Roman religion. Fortuna was unpredictable and her effects could be negative, as the existence of an altar to Mala Fortuna acknowledges. Felicitas, however, always had a positive significance. She appears with several epithets that focus on aspects of her divine power.
In ancient Roman religion, Roma was a female deity who personified the city of Rome and more broadly, the Roman state. She was created and promoted to represent and propagate certain of Rome's ideas about itself, and to justify its rule. She was portrayed on coins, sculptures, architectural designs, and at official games and festivals. Images of Roma had elements in common with other goddesses, such as Rome's Minerva, her Greek equivalent Athena and various manifestations of Greek Tyche, who protected Greek city-states; among these, Roma stands dominant, over piled weapons that represent her conquests, and promising protection to the obedient. Her "Amazonian" iconography shows her "manly virtue" (virtus) as fierce mother of a warrior race, augmenting rather than replacing local goddesses. On some coinage of the Roman Imperial era, she is shown as a serene advisor, partner and protector of ruling emperors. In Rome, the Emperor Hadrian built and dedicated a gigantic temple to her as Roma Aeterna, and to Venus Felix,, emphasising the sacred, universal and eternal nature of the empire.
The Ara Pacis Augustae is an altar in Rome dedicated to the Pax Romana. The monument was commissioned by the Roman Senate on July 4, 13 BC to honour the return of Augustus to Rome after three years in Hispania and Gaul and consecrated on January 30, 9 BC. Originally located on the northern outskirts of Rome, a Roman mile from the boundary of the pomerium on the west side of the Via Flaminia, the Ara Pacis stood in the northeastern corner of the Campus Martius, the former flood plain of the Tiber River and gradually became buried under 4 metres (13 ft) of silt deposits. It was reassembled in its current location, now the Museum of the Ara Pacis, in 1938, turned 90° counterclockwise from its original orientation so that the original western side now faces south.
Roman Egypt was an imperial province of the Roman Empire from 30 BC to AD 641. The province encompassed most of modern-day Egypt except for the Sinai. It was bordered by the provinces of Crete and Cyrenaica to the west and Judaea, later Arabia Petraea, to the East.
The Flavian dynasty ruled the Roman Empire between AD 69 and 96, encompassing the reigns of Vespasian (69–79), and his two sons Titus (79–81) and Domitian (81–96). The Flavians rose to power during the civil war of 69, known as the Year of the Four Emperors. After Galba and Otho died in quick succession, Vitellius became emperor in mid 69. His claim to the throne was quickly challenged by legions stationed in the eastern provinces, who declared their commander Vespasian emperor in his place. The Second Battle of Bedriacum tilted the balance decisively in favour of the Flavian forces, who entered Rome on 20 December. The following day, the Roman Senate officially declared Vespasian emperor of the Roman Empire, thus commencing the Flavian dynasty. Although the dynasty proved to be short-lived, several significant historic, economic and military events took place during their reign.
The olive branch is a symbol of peace. It is associated with the customs of ancient Greece and ancient Rome, and is connected with supplication to gods and persons in power. Likewise, it is found in most cultures of the Mediterranean Basin and has become a near-universal peace symbol in the modern world.
The Imperial Fora are a series of monumental fora, constructed in Rome over a period of one and a half centuries, between 46 BC and 113 AD. The fora were the center of the Roman Republic and of the Roman Empire.
The Roman imperial cult identified emperors and some members of their families with the divinely sanctioned authority (auctoritas) of the Roman State. Its framework was based on Roman and Greek precedents, and was formulated during the early Principate of Augustus. It was rapidly established throughout the Empire and its provinces, with marked local variations in its reception and expression.
The Temple of Janus stood in the Roman Forum near the Basilica Aemilia, along the Argiletum. It was a small temple with a statue of Janus, the two-faced god of boundaries and beginnings inside. Its doors were known as the "Gates of Janus", which were closed in times of peace and opened in times of war. There are many theories about its original purpose; some say that it was a bridge over the Velabrum, and some say it functioned as a gate to the Capitoline.
The Temple of Peace, also known as the Forum of Vespasian, was built in Rome in 71 AD under Emperor Vespasian in honour to Pax, the Roman goddess of peace. It faces the Velian Hill, toward the famous Colosseum, and was on the southeast side of the Argiletum.
The Solarium Augusti or Horologium Augusti was a monument in the Campus Martius of ancient Rome constructed in 10 BCE under the Roman emperor Augustus. It included an Egyptian obelisk that had first been erected under the pharaoh Psamtik II used in some fashion as a gnomon. Once believed to have been a massive sundial, it is now more commonly understood to have been used with a meridian line used to track the solar year. It served as a monument of Augustus having brought Egypt under Roman rule and was also connected with the Altar of Augustan Peace commemorating the Pax Romana established by his ending the numerous civil wars that ended the Roman Republic. The Solarium was destroyed at some point during the Middle Ages. Its recovered obelisk is now known as the Obelisk of Montecitorio.
The history of the Roman Empire covers the history of ancient Rome from the fall of the Roman Republic in 27 BC until the abdication of Romulus Augustulus in AD 476 in the West, and the Fall of Constantinople in the East in AD 1453. Ancient Rome became a territorial empire while still a republic, but was then ruled by Roman emperors beginning with Augustus, becoming the Roman Empire following the death of the last republican dictator, the first emperor's adoptive father Julius Caesar.
Augustus was an ancient Roman title given as both name and title to Gaius Julius Caesar Octavianus, Rome's first Emperor. On his death, it became an official title of his successor, and was so used by Roman emperors thereafter. The feminine form Augusta was used for Roman empresses and other female members of the imperial family. The masculine and feminine forms originated in the time of the Roman Republic, in connection with things considered divine or sacred in traditional Roman religion. Their use as titles for major and minor Roman deities of the Empire associated the Imperial system and imperial family with traditional Roman virtues and the divine will, and may be considered a feature of the Roman imperial cult.
The Sanctuary of the Three Gauls (Tres Galliae) was the focal structure within an administrative and religious complex established by Rome in the very late 1st century BC at Lugdunum. Its institution served to federalise and develop Gallia Comata as an Imperial province under Augustus, following the Gallic Wars of his predecessor Julius Caesar. The distinctively Gallo-Roman development of the Imperial sanctuary and its surrounding complex are well attested by literary, epigraphic, numismatic and archaeological evidence.
Fortuna Redux was a form of the goddess Fortuna in the Roman Empire who oversaw a return, as from a long or perilous journey. Her attributes were Fortuna's typical cornucopia, with her specific function represented by a rudder or steering oar sometimes in conjunction with a globe.
The article highlights the forms of propaganda Roman Emperor Augustus employed as he ascended to power.
Augustan and Julio-Claudian art is the artistic production that took place in the Roman Empire under the reign of Augustus and the Julio-Claudian dynasty, lasting from 44 BC to 69 AD. At that time Roman art developed towards a serene "neoclassicism", which reflected the political aims of Augustus and the Pax Romana, aimed at building a solid and idealized image of the empire.
