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Peggy Seeger | |
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| Background information | |
| Birth name | Margaret Seeger |
| Born | June 17, 1935 New York City, U.S. |
| Genres | Folk |
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| Instrument(s) |
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| Years active | 1955—present |
| Labels | |
| Spouse(s) | Ewan MacColl |
Margaret "Peggy" Seeger (born June 17, 1935) is an American folk singer and songwriter. She has lived in Britain for more than 60 years and was married to the singer-songwriter Ewan MacColl until his death in 1989.
Seeger's father was Charles Seeger (1886–1979), a folklorist and musicologist; her mother was Seeger's second wife, Ruth Porter Crawford (1901–1953), a modernist composer who was the first woman to receive a Guggenheim Fellowship. [1]
The family moved to Washington, D.C., in 1936 after Charles' appointment to the music division of the Resettlement Administration.
One of her brothers was Mike Seeger, and Pete Seeger was her half-brother. Poet Alan Seeger was her uncle. One of her first recordings was American Folk Songs for Children (1955).
In the 1950s, left-leaning singers such as Paul Robeson and The Weavers began to find that life became difficult because of the influence of McCarthyism. Seeger visited Communist China and as a result had her US passport withdrawn. [2] In 1957, the US State Department had opposed Seeger's attending the 6th World Festival of Youth and Students in Moscow [3] (where the CIA had monitored the US delegation), and was vigorously critical about her having gone to China during that trip, against official "advice". [4]
The authorities had already warned her that her passport would be impounded, effectively barring her from further travel were she to return to the US. [4] She therefore decided to tour Europe –and later found out that she was on a blacklist sent to European governments. [4] Staying in London in 1956, she performed accompanying herself on banjo. There she and Ewan MacColl fell in love. Previously married to director and actress Joan Littlewood, MacColl left his second wife, Jean Newlove, to become Seeger's lover. [5]
In 1958, her UK work permit expired and she was about to be deported. This was narrowly averted by a plan, concocted by MacColl and Seeger, in which she married the folk singer Alex Campbell, in Paris, on January 24, 1959, in what Seeger described as a "hilarious ceremony". This marriage of convenience allowed Seeger to gain British citizenship and continue her relationship with MacColl. [6] MacColl and Seeger were later married (in 1977), following his divorce from Newlove. They remained together until his death in 1989. They had three children: Neill, Calum, and Kitty. They recorded and released several albums together on Folkways Records, along with Seeger's solo albums and other collaborations with the Seeger Family and the Seeger Sisters.[ citation needed ]
Seeger was a leader in the introduction of the concertina to the English folk music revival. While not the only concertina player, her "musical skill and proselytizing zeal ... was a major force in spreading the gospel of concertina playing in the revival." [7]
The documentary film A Kind of Exile was a profile of Seeger and also featured Ewan MacColl. The film was directed and produced by John Goldschmidt for ATV and shown on ITV in the UK.
Together with MacColl, Seeger founded The Critics Group, a "master class" for young singers performing traditional songs or to compose new songs using traditional song structures (or, as MacColl called them, "the techniques of folk creation"). The Critics Group evolved into a performance ensemble seeking to perform satirical songs in a mixture of theatre, comedy and song, which eventually created a series of annual productions called "The Festival of Fools" (named for a traditional British Isles event in which greater freedom of expression was allowed for the subjects of the king than was permitted during most of the year). Seeger and MacColl performed and recorded as a duo and as solo artists; MacColl wrote "The First Time Ever I Saw Your Face" in Seeger's honour (and did so during a long-distance phone call between the two, while Seeger was performing in America and MacColl was barred from traveling to the US with her due to his radical political views). None of the couple's numerous albums use any electric or electronic instrumentation.
Whilst MacColl wrote many songs about work and against war and prejudice, Seeger (who also wrote such songs) sang about women's issues, with many of her songs becoming anthems of the women's movement. Her most memorable was "I'm Gonna Be an Engineer". [8] There were two major projects dedicated to the Child Ballads. The first was The Long Harvest (10 volumes 1966–75). The second was Blood and Roses (5 volumes, 1979–83). She visited the Greenham Common Women's Peace Camp, where protests against US cruise missiles were concentrated. For them she wrote "Carry Greenham Home". Seeger also ran a record label, Blackthorne Records, from 1976 to 1988. [9]
| This section of a biography of a living person needs additional citations for verification .(December 2021) |
After the fall of the Soviet Union, US authorities began to soften their attitude towards Seeger. She returned to the United States in 1994 to live in Asheville, North Carolina. Seeger has continued to sing about women's issues. One of her most popular recent albums is Love Will Linger On (1995). She has published a collection of 150 of her songs from before 1999.
In 2011, Seeger edited The Essential Ewan MacColl Songbook. Her introduction gave a detailed account of her life with MacColl. She expressed some difference of political perspective between her and Ewan. [10]
As a budding eco-feminist, I find the subject matter of many of the songs in this book very hard to deal with. A developed eco-feminist would probably not have undertaken this book at all. Ewan was a Marxist, a militant, gut-political product of the tail-end of the industrial revolution. In most of his songs, men are digging, slashing, cutting, building, re-shaping, raping, controlling, humanising the earth and being praised for doing so for the good of mankind. Humanity and the class struggle were Ewan's main preoccupations but his songs deal with men: men's work, men's lives, men's activities and many veiled (and not so veiled) references to the power of the penis. Even where it is obvious that both sexes are being referred to, Ewan (like myself in my early songs and like most people in our patriarchal society) employs masculine pronouns.
In 2006, Peggy Seeger relocated to Boston, Massachusetts, to accept a part-time teaching position at Northeastern University. In 2008, she began producing music videos pertaining to the Presidential campaigns, making them available through a YouTube page.
After 16 years of living in the United States, Seeger moved back to the United Kingdom in 2010 to be nearer to her children; since 2013, she has been living in Iffley, Oxford. [11] [12]
In 2012, she collaborated with experimental dance producer Broadcaster on an album of her songs set against dance beats. [13]
Seeger identifies as bisexual and contributed an essay to Getting Bi: Voices of bisexuals around the world. In it she details a relationship she began with the traditional singer Irene Pyper-Scott (who lives in New Zealand) after Ewan MacColl died. [14]
Seeger performed "Tell My Sister" on a live tribute album to the late Canadian folk artist Kate McGarrigle entitled Sing Me the Songs: Celebrating the Works of Kate McGarrigle . The album was released in June 2013.
Seeger's memoir, First Time Ever: A Memoir was published by Faber and Faber in October 2017. A double CD of songs to accompany the memoir was released at the same time.
Since early 2022, Seeger has been doing her "First Farewell" tour of Britain and Ireland. [15] [16]
James Henry Miller, better known by his stage name Ewan MacColl, was an English folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the instigators of the 1960s folk revival as well as for writing such songs as "The First Time Ever I Saw Your Face" and "Dirty Old Town".
"Scarborough Fair" is a traditional English ballad. The song lists a number of impossible tasks given to a former lover who lives in Scarborough, North Yorkshire. The "Scarborough/Whittingham Fair" variant was most common in Yorkshire and Northumbria, where it was sung to various melodies, often using Dorian mode, with refrains resembling "parsley, sage, rosemary and thyme" and "Then she'll be a true love of mine." It appears in Traditional Tunes by Frank Kidson published in 1891, who claims to have collected it from Whitby.
"Barbara Allen" is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
"Lord Randall", or "Lord Randal", is an Anglo-Scottish border ballad consisting of dialogue between a young Lord and his mother. Similar ballads can be found across Europe in many languages, including Danish, German, Magyar, Irish, Swedish, and Wendish. Italian variants are usually titled "L'avvelenato" or "Il testamento dell'avvelenato", the earliest known version being a 1629 setting by Camillo il Bianchino, in Verona. Under the title "Croodlin Doo" Robert Chambers published a version in his "Scottish Ballads" (1829) page 324.
Industrial folk music, industrial folk song, industrial work song or working song is a subgenre of folk or traditional music that developed from the 18th century, particularly in Britain and North America, with songs dealing with the lives and experiences of industrial workers. The origins of industrial folk song are in the British industrial revolution of the eighteenth century as workers tended to take the forms of music with which they were familiar, including ballads and agricultural work songs, and adapt them to their new experiences and circumstances. They also developed in France and the US as these countries began to industrialise.
"The Wife of Usher's Well" is a traditional ballad, catalogued as Child Ballad 79 and number 196 in the Roud Folk Song Index. An incomplete version appeared in Sir Walter Scott's "Minstrelsy of the Scottish Border" (1802). It is composed of three fragments. They were notated from an old woman in West Lothian. The Scottish tune is quite different from the English tune, and America produced yet another tune. William Motherwell also printed a version in "Minstrelsy Ancient and Modern" (1827). Cecil Sharp collected songs from Britain but had to go the Appalachian Mountains to locate this ballad. He found 8 versions and 9 fragments. In the first half of the twentieth century many more versions were collected in America.
"The Black Velvet Band" is a traditional folk song collected from singers in Ireland, Australia, England, Canada and the United States describing how a young man is tricked and then sentenced to transportation to Australia, a common punishment in the British Empire during the 19th century. Versions were also published on broadsides.
Isla Cameron was a Scottish-born, English-raised actress and singer. AllMusic noted that "Cameron was one of a quartet of key figures in England's postwar folk song revival – and to give a measure of her importance, the other three were Ewan MacColl, A. L. Lloyd, and Alan Lomax". She was a respected and popular folk music performer through the 1950s and early 60s as well as appearing in several films; she focused almost exclusively on her acting career from 1966 onwards. Cameron provided the singing voice for actress Julie Christie's part in the hit 1967 film version of Thomas Hardy's Far From the Madding Crowd, but changed career direction and became a film researcher in the early 1970s before her early death in a domestic accident in 1980. One of the traditional songs in her repertoire, "Blackwaterside", recorded by Cameron in 1962, was subsequently popularised by notable "next generation" U.K. folk music performers Anne Briggs, Bert Jansch and Sandy Denny.
"The First Time Ever I Saw Your Face" is a 1957 folk song written by British political singer-songwriter Ewan MacColl for Peggy Seeger, who later became his wife. At the time, the couple were lovers, although MacColl was still married to his second wife, Jean Newlove. Seeger sang the song when the duo performed in folk clubs around Britain. During the 1960s, it was recorded by various folk singers and became a major international hit for Roberta Flack in 1972, winning Grammy Awards for Record of the Year and Song of the Year. Billboard ranked it as the number-one Hot 100 single of the year for 1972.
"The Twa Sisters" is a traditional murder ballad, dating at least as far back as the mid 17th century. The song recounts the tale of a girl drowned by her jealous sister. At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel Sister", "The Wind and Rain", "Dreadful Wind and Rain", "Two Sisters", "The Bonny Swans" and the "Bonnie Bows of London". The ballad was collected by renowned folklorist Francis J. Child as Child Ballad 10 and is also listed in the Roud Folk Song Index. Whilst the song is thought to originate somewhere around England or Scotland, extremely similar songs have been found throughout Europe, particularly in Scandinavia.
"The Knight and the Shepherd’s Daughter" is an English ballad, collected by Francis James Child as Child Ballad 110 and listed as number 67 in the Roud Folk Song Index.
"The Twa Brothers" is a traditional ballad existing in many variants.
Alex Campbell was a Scottish folk singer whose nickname was 'Big Daddy'. He was influential in the British folk music revival of the 1950s and 1960s, and was one of the first folk singers in modern times to tour the UK and Europe. He was described by Colin Harper as a "melancholic, hard-travelling Glaswegian" and was known for his story-telling and singing
"The Road to Dundee", or "The Road and the Miles to Dundee" is a traditional Scottish folk ballad.
"The Butcher’s Boy" or "The Butcher Boy" is an American folk song derived from traditional English ballads. Folklorists of the early 20th century considered it to be a conglomeration of several English broadside ballads, tracing its stanzas to "Sheffield Park", "The Squire's Daughter", "A Brisk Young Soldier", "A Brisk Young Sailor" and "Sweet William " and "Died for Love".
Folkways Records was a record label founded by Moses Asch that documented folk, world, and children's music. It was acquired by the Smithsonian Institution in 1987 and is now part of Smithsonian Folkways.
Jack Warshaw is an American folksinger, songwriter and musician, best known for his 1976 protest song "If They Come in the Morning," aka "No Time for Love." He moved to England in 1965 to start a career as an architect but stayed because the folk music scene and the Vietnam War intervened.
Anthony D. Saletan, known professionally as Tony Saletan, is an American folk singer, children's instructional television pioneer, and music educator. Saletan is responsible for the modern rediscovery, in the mid-1950s, of two of the genre's best-known songs, "Michael Row the Boat Ashore" and "Kumbaya". In 1955, he was the first performer to appear on Boston's educational television station, WGBH. In 1969, Saletan was the first musical guest to appear on Sesame Street.
The Iron Muse (A Panorama of Industrial Folk Song) is the title of two albums released by Topic Records, the first as a 12-inch Long Play vinyl record released in 1963 and the other as a CD released in 1993.
Samuel James Larner was an English fisherman and traditional singer from Winterton-on-Sea, a fishing village in Norfolk, England. His life was the basis for Ewan MacColl's song The Shoals of Herring, and his songs continue to be recorded by revival singers.
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