In musical instrument classification, string instruments or chordophones, are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.
Manipur is a region of North-East India. Some varieties of folk music from the area include the rural love songs Khullang Eshei, the rhythmic Lai Haraoba eshei, which contain lyrics with veiled references to erotic mysticism and pena eshei, which is accompanied by a pena, an instrument made from a bamboo rod and the shell of a gourd or coconut. The pena is an ancient instrument that is a sort of national symbol for Manipuris.
The musical traditions of Central Asia mirror the immense diversity found in the cultures and populations residing in the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly sige at both ends and either end-blown or side-blown; and jew harps, mostly metal. Percussion instruments include frame drums, tambourines, and kettledrums. Instrumental polyphony is achieved primarily by lutes and fiddles.
The rebab is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments.
The tro is Cambodia's traditional spike fiddle, a bowed string instrument that is held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed tro ou, tro sau thom, tro sau toch and tro che, as well as the three-stringed tro Khmer spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings. When the musician plays, the placement of the bow causes the strings to be played at once, one from below and one from above. In contrast, western fiddles are played with the bow pushing on each string from the outside, as is also the case with the tro khmer.
The saw sam sai is a traditional bowed string instrument of Thailand. It is in the saw family of Thai fiddles, which also includes the saw u and saw duang, but unlike the other two, it has three strings and a bow that is separate from the instrument.
The đàn gáo is a bowed string instrument, a part of the traditional Vietnamese orchestra. It is similar to the đàn hồ. The instrument originated from South Viet Nam, and is used in entertainment contexts. It can be played alone, as part of an orchestra, or to accompany cải lương. The instrument’s name can be broken down as “đàn” meaning string instrument, and “gáo” literally translated as an aged coconut shell used as a scooper. The đàn gáo is most closely related to the fiddle in Anglo-American culture, and the yehu and banhu in Chinese culture.
Traditional Korean musical instruments comprise a wide range of string, wind, and percussion instruments. Many traditional Korean musical instruments derive from Chinese musical instruments.
The kutiyapi, or kudyapi, is a Philippine two-stringed, fretted boat-lute. It is four to six feet long with nine frets made of hardened beeswax. The instrument is carved out of solid soft wood such as that from the jackfruit tree.
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string, wind, and percussion instruments.
Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet majority as well as the nation's ethnic minorities.
Traditional Thai musical instruments are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments played by both the Thai majority as well as the nation's ethnic minorities.
Traditional Cambodian musical instruments are the musical instruments used in the traditional and classical music of Cambodia. They comprise a wide range of wind, string, and percussion instruments, used by both the Khmer majority as well as the nation's ethnic minorities.
Philippine traditional musical instruments are commonly grouped into four categories: aerophones, chordophones, membranophones, and idiophones.
The eleaotua is a musical bow played in Guam, also spelled eluaotuas, eleaotuchan, and elimau-tuyan. This gourd-resonating musical bow likely has common roots with the Brazilian berimbau, due to constant trade between Asia and South America in the nineteenth century, during which the instrument may have been introduced to the Chamorro people. The instrument also resembles various zither/boat lutes found throughout Southeast Asia called kutiyapi.
Khangembam Mangi Singh, popularly known as Guru Pena Mangi, was an Indian musician, known for his expertise on the Manipuri traditional musical instrument Pena. The Government of India honored him in 2011, with the fourth highest civilian award of Padma Shri.
The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox, it modifies the sound and transfers it to the open air. The instruments are among the oldest of chordophones, being "a very early stage" in the development of chordophones, and predate some of the oldest chordophones, such as the Chinese Se, zithers built on a tube split in half. Most tube zithers are made of bamboo, played today in Madagascar, India, Southeast Asia and Taiwan. Tube zithers made from other materials have been found in Europe and the United States, made from materials such as cornstalks and cactus.
There are many different dance styles from Manipur, a state in northeastern India bordering with Myanmar (Burma), Assam, Nagaland and Mizoram. Manipuri dances encompasses both classical and folk dance forms. The Raas Leela is one of the major Indian classical dance forms. The folk dance forms are mainly attributed to ancient Meitei deities such as Umang Lai and performed during Lai Haraoba, and also the dances of the different tribal communities of Manipur.
The Laihui Ensemble is a centre for research on traditional and indigenous performing arts, based on Imphal, Manipur. It was established in 1985. The association is performing different art shows at different venues across different nations in the world. Mangka Mayanglambam is one of the most active artists of the ensemble, and is trying her best to revive the dying art forms of Manipur including the Moirang Sai.
The intangible cultural heritage (ICH) of Meitei civilization is recognised, honoured, preserved as well as promoted by the UNESCO, the Ministry of Culture of the Union Government of India, the Government of Armenia, the State Government of Manipur, the State Government of Assam, the State Government of Tripura, among many other notable institutions.
