Haiti is the eighty-fifth most populous country in the world, with an estimated population of 11,123,178 as of July 2018. According to population DNA tests, approximately 80% of the population of Haiti is Afro-Haitian. Within Black Haitian DNA the composition is approximately 75% African, 25% European or mixed European. The remaining population of Haiti is primarily composed of Mulattoes, Europeans, Asians, and Arabs. Hispanic residents in Haiti are mostly Cuban and Dominican. About two-thirds of Haitian people live in rural areas.
Lwa, also called loa or loi, are spirits in the African diasporic religion of Haitian Vodou. They have also been incorporated into some revivalist forms of Louisiana Voodoo. Many of the lwa derive their identities in part from deities venerated in the traditional religions of West Africa, especially those of the Fon and Yoruba.
Damballa, also spelled Damballah, Dambala, Dambalah, among other variations, is one of the most important of all loa, spirits in Haitian Voodoo and other African diaspora religious traditions such as Obeah. He is traditionally portrayed as a great white or black serpent, originating in the city of Wedo in modern-day Benin. Damballa is said to be the Sky Father and the primordial creator of all life, or the first thing created by Gran Met. In those Vodou societies that view Damballa as the primordial creator, he created the cosmos by using his 7,000 coils to form the stars and the planets in the heavens and to shape the hills and valleys on earth. In others, being the first thing created by God, creation was undertaken through him. By shedding the serpent skin, Damballa created all the waters on the earth. As a serpent, he moves between land and water, generating life, and through the earth, uniting the land with the waters below. Damballa is usually syncretized with either Saint Patrick or Moses. He is counted among the Rada loa.
Papa Legba is a lwa in Haitian Vodou, Winti and Louisiana Voodoo, who serves as the intermediary between God and humanity. He stands at a spiritual crossroads and gives permission to speak with the spirits of Guineé, and is believed to speak all human languages. In Haiti, he is the great elocutioner. Legba facilitates communication, speech, and understanding. He is commonly associated with dogs. Papa Legba is invoked at the beginning of every ceremony. Papa Legba has his origins in the historic West African kingdom of Dahomey, located within present-day Benin.
Haitian mythology consists of many folklore stories from different time periods, involving sacred dance and deities, all the way to Vodou. Haitian Vodou is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Kongo and Yoruba traditions, and folkloric influence from the indigenous Taino peoples of Haiti. The lwa, or spirits with whom Vodou adherants work and practice, are not gods but servants of the Supreme Creator Bondye. A lot of the Iwa identities come from dieties formed in the West African traditional regions, especially the Fon and Yoruba. In keeping with the French-Catholic influence of the faith, Vodou practioneers are for the most part monotheists, believing that the lwa are great and powerful forces in the world with whom humans interact and vice versa, resulting in a symbiotic relationship intended to bring both humans and the lwa back to Bondye. "Vodou is a religious practice, a faith that points toward an intimate knowledge of God, and offers its practitioners a means to come into communion with the Divine, through an ever evolving paradigm of dance, song and prayers."
A veve is a religious symbol commonly used in different branches of Vodun throughout the African diaspora, such as Haitian Vodou and Louisiana Voodoo. The veve acts as a "beacon" for the lwa, and will serve as a lwa's representation during rituals.
Oungan is the term for a male priest in Haitian Vodou. The term is derived from Gbe languages. The word hounnongan means chief priest. ‘'Hounnongan or oungans are also known as makandals.
The term Voodoo doll commonly refers to an effigy that is typically used for the insertion of pins. Such practices are found in various forms in the magical traditions of many cultures around the world.
Homosexuality in Haitian Vodou is religiously acceptable and homosexuals are allowed to participate in all religious activities. However, in West African countries with major conservative Christian and Islamic views on LGBTQ people, the attitudes towards them may be less tolerant if not openly hostile and these influences are reflected in African diaspora religions following Atlantic slave trade which includes Haitian Vodou.
A bokor (male) or caplata (female) is a Vodou witch for hire who is said to serve the loa "with both hands", practicing for both good and evil. Their practice includes the creation of zombies and of 'ouangas', talismans that house spirits.
The Arará people form an Afro-Cuban ethnoreligious group descended from the Dahomey kingdom of West Africa, and retaining an identity, religion, and culture separate from those of other Afro-Cuban peoples. Although, historically, the Arará people have been staunch defenders of their separate heritage and religion, this distinct identity - while it still persists - has, over time, become increasingly blurred and harder to maintain.
A manbo is a priestess in the Haitian Vodou religion. Haitian Vodou's conceptions of priesthood stem from the religious traditions of enslaved people from Dahomey, in what is today Benin. For instance, the term manbo derives from the Fon word nanbo. Like their West African counterparts, Haitian manbos are female leaders in Vodou temples who perform healing work and guide others during complex rituals. This form of female leadership is prevalent in urban centers such as Port-au-Prince. Typically, there is no hierarchy among manbos and oungans. These priestesses and priests serve as the heads of autonomous religious groups and exert their authority over the devotees or spiritual servants in their hounfo (temples).
Haitian Vodou is an African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West and Central Africa and Roman Catholicism. There is no central authority in control of the religion and much diversity exists among practitioners, who are known as Vodouists, Vodouisants, or Serviteurs.
Christianity is the most widely professed religion in the Dominican Republic. Historically, Catholicism dominated the religious practices of the country, and as the official religion of the state it receives financial support from the government. About 60% of Dominicans identify themselves as Catholic.
Vodou drumming and associated ceremonies are folk ritual faith system of henotheistic religion of Haitian Vodou originated and inextricable part of Haitian culture.
Haiti is a majority Catholic country.
Christian-Vodou relations describe the relationship between Christianity and certain African diaspora religions, including Haitian Vodou and Louisiana Voodoo, and have been marked by syncretism and conflicts, especially in Haiti, but less so in Louisiana and elsewhere.
Haitian Cubans are Cuban citizens of full or partial Haitian ancestry.
Haitian Vodou art is art related to the Haitian Vodou religion. This religion has its roots in West African traditional religions brought to Haiti by slaves, but has assimilated elements from Europe and the Americas and continues to evolve. The most distinctive Vodou art form is the drapo Vodou, an embroidered flag often decorated with sequins or beads, but the term covers a wide range of visual art forms including paintings, embroidered clothing, clay or wooden figures, musical instruments and assemblages. Since the 1950s there has been growing demand for Vodou art by tourists and collectors.
Voodoo in popular culture encompasses various representations of practices associated with different forms of voodoo, including Haitian Vodou and Louisiana Voodoo, and other elements attributed to African diaspora religions, with such representations often deviating substantially from any actual voodoo practices or beliefs. Tropes regarding voodoo appear most often in supernatural fantasy or horror films, with common themes including the activity of witch doctors, the summoning or control of dark spirits, use of voodoo dolls to inflict pain on people remotely, and the creation of zombies.
