A Midsummer Night's Dream is a comedy written by William Shakespeare c. 1595 or 1596. The play is set in Athens, and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict among four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. The play is one of Shakespeare's most popular and is widely performed.
Pyramus and Thisbe are a pair of ill-fated lovers whose story forms part of Ovid's Metamorphoses. The story has since been retold by many authors.
The mechanicals are six characters in A Midsummer Night's Dream who perform the play-within-a-play Pyramus and Thisbe. They are a group of amateur and mostly incompetent actors from around Athens, looking to make names for themselves by having their production chosen among several acts as the courtly entertainment for the royal wedding party of Theseus and Hippolyta. The servant-spirit Puck describes them as "rude mechanicals" in Act III, Scene 2 of the play, in reference to their occupations as skilled manual laborers.
Johann Adolph Hasse was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of opera seria and 18th-century music.
Niccolò Jommelli was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat.
Roméo et Juliette is a symphonie dramatique, a large-scale choral symphony by French composer Hector Berlioz, which was first performed on 24 November 1839. The libretto was written by Émile Deschamps, and the completed work was assigned the catalogue numbers Op. 17 and H. 79. It is based on Shakespeare's play Romeo and Juliet; it is regarded as one of Berlioz's finest works, and it is among the most original in form. The score is Berlioz's most comprehensive and detailed programmatic piece.
Rodion Konstantinovich Shchedrin is a Soviet and Russian composer and pianist, winner of USSR State Prize (1972), the Lenin Prize (1984), and the State Prize of the Russian Federation (1992), and is a former member of the Inter-regional Deputies Group (1989–1991). He is also a citizen of Lithuania and Spain.
A Midsummer Night's Dream, Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, A Midsummer Night's Dream. It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe.
Yevstigney Ipat'yevich Fomin was a Russian opera composer of Ukrainian origin of the 18th century.
La finta semplice, K. 51 (46a) is an opera buffa in three acts for seven voices and orchestra, composed in 1768 by then 12-year-old Wolfgang Amadeus Mozart. Young Mozart and his father Leopold were spending the year in Vienna, where Leopold was trying to establish his son as an opera composer. He was acting on a suggested request from the Emperor Joseph II that the young boy should write an opera.
Artaserse is the name of a number of Italian operas, all based on a text by Metastasio. Artaserse is the Italian form of the name of the king Artaxerxes I of Persia.
Falstaff, ossia Le tre burle is a dramma giocoso in two acts by Antonio Salieri, set to a libretto by Carlo Prospero Defranceschi after William Shakespeare's The Merry Wives of Windsor.
Marco Coltellini was an Italian opera tenor, librettist and printer.
Pyramus and Thisbe is a "mock opera" by the German-born composer John Frederick Lampe on the story of Pyramus and Thisbe. It was first performed at Covent Garden Theatre, London, on 25 January 1745. The anonymous libretto is based on Richard Leveridge's The Comickal Masque of Pyramus and Thisbe (1716), itself inspired by the "play within a play" in act 5 of William Shakespeare's A Midsummer Night's Dream.
The Amber Witch is an opera in four acts composed by William Vincent Wallace to an English libretto by Henry Fothergill Chorley, after Lady Duff-Gordon's translation of Meinold's Maria Schweidler: Die Bernsteinhexe.
Michael Schneider is a German flautist, recorder player, conductor and academic teacher. He is especially connected with later Baroque repertoire such as the works of Telemann and with early Classical repertoire such as the works of Carl Philipp Emanuel Bach, and founded the orchestra La Stagione to perform and record such repertoire.
Pirame et Thisbé is an opera by the French composers François Francoeur and François Rebel, first performed at the Académie Royale de Musique on 17 October 1726. It takes the form of a tragédie en musique in a prologue and five acts. The libretto, by Jean-Louis-Ignace de La Serre, is based on the story of Pyramus and Thisbe in Ovid's Metamorphoses. The role of Thisbé was created by Marie Pélissier.
The Gamblers, Op. 63, is an unfinished opera, composed by Dmitri Shostakovich in 1941/42 to his own libretto based on Nikolai Gogol's comedy The Gamblers (1842). The surviving first act lasts around 47 minutes. Krzysztof Meyer realised a completion in German, Die Spieler, in 1981. Both versions were performed on stage and recorded.
La Stagione Frankfurt is a German ensemble of Baroque and classical music, adept at historically informed performance.
Silvia Weiss is a German operatic and concert soprano.
