The Ziegfeld Follies were a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934, 1936, 1943, and 1957. They became a radio program in 1932 and 1936 as The Ziegfeld Follies of the Air.
Broadway theatre, or Broadway, are the theatrical performances presented in the 41 professional theaters, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world.
The New Moon is an operetta with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II, Frank Mandel, and Laurence Schwab. The show was the third in a string of Broadway hits for Romberg written in the style of Viennese operetta. Set in 1792, shortly before the French Revolution, the story centers on a young French aristocrat in disguise, who has fled his country and falls in love with the daughter of a prominent New Orleans planter.
The Mark Hellinger Theatre is a church building at 237 West 51st Street in the Midtown Manhattan neighborhood of New York City, which formerly operated as a cinema and Broadway theater. Opened in 1930, the Hellinger Theatre is named after journalist Mark Hellinger and was developed by Warner Bros. as a movie palace. It was designed by Thomas W. Lamb with a modern facade and a Baroque interior. It has 1,605 seats across two levels and has been a house of worship for the Times Square Church since 1989. Both the exterior and interior of the theater are New York City landmarks.
The Shubert family was responsible for the establishment of the Broadway district, in New York City, as the hub of the theatre industry in the United States. They dominated the legitimate theater and vaudeville in the first half of the 20th century, promoting entertainment attuned to popular taste.
Lee Shubert was a Lithuanian-born American theatre owner/operator and producer and the eldest of seven siblings of the theatrical Shubert family.
Seesaw is a 1973 American musical with a book by Michael Bennett, music by Cy Coleman, and lyrics by Dorothy Fields.
Redhead is a musical with music composed by Albert Hague and lyrics by Dorothy Fields, who with her brother, Herbert, along with Sidney Sheldon and David Shaw wrote the book/libretto. Set in London in the 1880s, around the time of Jack the Ripper, the musical is a murder mystery in the setting of a wax museum.
The Shubert Theatre is a Broadway theater at 225 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1913, the theater was designed by Henry Beaumont Herts in the Italian Renaissance style and was built for the Shubert brothers. Lee and J. J. Shubert had named the theater in memory of their brother Sam S. Shubert, who died in an accident several years before the theater's opening. It has 1,502 seats across three levels and is operated by The Shubert Organization. The facade and interior are New York City landmarks.
Joseph Stein was an American playwright best known for writing the books for such musicals as Fiddler on the Roof and Zorba.
Can-Can is a musical with music and lyrics by Cole Porter, and a book by Abe Burrows. The story concerns the showgirls of the Montmartre dance halls during the 1890s.
Coco is a 1969 Broadway musical with a book and lyrics by Alan Jay Lerner and music by André Previn, inspired by the life of Coco Chanel. Katharine Hepburn starred in the title role, her first and only in a stage musical.
Take Me Along is a 1959 musical based on the 1933 Eugene O'Neill play Ah, Wilderness, with music and lyrics by Bob Merrill and book by Joseph Stein and Robert Russell.
Out of This World is a musical with music and lyrics by Cole Porter, and the book by Dwight Taylor and Reginald Lawrence. The show, an adaptation of Plautus's comedy Amphitryon, first opened on Broadway in 1950.
A Doll's Life was a 1982 musical with music by Larry Grossman, and a book and lyrics by Betty Comden and Adolph Green. A sequel to the 1879 Henrik Ibsen play A Doll's House, it told the story of what happened to the lead character, Nora, after she left her husband and her old life behind to face the world on her own; in doing so, it examined several aspects of feminism and the ways in which women are treated.
Bajour is a musical with a book by Ernest Kinoy and music and lyrics by Walter Marks. The musical is based on the Joseph Mitchell short stories The Gypsy Women and The King of the Gypsies published in The New Yorker. The title is allegedly a Romani word for a con game in which lonely and unhappy women are swindled out of their life savings.
By Jupiter is a musical with a book by Lorenz Hart and Richard Rodgers, music by Rodgers, and lyrics by Hart. The musical is based on the play The Warrior's Husband by Julian F. Thompson, set in the land of the Amazons. By Jupiter premiered on Broadway in 1942 and starred Ray Bolger, and was the last musical written by Rodgers and Hart; when Hart’s erratic behavior was often the cause of friction between him and Rodgers and led to a breakup of their partnership the following year before his death. Rodgers then began collaborating with Oscar Hammerstein II.
The Barns at Nappanee, Home of Amish Acres, formerly known solely as Amish Acres, is a tourist attraction in Nappanee, Indiana, created from an eighty-acre (thirty-two-hectare) Old Order Amish farm. The farm was purchased in October 1968 at auction from the Manasses Kuhns’ estate. The farm was homesteaded by Moses Stahly in 1873. Moses was the son of pioneer Christian Stahly who emigrated from Germany with his widowed mother Barbara and three brothers to the southwest corner of Elkhart County in 1839; making them, perhaps, the earliest Amish settlers in Indiana.
George Michael Cohan was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and theatrical producer.
Anabaptists and Jews have had interactions for several centuries, since the origins of Anabaptism in the Radical Reformation in early modern Europe. Due to the insularity of many Anabaptist and Jewish communities, Anabaptist–Jewish relations have historically been limited but there are notable examples of interactions between Anabaptists and Jews. Due to some similarities in dress, culture, and language, Amish and Mennonite communities in particular have often been compared and contrasted to Haredi and Hasidic Jewish communities.
