The Marvelettes were an American girl group that achieved popularity in the early to mid-1960s. They consisted of schoolmates Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart, and Georgia Dobbins, who was replaced by Wanda Young prior to the group signing their first deal. They were the first successful act of Motown Records after the Miracles and its first significantly successful female group after the release of the 1961 number-one single, "Please Mr. Postman", one of the first number-one singles recorded by an all-female vocal group and the first by a Motown recording act.
"Please Mr. Postman" is a song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman. It is the debut single by the Marvelettes for the Tamla (Motown) label, notable as the first Motown song to reach the number-one position on the Billboard Hot 100 pop singles chart. The single achieved this position in late 1961; it hit number one on the R&B chart as well. "Please Mr. Postman" became a number-one hit again in early 1975 when The Carpenters' cover of the song reached the top position of the Billboard Hot 100. "Please Mr. Postman" has been covered several times, including by the British rock group the Beatles in 1963. The 2017 song "Feel It Still" by Portugal. The Man draws on "Please Mr. Postman" and includes a credit for Brian Holland.
Emperors of Soul is a 1994 box set compilation for The Temptations, released by Motown Records. The five-disc collection covers the Temptations' entire four-decade history, from the first recording of The Distants in 1959 to four new recordings by the then-current Temptations lineup of Ali-Ollie Woodson, Theo Peoples, Ron Tyson, and stalwart members Otis Williams and Melvin Franklin.
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
Wanda LaFaye Young, also known as Wanda Rogers, was an American singer, known for being a member of the Motown all-female singing group the Marvelettes, and after 1965, the lead singer.
Hi... We're the Miracles is the first album by The Miracles, Motown's first group, released on Motown's Tamla subsidiary label in the summer of 1961. It was the first album released by the Motown Record Corporation. The album features several songs that played an important role in defining The Motown Sound and establishing songwriters Smokey Robinson and Berry Gordy.
Greatest Hits from the Beginning is a compilation double LP by The Miracles released in 1965. This was the first double album ever released by the Motown Record Corporation. It covers most of the group's hits from their pre-1965 albums, such as "Shop Around", "Who's Lovin’ You", "You've Really Got A Hold On Me" and "Mickey's Monkey", as well as the non-album singles from 1964: "I Like It Like That" and "That's What Love Is Made Of". The album was a success, reaching #21 on the Billboard Pop Album Chart. It was also the first Miracles album to chart on the Billboard R&B Album chart, where it was an even bigger success, peaking at #2.
"Beechwood 4-5789" is a song written by Marvin Gaye, William "Mickey" Stevenson and George Gordy. It was a 1962 hit single for the Motown girl group The Marvelettes on Motown's Tamla subsidiary record label. The song became a hit again when it was covered by the pop duo The Carpenters in 1982.
Bye Bye Baby I Don't Want to Take a Chance is the debut album by Motown recording artist Mary Wells, released on Motown in 1961. The album didn't chart but yielded two hit singles for the teenaged Wells including "Bye Bye Baby", issued in late 1960, and "I Don't Want to Take a Chance", a song written for her by Berry Gordy and Mickey Stevenson. Wells' follow-up album, The One Who Really Loves You, was released in 1962.
The One Who Really Loves You is the second album recorded by R&B singer and Motown recording artist Mary Wells, released in 1962 on the Motown label. The album featured the hits, "The One Who Really Loves You" and "You Beat Me to the Punch" and other singles such as the ballads "Strange Love" and "Two Wrongs Don't Make a Right".
"I Want a Guy" is a song written by Freddie Gorman, Berry Gordy and Brian Holland and was the debuting single for Motown girl group The Supremes in 1961. It was also recorded by The Marvelettes on their album Please Mr. Postman. Featuring Diana Ross in lead, the song was a doo-wop ballad similar to what the Supremes had been recording since forming as "The Primettes" two years earlier.
"Playboy" is a song composed by Brian Holland, Robert Bateman, Mickey Stevenson and singer Gladys Horton, lead vocalist of the Motown singing group The Marvelettes, who recorded the song and released it as a single on Motown's Tamla imprint in 1962. The single, led by Horton, is about a man who fools around with a lot of women and the woman who narrates the story warns him to stay away from her due to the stories she heard of him "running around with every woman in town". Horton is helped out in the song by her Marvelettes cohorts Wanda Young, Georgeanna Tillman, Katherine Anderson & Juanita Cowart. This was released as the third single by the Marvelettes and was their second top ten pop hit reaching number seven on the charts while reaching number four on the R&B chart.
"After All" is a 1960 song written by Smokey Robinson and originally recorded and released by The Miracles on the Tamla label. It was first recorded as an unreleased single by The Supremes for Tamla; it was supposed to be their first single but it was canceled in favor of "I Want a Guy", and their cover wasn't released until it appeared on the 2000 box set, The Supremes. The song is noted for both groups' unusual choices for leads. For the Miracles' version it serves as a rare lead for Claudette Rogers Robinson, instead of the group’s main lead, Claudette's husband, Smokey Robinson. In the Supremes' case it is their only single to feature Barbara Martin singing on lead vocals. Florence Ballard, Mary Wilson, and Diana Ross sing verses, and Martin sings the bridge. "After All" was also later covered by The Marvelettes, in the early 1970s, with group member Wanda Young Rogers as lead. Their version appears on the album The Return of the Marvelettes, and later became the group's belated final single.
"Twistin' Postman" is a song recorded by Motown singing group The Marvelettes, who released it in 1961, and was the follow-up to their smash debut single, "Please Mr. Postman".
Playboy is the third album by the Motown girl group The Marvelettes, released in 1962. It capitalized on their hit singles "Playboy" and "Beechwood 4-5789". It also includes the single "Someday, Someway" and "Forever", a heartfelt standard that would be released the following year as the B-side of the single "Locking Up My Heart" and join the A-side on the charts. Other compositions include "Goddess of Love", "Cry Over You", and "Mix It Up". George Gordy, William "Mickey" Stevenson and Marvin Gaye, who had produced "Beechwood 4-5789" all did some work on the Playboy LP as well.
Sophisticated Soul is the eighth album issued by Motown girl-group The Marvelettes. It is the first album to feature Ann Bogan who replaced Gladys Horton in 1967, and most of the lead vocals are by Wanda Young. Like many Motown albums produced in the late 1960s, Sophisticated Soul featured backing from The Andantes, Motown's premier backing group, on certain tracks, others feature Bogan and Katherine Anderson.
The Marvelettes a.k.a. The Pink Album is a 1967 album by American vocal group The Marvelettes, also their seventh LP.
Freddie Gorman was an American musician and record producer, most famous as a singer, songwriter for the Motown label in the late 1960s and mid 1970s.
"Too Hurt to Cry, Too Much in Love to Say Goodbye" is a 1963 song and single written and composed by Motown's main production team Holland–Dozier–Holland. Credited to the Darnells, the performers on both sides of the single were the Andantes, Holland–Dozier–Holland, Mary Wilson of the Supremes (B-side), and members of the Marvelettes, the Four Tops, and the Temptations. Nobody involved with the production on either side was pleased with the false credit. The single peaked at number 17 on the Billboard Bubbling Under Hot 100 chart.
The Marvelous Marvelettes is the fourth studio album released by the Marvelettes for the Tamla label. It is the first album to not feature original Marvelette, Juanita Cowart, who left the group in early 1963. The group would remain a quartet for the next two years. Also featured on the album is Rosalind Ashford of Martha and the Vandellas, who filled in for Marvelette Wanda Young in the studio while the latter was on maternity leave, while Florence Ballard of The Supremes replaced her in live performances. The album features three singles: 'Strange I Know', 'Locking Up My Heart', and 'My Daddy Knows Best'.
