Agostino Carracci was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati in Bologna. Intended to devise alternatives to the Mannerist style favored in the preceding decades, this teaching academy helped propel painters of the School of Bologna to prominence.
Parma is a city in the northern Italian region of Emilia-Romagna known for its architecture, music, art, prosciutto (ham), cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the stream of the same name. The district on the west side of the river is Oltretorrente. Parma's Etruscan name was adapted by Romans to describe the round shield called Parma.
Sofonisba Anguissola, also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola traveled to Rome where she was introduced to Michelangelo, who immediately recognized her talent, and to Milan, where she painted the Duke of Alba. The Spanish queen, Elizabeth of Valois, was a keen amateur painter and in 1559 Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. She later became an official court painter to the king, Philip II, and adapted her style to the more formal requirements of official portraits for the Spanish court. After the queen's death, Philip helped arrange an aristocratic marriage for her. She moved to Sicily, and later Pisa and Genoa, where she continued to practice as a leading portrait painter.
Pope Paul III, born Alessandro Farnese, was head of the Catholic Church and ruler of the Papal States from 13 October 1534 to his death, in November 1549.
Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
The Duchy of Parma and Piacenza was an Italian state created in 1545 and located in northern Italy, in the current region of Emilia-Romagna.
Pier Luigi Farnese was the first Duke of Castro from 1537 to 1545 and the first Duke of Parma and Piacenza from 1545 to 1547. He was the illegitimate son of Cardinal Alessandro Farnese. He became a soldier and participated in the sack of Rome in 1527.
Odoardo Farnese was an Italian nobleman, the second son of Alessandro Farnese, Duke of Parma and Maria of Portugal, known for his patronage of the arts. He became a Cardinal of the Roman Catholic Church in 1591, and briefly acted as regent of the Duchy of Parma and Piacenza for his nephew Odoardo from 1622 to 1626.
Ranuccio I Farnese reigned as Duke of Parma, Piacenza and Castro from 1592. A firm believer in absolute monarchy, Ranuccio, in 1594, centralised the administration of Parma and Piacenza, thus rescinding the nobles' hitherto vast prerogative.
The House of Farnese was an influential family in Renaissance Italy. The titles of Duke of Parma and Piacenza and Duke of Castro were held by various members of the family.
Palazzo Farnese is a palace in Piacenza, northern Italy.
Pope Paul III and His Grandsons is an oil on canvas painting by Titian, housed in the Museo di Capodimonte, Naples. It was commissioned by the Farnese family and painted during Titian's visit to Rome between autumn 1545 and June 1546. It depicts the scabrous relationship between Pope Paul III and his grandsons, Ottavio and Alessandro Farnese. Ottavio is shown in the act of kneeling, to his left; Alessandro, wearing a cardinal's dress, stands behind him to his right. The painting explores the effects of ageing and the manoeuvring behind succession; Paul was at the time in his late seventies and ruling in an uncertain political climate as Charles V, Holy Roman Emperor came into ascendancy.
Odoardo Farnese was the eldest son of Duke Ranuccio II Farnese, Duke of Parma and Piacenza. Odoardo was the Hereditary Prince of Parma from his birth until his death. He was the father of the famously domineering Elisabeth, Queen of Spain.
The Shrine of Santa Maria della Steccata is a Greek-cross design Renaissance church in central Parma, Italy. The name derives from the fence in the church. A Nursing Madonna is enshrined within, crowned on 27 May 1601 by a Marian devotee, Fray Giacomo di Forli of the Capuchin order. Pope Benedict XVI raised the Marian sanctuary to the status of Basilica minor on 9 February 2008.
Margherita Farnese, was an Italian noblewoman member of the House of Farnese and by marriage Hereditary Princess of Mantua between 1581–1583.
Margherita Aldobrandini, was an Italian noblewoman member of the Aldobrandini family and by marriage Duchess consort of Parma and Piacenza during 1600–1622. She was also Regent of both Duchies during 1626–1628 on behalf of her minor son.
The Sanvitale conspiracy was a plot to assassinate Ranuccio I Farnese, Duke of Parma and Piacenza, and members of his family at the baptism of his new-born son Alessandro in 1611. The conspiracy may also be referred to in Italian as the congiura dei feudatari, "conspiracy of the feudal lords", or as the congiura del 1611, "conspiracy of 1611".
Odoardo is a given name. Notable people with the name include:
Portrait of Pier Luigi Farnese is a heavily-damaged 1546 oil on canvas painting of Pier Luigi Farnese, Duke of Parma by Titian, now in Room 2 of the National Museum of Capodimonte.
Portrait of Charles V or Portrait of a Man Wearing the Order of the Golden Fleece is a c. 1549 oil on canvas painting by Titian, now in the Museo di Capodimonte in Naples.
