| Portrait of a Man in a Top Hat | |
|---|---|
 | |
| Artist | Vincent van Gogh  |
| Year | December 1882 |
| Medium | paper, graphite |
| Dimensions | 39.9 cm (15.7 in) × 24.6 cm (9.7 in) |
| Collection | Worcester Art Museum |
| Accession No. | 1957.153 |
Portrait of a Man in a Top Hat is a drawing created in 1882 by Vincent van Gogh currently in Worcester Art Museum. It is one of Van Gogh's drawings depicting Adrianus Jacobus Zuyderland. [1]
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade, he created approximately 2100 artworks, including around 860 oil paintings, most of them in the last two years of his life. His oeuvre includes landscapes, still lifes, portraits, and self-portraits, most of which are characterized by bold colors and dramatic brushwork that contributed to the rise of expressionism in modern art. Van Gogh's work was beginning to gain critical attention before he died at age 37, by what was suspected at the time to be a suicide. During his lifetime, only one of Van Gogh's paintings, The Red Vineyard, was sold.
Events from the year 1882 in art.
The portraits of Vincent van Gogh (1853–1890) include self-portraits, portraits of him by other artists, and photographs—one of which is dubious—of the Dutch artist. Van Gogh's dozens of self-portraits were an important part of his œuvre as a painter. Most probably, van Gogh's self-portraits are depicting the face as it appeared in the mirror he used to reproduce his face, i.e. his right side in the image is in reality the left side of his face.
Vincent van Gogh lived during the Impressionist era. With the development of photography, painters and artists turned to conveying the feeling and ideas behind people, places, and things rather than trying to imitate their physical forms. Impressionist artists did this by emphasizing certain hues, using vigorous brushstrokes, and paying attention to highlighting. Vincent van Gogh implemented this ideology to pursue his goal of depicting his own feelings toward and involvement with his subjects. Van Gogh's portraiture focuses on color and brushstrokes to demonstrate their inner qualities and Van Gogh's own relationship with them.
Sorrowing Old Man (At Eternity's Gate) is an oil painting by Vincent van Gogh that he made in 1890 in Saint-Rémy de Provence based on an early lithograph. The painting was completed in early May at a time when he was convalescing from a severe relapse in his health some two months before his death, which is generally accepted as a suicide.
Bulb Fields, also known as Flower Beds in Holland, is an oil painting created by Vincent van Gogh in early 1883. It was donated to the National Gallery of Art in Washington DC in 1983.
A Girl in the Street, Two Coaches in the Background is an oil painting by Vincent van Gogh. It is one of his very early works, painted in The Hague in August 1882, at a time when his brother Theo was encouraging him to paint landscapes in colour, rather than drawing figures. It is an early work to bear his "Vincent" signature, suggesting he was happy with the effect.
Antonius (Anton) Matthias Hirschig, also known as Tony or Tom, was a Dutch artist who, as a young man, lodged with Vincent van Gogh at the Auberge Ravoux in Auvers-sur-Oise at the time of Van Gogh's death in 1890.
Still Life with Straw Hat also known as Still Life with Yellow Straw Hat and Still Life with Hat and Pipe was painted by Vincent van Gogh in late November - mid-December 1881 or possibly in 1885 in the town of Nuenen.
Girl in White was painted by Vincent van Gogh in 1890 in Auvers-sur-Oise, France, during the last months of his life. Girl in White has been part of the Chester Dale Collection in the National Gallery of Art, Washington D.C. since 1963.
The earliest known works of Vincent van Gogh comprise a group of paintings and drawings that Vincent van Gogh made when he was 27 and 28, in 1881 and 1882. Over the course of the two-year period Van Gogh lived in several places. He left Brussels, where he had studied for about a year in 1881, to return to his parents’ home in Etten, where he made studies of some of the residents of the town. In January 1882 Van Gogh went to The Hague where he studied with his cousin-in-law Anton Mauve and set up a studio, funded by Mauve. During the ten years of Van Gogh's artistic career from 1881 to 1890 Vincent's brother Theo would be a continuing source of inspiration and financial support; his first financial support began in 1880 funding Vincent while he lived in Brussels.
The Parsonage Garden at Nuenen, alternatively named The Parsonage Garden at Nuenen in Spring or Spring Garden, is an early oil painting by 19th-century Dutch post-Impressionist painter Vincent van Gogh, created in May 1884 while he was living with his parents in Nuenen. Van Gogh made several drawings and oil paintings of the surrounding gardens and the garden façade of the parsonage.
Beach at Scheveningen in Stormy Weather, also known as View of the Sea at Scheveningen, is an early oil painting by Vincent van Gogh, painted at Scheveningen near The Hague in August 1882. It is held in the Van Gogh Museum in Amsterdam.
Church Pew with Worshippers is a watercolor created in September-October 1882 by Vincent van Gogh. A sketch of the painting was included in a letter van Gogh sent to his brother Theo that mentions the work.
Vincent van Gogh drew and painted a series of works of his mistress Sien during their time together in the Netherlands. In particular, his drawing Sorrow is widely acknowledged as a masterwork of draftsmanship, the culmination of a long and sometimes uncertain apprenticeship in learning his craft.
Still life paintings by Vincent van Gogh (Netherlands) is the subject of many drawings, sketches and paintings made during Vincent van Gogh's early artistic career. Most still lifes made in the Netherlands are dated from 1884 to 1885, when he lived in Nuenen. His works were often in somber colors. Van Gogh experimented with the use of light falling across objects.
The events that befell the early paintings and drawings by Vincent van Gogh in the period prior to the posthumous recognition of Vincent van Gogh as an innovative artist show how the appreciation of his legacy changed his reputation in a relatively short time.
Adrianus Jacobus Zuyderland was Vincent van Gogh's favorite model during his Hague period. He appears in dozens of drawings, easily identified by his bald head and prominent white whiskers, and he was the model for the drawing which was the basis for van Gogh's later iconic painting At Eternity's Gate.
Meadows near Rijswijk and the Schenkweg is a watercolor by the Dutch painter Vincent van Gogh that he made in January 1882, shortly after taking up residence in The Hague.
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