Midnight Oil are an Australian rock band composed of Peter Garrett, Rob Hirst (drums), Jim Moginie and Martin Rotsey (guitar). The group was formed in Sydney in 1972 by Hirst, Moginie and original bassist Andrew James as Farm: they enlisted Garrett the following year, changed their name in 1976, and hired Rotsey a year later. Peter Gifford served as bass player from 1980 to 1987, with Bones Hillman then assuming the role until his death in 2020. Midnight Oil have sold over 20 million albums worldwide as of 2021.
Robert George Hirst is an Australian musician from Camden, New South Wales. He is a founding member of rock band Midnight Oil on drums, percussion and backing vocals from the 1970s until the band took a hiatus in 2002. The band resumed activity as a group in 2017. Hirst also wrote a book, Willie's Bar & Grill, recounting the experiences on the tour Midnight Oil embarked on shortly after the 11 September terrorist attacks in 2001.
Ghostwriters are an Australian rock band formed in Sydney in 1990, principally involving Midnight Oil drummer Rob Hirst and Hoodoo Gurus bassist Richard Grossman. Their highest-charting single was "Someone's Singing New York New York" (1991) written by Hirst. It reached No. 29 on the ARIA Australian Singles Chart.
20,000 Watt R.S.L. is a compilation album by Australian rock band Midnight Oil released on 13 October 1997 on their own label Sprint Music. The word "Collection" appears on the front of the CD along the hinge in the same type face as the title and the name of the band and may have been intended as part of the album's title; however, it does not appear on the spine. The release has also been distributed inside a cardboard sleeve which adds "Midnight Oil: The Hits" to the album art, distinguishing it as a compilation album.
"Beds Are Burning" is a 1987 song by the Australian rock band Midnight Oil, the first track from their album Diesel and Dust. This song was released as the second single from the album. It reached No. 1 in New Zealand, South Africa and Canada, No. 3 in the Netherlands, No. 5 in France, No. 6 in the United Kingdom, Australia and Ireland, No. 17 in the United States and Sweden.
"The Real Thing" is the debut single by Australian singer Russell Morris, released in 1969. Written by Johnny Young and produced by Ian "Molly" Meldrum, it was a huge hit in Australia and has become an Australian rock classic. It also achieved success in the United States, reaching the top of the charts in Chicago, Houston, and New York City.
"Friday on My Mind" is a 1966 song by Australian rock group The Easybeats. Written by band members George Young and Harry Vanda, the track became a worldwide hit, reaching No.16 on the Billboard Hot 100 chart in May 1967 in the US, No.1 on the Dutch Top 40 chart, No.1 in Australia and No.6 in the UK, as well as charting in several other countries. In 2001, it was voted "Best Australian Song" of all time by the Australasian Performing Right Association (APRA) as determined by a panel of 100 music industry personalities. In 2007, "Friday on My Mind" was added to the National Film and Sound Archive's Sounds of Australia registry.
"Under the Milky Way" is a single by Australian alternative rock band the Church, released on 15 February 1988, and appears on their fifth studio album Starfish. The song was written by bass guitarist and lead vocalist Steve Kilbey and his then-girlfriend Karin Jansson of Curious (Yellow). It peaked at No. 22 on the Australian Kent Music Report Singles Chart, No. 24 on the United States Billboard Hot 100 and No. 25 on the New Zealand Singles Chart; it also appeared in the Dutch Single Top 100. At the ARIA Music Awards of 1989, the song won 'Single of the Year'. It was issued simultaneously in both 7" vinyl and 12" vinyl formats by Arista Records (internationally) and Mushroom Records.
"Don't Change" is a song by Australian rock band INXS. It was released as a single from the album Shabooh Shoobah in October 1982. It has been described as the song that made the band internationally famous.
"Read About It" is a song by Australian rock band Midnight Oil, released as the third and final single from their 1982 studio album, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1. It was a favourite with the band and with fans, appearing at least once on every tour since its release and appearing at the WaveAid concert. Very few other Midnight Oil songs have appeared so often.
"Original Sin" is a song by Australian rock group INXS, released as the first single from the band's fourth album, The Swing. It was written by Michael Hutchence and Andrew Farriss, and produced by Nile Rodgers.
"Wide Open Road" is a single released in 1986 by Australian rock band The Triffids from their album Born Sandy Devotional. It was produced by Gil Norton and written by David McComb on vocals, keyboards and guitar. The B-side "Time of Weakness" was recorded live at the Graphic Arts Club, Sydney, November 1985 by Mitch Jones, mixed by Rob Muir. "Dear Miss Lonely Hearts" was recorded at Planet Sound Studios, Perth and produced by the Triffids. "Wide Open Road" reached No. 26 on the UK Singles Chart in 1986, and No. 64 on the Australian Kent Music Report Singles Chart. In May 2001 the Australasian Performing Right Association (APRA), as part of its 75th Anniversary celebrations, named "Wide Open Road" as one of the Top 30 Australian songs of all time.
"The Dead Heart" is a song by Australian rock band Midnight Oil. It was first released as a single in Australia in 1986 and in the United Kingdom and the United States in 1988 after it had been included on the 1987 album, Diesel and Dust. It peaked at number four on the Australian singles chart and at number 11 on the U.S. Mainstream rock chart.
"Can't Help Myself" is the first single released by the Australian synthpop/rock band Flowers, later known as Icehouse. It was released in May 1980 as a 7" vinyl single on independent label, Regular Records, five months ahead of debut album Icehouse. A 10" vinyl single was released in July and had a cover depicting individual images of band members diagonally across the band's name and the single's title. It peaked at #10 on the Australian Singles Charts.
"Blue Sky Mine" is a song by Australian rock band Midnight Oil, released in February 1990 as the first single from their seventh studio album, Blue Sky Mining (1990). The song was inspired by the experiences of workers at the Wittenoom asbestos mines who contracted various asbestos-related diseases. The "blue" refers to blue asbestos, and the "sugar refining company" mentioned in the lyrics refers to the Colonial Sugar Refining Company Ltd, the owner of the mines.
"Out of Mind, Out of Sight" is the title single by Australian new wave rock band Models from their album of the same name. It was released in June 1985 and was their most successful single, which peaked at No. 1 on the Australian Kent Music Report Singles Chart. The album followed in August on Mushroom Records with Nick Launay, Reggie Lucas and Mark Opitz producing and reached No. 3 on the related albums chart.
"US Forces" is the first single released from Australian rock band Midnight Oil's fourth studio album, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1. The song, which denounces US military intervention in foreign affairs, charted at no. 20 in Australia.
"Put Down That Weapon" is a song by Australian rock band Midnight Oil. The song was released in December 1987 as the third single from their sixth studio album, Diesel and Dust.
"King of the Mountain" is a song by Australian rock band Midnight Oil, released in 1990 as the third single from their seventh studio album, Blue Sky Mining (1990). It peaked at No. 25 on the Australian Singles Chart, No. 3 on the US Billboard Modern Rock Tracks chart, and No. 20 on the Billboard Album Rock Tracks chart.
The Makarrata Project is the twelfth studio album by Australian band Midnight Oil, released on 30 October 2020 by Sony Music Australia. The album is the first new material from the band since 2002's Capricornia, their first studio album to hit #1 on the ARIA Charts since 1990's Blue Sky Mining, and one of the final releases to feature bassist and backing vocalist Bones Hillman before his death in November 2020.
