The following outline is provided as an overview of and topical guide to critical theory:
Jacques Marie Émile Lacan was a French psychoanalyst and psychiatrist. Described as "the most controversial psycho-analyst since Freud", Lacan gave yearly seminars in Paris, from 1953 to 1981, and published papers that were later collected in the book Écrits. Transcriptions of his seminars, given between 1954 and 1976, were also published. His work made a significant impact on continental philosophy and cultural theory in areas such as post-structuralism, critical theory, feminist theory and film theory, as well as on the practice of psychoanalysis itself.
Julia Kristeva is a Bulgarian-French philosopher, literary critic, semiotician, psychoanalyst, feminist, and, most recently, novelist, who has lived in France since the mid-1960s. She has taught at Columbia University, and is now a professor emerita at Université Paris Cité. The author of more than 30 books, including Powers of Horror, Tales of Love, Black Sun: Depression and Melancholia, Proust and the Sense of Time, and the trilogy Female Genius, she has been awarded Commander of the Legion of Honor, Commander of the Order of Merit, the Holberg International Memorial Prize, the Hannah Arendt Prize, and the Vision 97 Foundation Prize, awarded by the Havel Foundation.
In continental philosophy and psychoanalysis, jouissance is the transgression of a subject's regulation of pleasure. It is linked to the division and splitting of the subject involved, which spontaneously compels the subject to transgress the prohibitions imposed on enjoyment and to go beyond the pleasure principle. Beyond this limit, pleasure then becomes pain, before this initial "painful principle" develops into what Jacques Lacan called jouissance; it is suffering, epitomized in Lacan's remark about "the recoil imposed on everyone, in so far as it involves terrible promises, by the approach of jouissance as such". He also linked jouissance to the castration complex, and especially to the aggression of the death drives.
The genital stage in psychoanalysis is the term used by Sigmund Freud to describe the final stage of human psychosexual development. The individual develops a strong sexual interest in people outside of the family.
In critical theory, abjection is the state of being cast off and separated from norms and rules, especially on the scale of society and morality. The term has been explored in post-structuralism as that which inherently disturbs conventional identity and cultural concepts. Julia Kristeva explored an influential and formative overview of the concept in her 1980 work Powers of Horror: An Essay on Abjection, where she describes subjective horror (abjection) as the feeling when an individual experiences or is confronted by the sheer experience of what Kristeva calls one's typically repressed "corporeal reality", or an intrusion of the Real in the Symbolic Order.
In the psychoanalytic theory of Jacques Lacan, objet petit a stands for the unattainable object of desire, the "a" being the small other ("autre"), a projection or reflection of the ego made to symbolise otherness, like a specular image, as opposed to the big Other which represents otherness itself. It is sometimes called the object cause of desire, as it is the force that induces desire towards any particular object. Lacan always insisted that the term should remain untranslated, "thus acquiring the status of an algebraic sign" (Écrits).
In continental philosophy, the Real refers to the remainder of reality that cannot be expressed, and which surpasses reasoning. In Lacanianism, it is an "impossible" category because of its opposition to expression and inconceivability. The Real Order is a topological ring (lalangue) and ex-ists as an infinite homonym.
[T]he real in itself is meaningless: it has no truth for human existence. In Lacan's terms, it is speech that "introduces the dimension of truth into the real."
The Symbolic is the order in the unconscious that gives rise to subjectivity and bridges intersubjectivity between two subjects; an example is Jacques Lacan's idea of desire as the desire of the Other, maintained by the Symbolic's subjectification of the Other into speech. In the later psychoanalytic theory of Lacan, it is linked by the sinthome to the Imaginary and the Real.
The graph of desire is a conceptual tool in Lacanianism.
Four discourses is a concept developed by French psychoanalyst Jacques Lacan. He argued that there were four fundamental types of discourse. He defined four discourses, which he called Master, University, Hysteric and Analyst, and suggested that these relate dynamically to one another.
In Lacanianism, demand is the way in which instinctive needs are alienated through language and signification. The concept of demand was developed by Lacan—outside of Freudian theory—in conjunction with need and desire in order to account for the role of speech in human aspirations, and forms part of the Lacanian opposition to the approach to language acquisition favored by ego psychology.
The uncanny is the psychological experience of an event or individual being not simply mysterious, but rather frightening in a way that feels oddly familiar. This phenomenon is used to describe incidents where a familiar thing or event is encountered in an unsettling, eerie, or taboo context.
Barbara Creed is a professor of cinema studies in the School of Culture and Communication at the University of Melbourne. She is the author of six books on gender, feminist film theory, and the horror genre. Creed is a graduate of Monash and La Trobe universities where she completed doctoral research using the framework of psychoanalysis and feminist theory to examine horror films. She is known for her cultural criticism.
In classical psychoanalytic theory, the Oedipus complex refers to a son's sexual attitude towards his mother and concomitant hostility toward his father, first formed during the phallic stage of psychosexual development. A daughter's attitude of desire for her father and hostility toward her mother is referred to as the feminine Oedipus complex. The general concept was considered by Sigmund Freud in The Interpretation of Dreams (1899), although the term itself was introduced in his paper A Special Type of Choice of Object made by Men (1910).
Penis envy is a stage in Sigmund Freud's theory of female psychosexual development, in which young girls experience anxiety upon realization that they do not have a penis. Freud considered this realization a defining moment in a series of transitions toward a mature female sexuality. In Freudian theory, the penis envy stage begins the transition from attachment to the mother to competition with the mother for the attention and affection of the father. The young boy's realization that women do not have a penis is thought to result in castration anxiety.
Kelly Oliver is an American philosopher specializing in feminism, political philosophy and ethics. She is W. Alton Jones Professor of Philosophy at Vanderbilt University in Nashville, Tennessee. She is also a founder of the feminist philosophy journal philoSOPHIA.
The Ego in Freud's Theory and in the Technique of Psychoanalysis is the 1988 English-language translation of published in Paris by Le Seuil in 1977. The text of the Seminar, which was held by Jacques Lacan at the Hospital of Sainte-Anne in Paris between the Fall of 1954 and the Spring of 1955 and is the second one in the series, was established by Jacques-Alain Miller and translated by Sylvana Tomaselli.
Lacanianism or Lacanian psychoanalysis is a theoretical system that explains the mind, behaviour, and culture through a structuralist and post-structuralist extension of classical psychoanalysis, initiated by the work of Jacques Lacan from the 1950s to the 1980s. Lacanian perspectives contend that the world of language, the Symbolic, structures the human mind, and stress the importance of desire, which is conceived of as perpetual and impossible to satisfy. Contemporary Lacanianism is characterised by a broad range of thought and extensive debate between Lacanians.
Archaic mother is the mother of earliest infancy, whose continuing influence is traced in psychoanalysis, and whose (repressed) presence is considered to underlie the horror film.
