Pro Arte Orchestra

Last updated

The Pro Arte Orchestra was a British symphony orchestra founded in 1955. [1]

Contents

Background

The Pro Arte Orchestra was founded as a limited company chaired by the double-bass player Eugene Cruft; directors also included Archie Camden and Antony English. The initial aim was to perform "the finest of the lighter classics in orchestral music". [1] The first concert was given at the Royal Festival Hall on 21 October 1955 with a Rossini overture, Schubert's Unfinished, Lalo's Symphonie Espagnole and works by Strauss and Chabrier, conducted by Sir Malcolm Sargent. [1] Much of the work of the orchestra, however, was in the recording studio, particularly for the Pye-Nixa label. Among others, the orchestra recorded in the studio between 1956–62 8 Gilbert and Sullivan operas (complete), as well as overtures for several others, all under the baton of Malcolm Sargent, all for the EMI label.

In the early years other players in the orchestra included Cecil Aronowitz, Francisco Gabarró, Richard Adeney, Peter Graeme, Gervase de Peyer, Raymond Cohen and Alan Civil. [1] The last London performance advertised by the orchestra was in 1970. [2]

Discography

Related Research Articles

Overture in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that presaged genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme".

Royal Philharmonic Orchestra Orchestra based in London

The Royal Philharmonic Orchestra (RPO), based in London, was formed by Sir Thomas Beecham in 1946. In its early days, the orchestra secured profitable recording contracts and important engagements including the Glyndebourne Festival Opera and the concerts of the Royal Philharmonic Society. After Beecham's death in 1961 the orchestra's fortunes declined steeply; it battled for survival until the mid-1960s, when its future was secured after an Arts Council report recommended that it should receive public subsidy; a further crisis arose in the same era when it seemed that the orchestra's right to call itself "Royal" could be withdrawn.

Antal Doráti

Antal Doráti was a Hungarian-born conductor and composer who became a naturalized American citizen in 1943.

Charles Mackerras

Sir Alan Charles Maclaurin Mackerras was an Australian conductor. He was an authority on the operas of Janáček and Mozart, and the comic operas of Gilbert and Sullivan. He was long associated with the English National Opera and Welsh National Opera and was the first Australian chief conductor of the Sydney Symphony Orchestra. He also specialized in Czech music as a whole, producing many recordings for the Czech label Supraphon.

Malcolm Arnold English composer (1921–2006)

Sir Malcolm Henry Arnold was an English composer. His works feature music in many genres, including a cycle of nine symphonies, numerous concertos, concert works, chamber music, choral music and music for brass band and wind band. His style is tonal and rejoices in lively rhythms, brilliant orchestration, and an unabashed tunefulness. He wrote extensively for the theatre, with five ballets specially commissioned by the Royal Ballet, as well as two operas and a musical. He also produced scores for more than a hundred films, among these The Bridge on the River Kwai (1957), for which he won an Oscar.

Malcolm Sargent English conductor, organist and composer

Sir Harold Malcolm Watts Sargent was an English conductor, organist and composer widely regarded as Britain's leading conductor of choral works. The musical ensembles with which he was associated included the Ballets Russes, the Huddersfield Choral Society, the Royal Choral Society, the D'Oyly Carte Opera Company, and the London Philharmonic, Hallé, Liverpool Philharmonic, BBC Symphony and Royal Philharmonic orchestras. Sargent was held in high esteem by choirs and instrumental soloists, but because of his high standards and a statement that he made in a 1936 interview disputing musicians' rights to tenure, his relationship with orchestral players was often uneasy. Despite this, he was co-founder of the London Philharmonic, was the first conductor of the Liverpool Philharmonic as a full-time ensemble, and played an important part in saving the Royal Philharmonic Orchestra from disbandment in the 1960s.

Charles Groves

Sir Charles Barnard Groves CBE was an English conductor. He was known for the breadth of his repertoire and for encouraging contemporary composers and young conductors.

Gordon Percival Septimus Jacob CBE was an English composer and teacher. He was a professor at the Royal College of Music in London from 1924 until his retirement in 1966, and published four books and many articles about music. As a composer he was prolific: the list of his works totals more than 700, mostly compositions of his own, but a substantial minority of orchestrations and arrangements of other composers' works. Those whose music he orchestrated range from William Byrd to Edward Elgar to Noël Coward.

William Alwyn

William Alwyn, , was an English composer, conductor, and music teacher.

The Bournemouth Sinfonietta was a chamber orchestra founded in 1968 as an offshoot of the Bournemouth Symphony Orchestra. It was disbanded in November 1999 after increasing difficulties in obtaining funding from local councils led to the decision to concentrate government funding on its larger parent.

Ikuma Dan

Ikuma Dan was a Japanese composer.

Raymond Henry Charles Warren is a British composer and university teacher.

Frédéric Devreese was a Belgian composer of mostly orchestral, chamber and piano works that have been performed throughout the world; he was also active as a conductor. Devreese is known for his film scores, including Benvenuta by André Delvaux and The Cruel Embrace by Marion Hänsel.

Anthony Vincent Benedictus Collins was a British composer and conductor. He scored around 30 films in the US and the UK between 1937 and 1954, and composed the British light music classic Vanity Fair in 1952. His Decca recordings of the seven Sibelius symphonies was only the second cycle by a single conductor and orchestra to appear.

Eduardo Alonso-Crespo is an Argentine composer of classical music.

Martin Yates is a British conductor. He was born in London. After attending Kimbolton School (1969–1974), he studied at the Royal College of Music and Trinity College of Music, London, where his teachers included Bernard Keeffe (conducting), Richard Arnell (composition), Ian Lake, Jakob Kaletsky and Alan Rowlands (piano), and Douglas Moore and John Burden.

Malcolm Sargent discography

The conductor Malcolm Sargent's career as a recording artist began in the days of acoustic recording, shortly before the introduction of the microphone and electrical recording, and continued into the stereo LP era. He recorded prolifically from 1924 until 1967, the year of his death.

The English conductor Sir Adrian Boult was a prolific recording artist. Unlike many musicians, he felt at home in the recording studio and actually preferred working without an audience. His recording career ran from November 1920, when working with Diaghilev's Ballets Russes he recorded the ballet music, The Good-Humoured Ladies, to December 1978, when he made his final recording of music by Hubert Parry.

John Hollingsworth was a British orchestral conductor prominent in the concert hall, the ballet and opera theatre, and the film studio. He was Sir Malcolm Sargent's assistant conductor at The Proms, where he conducted over 60 times including some world and British premieres. He also conducted at the Royal Opera and Sadlers Wells, and became associated with music for British horror films of the 1950s and early 1960s.

Kenneth Alwyn British conductor and composer

Kenneth Alwyn was a British conductor, composer, and writer. Described by BBC Radio 3 as "one of the great British musical directors", Alwyn was known for his many recordings, including with the London Symphony Orchestra on Decca's first stereophonic recording of Tchaikovsky's 1812 Overture. He was also known for his long association with BBC Radio 2's orchestral live music programme Friday Night is Music Night, appearing for thirty years as a conductor and presenter, and for his contribution to British musical theatre as a prolific musical director in the 1950s and 1960s. He was a Fellow of the Royal Academy of Music and married the actress Mary Law in 1960. His website and the first volume of his memoirs A Baton in the Ballet and Other Places were both published in 2015. The second volume Is Anyone Watching? was published in 2017. A Book of Remembrance was opened on his website in December 2020.

References

  1. 1 2 3 4 Potts, Joseph E., “Orchestral Profile – The Pro Arte Orchestra”, The Gramophone , October 1959, p. 163 (p. 33 in online version)
  2. "Today's engagements", The Times , 30 March 30 1970, p. 8.