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| Industry | Music |
|---|---|
| Founded | 1997 |
| Founder | Ammo Talwar |
| Headquarters | Birmingham , United Kingdom |
Punch Records is a Birmingham-based music and arts agency. They offer tours, festivals, international projects and educational and outreach programs for young people.
Punch Records was founded in the Perry Barr area of Birmingham in 1997 by Ammo Talwar. [1] The organization began as an urban music record store, as well as a place where underground DJs from the West Midlands could demonstrate and grow their mixing and rapping abilities.
Punch began to host development events for young people to develop Punch's famed outreach programme, used by local schools. From this, Birmingham City Council became involved and now regularly programmes events through Punch Records which have included a roadshow in Centenary Square during Birmingham's European Capital of Culture 2008 bid.
In 2002, the success of the record shop led Ammo to relocate to Birmingham's Creative Quarter, the Custard Factory complex in Digbeth where the company now runs rhythm, song writing, music production, poetry, lyrics, dance, street art, photography and percussion lessons for the local community, schools and youth centers.
In 2003, Punch produced a film called Preskool, an "insightful short documentary that gives viewers an insight into Birmingham's local legends of Hip-Hop & Reggae music through the 70's and 80's." [2]
Punch now collaborates with companies such as Artfest, the BBC, BMG, OOM Gallery, Sony, Urban Music Seminar and Warners.
Ammo Talwar was appointed a Member of the Order of the British Empire (MBE) in the 2008 New Year Honours for his contribution to music and young people in the West Midlands.
West Coast hip hop is a regional genre of hip hop music that encompasses any artists or music that originated in the West Coast of the United States. West Coast hip hop began to dominate from a radio play and sales standpoint during the early to-mid 1990s with the birth of G-funk and the emergence of record labels such as Suge Knight and Dr. Dre's Death Row Records, Ice Cube's Lench Mob Records, the continued success of Eazy-E's Ruthless Records, Dr. Dre's Aftermath Entertainment, and others.
Hip hop music has been popular in Africa since the early 1980s due to widespread African American influence. In 1985, hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were Munyaradzi Nhidza Lida, M.C. Solaar, and Positive Black Soul.
Christian hip hop is a cross-genre of contemporary Christian music and hip hop music. It emerged from urban contemporary music and Christian media in the United States during the 1980s.
Midlander of the Year is an annual award, recognising people deemed to have "made an outstanding contribution to the social, sporting, political or cultural life" of the English Midlands.
Tanzanian Hip-hop, which is sometimes referred to Bongo Flava by many outside of Tanzania's hip hop community, encompasses a large variety of different sounds, but it is particularly known for heavy synth riffs and an incorporation of Tanzanian pop.
New Zealand hip hop derives from the wider hip hop cultural movement originating amongst African Americans in the United States. Like the parent movement, New Zealand hip hop consists of four parts: rapping, DJing, graffiti art and breakdancing. The first element of hip hop to reach New Zealand was breakdancing, which gained notoriety after the release of the 1979 movie The Warriors. The first hip hop hit single, "Rapper's Delight" by the Sugarhill Gang, became a hit in New Zealand when it was released there in 1980, a year after it was released in the United States. By the middle of the 1980s, breakdancing and graffiti art were established in urban areas like Wellington and Christchurch. By the early 1990s, hip hop became a part of mainstream New Zealand culture.
The music of Alaska is a broad artistic field incorporating many cultures in the U.S. state of Alaska.
Carl Steven Alfred Chinn is an English historian, writer and broadcaster whose working life has been devoted to the study and popularisation of the city of Birmingham. He broadcast a programme on the BBC from the mid-1990s focusing on Birmingham's history.
Hits Radio Birmingham is an Independent Local Radio station based in Birmingham, England, owned and operated by Bauer Media Audio UK as part of the Hits Radio network. It broadcasts to Birmingham and the West Midlands.
The culture of Birmingham is characterised by a deep-seated tradition of individualism and experimentation, and the unusually fragmented but innovative culture that results has been widely remarked upon by commentators. Writing in 1969, the New York-based urbanist Jane Jacobs cast Birmingham as one of the world's great examples of urban creativity: surveying its history from the 16th to the 20th centuries she described it as a "great, confused laboratory of ideas", noting how its chaotic structure as a "muddle of oddments" meant that it "grew through constant diversification". The historian G. M. Young – in a classic comparison later expanded upon by Asa Briggs – contrasted the "experimental, adventurous, diverse" culture of Birmingham with the "solid, uniform, pacific" culture of the outwardly similar city of Manchester. The American economist Edward Gleason wrote in 2011 that "cities, the dense agglomerations that dot the globe, have been engines of innovation since Plato and Socrates bickered in an Athenian marketplace. The streets of Florence gave us the Renaissance and the streets of Birmingham gave us the Industrial Revolution", concluding: "wandering these cities ... is to study nothing less than human progress."
The Malaysian hip hop is a hip hop music performed in Malaysia. Many of Malaysian hip hop artistes performed songs mostly in English, but also rhymed in their native Malay language.
Motionhouse is a dance-circus company based in Royal Leamington Spa, Warwickshire. Founded in 1988, Motionhouse operates under the direction of Louise Richards and Kevin Finnan MBE and the company aims to create startling, passionate dance theatre that fuses images, action and dynamism to surprise, challenge and delight their audiences. Imagery, theatricality and immediate impact combine with modern, contemporary dance and a focus on accessibility. Motionhouse also draw on theatre, circus, acrobatics and film to create performance spectacle with meaningful and resonant content which speaks directly to people through imagery and physicality.
Hip hop or hip-hop is a culture and art movement that was created by African Americans, starting in the Bronx, New York City. Pioneered from Black American street culture, that had been around for years prior to its more mainstream discovery, it later reached other groups such as Latino Americans and Caribbean Americans. Hip-hop culture has historically been shaped and dominated by African American men, though female hip hop artists have contributed to the art form and culture as well. Hip hop culture is characterized by the key elements of rapping, DJing and turntablism, and breakdancing; other elements include graffiti, beatboxing, street entrepreneurship, hip hop language, and hip hop fashion. From hip hop culture emerged a new genre of popular music, hip hop music.
Arabic hip-hop is a segment of hip hop music performed in the Arabic-speaking world. Due to variety of dialects and local genres which exist in the localities, Arabic hip-hop music may appear very diverse depending on the country of the song. Like most artists of the genre, the hip-hop artists from the Arabic-speaking world are highly influenced by American hip-hop.
Birmingham Jazz is a voluntary, non-profit organisation responsible for promoting and commissioning jazz and related contemporary music in the UK.
Birmingham is a city and metropolitan borough in the metropolitan county of West Midlands in England. It is the second-largest city in Britain – commonly referred to as the second city of the United Kingdom – with a population of 1.145 million in the city proper. Birmingham borders the Black Country to its west and, together with the city of Wolverhampton and towns including Dudley and Solihull, forms the West Midlands conurbation. The wider metropolitan area has a population of 4.3 million, making it the largest outside of London.
Hip-hop or hip hop music, also known as rap, and formerly as disco rap, is a genre of popular music that originated in the early 1970s from African Americans and Afro-Caribbean immigrants in the Bronx, a borough of New York City. Hip-hop music originated as an anti-drug and anti-violence genre consisting of stylized rhythmic music that often accompanies rapping, a rhythmic delivery of poetic speech. In the early 1990s, a professor of African American studies at Temple University said, "hip hop is something that blacks can unequivocally claim as their own." By the 21st century, the field of rappers had diversified by both race and gender. The music developed as part of the broader hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art. While often used to refer solely to rapping and rap music, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of the culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.
The city of Birmingham, England is home to an evolving media industry, including news and magazine publishers, radio and television networks, film production and specialist educational media training. The city's first newspaper was published in 1732.
Urban pop culture is the pop culture of cities and towns. It is both driven by and drives the popular culture of mainstream media. Urban pop culture tends to be more cosmopolitan and liberal than mainstream culture, but is not without its own complex mores, reflecting, for example, the parent societies' ambivalence to sexuality.
Birmingham's culture of popular music first developed in the mid-1950s. By the early 1960s the city's music scene had emerged as one of the largest and most vibrant in the country; a "seething cauldron of musical activity", with over 500 bands constantly exchanging members and performing regularly across a well-developed network of venues and promoters. By 1963 the city's music was also already becoming recognised for what would become its defining characteristic: the refusal of its musicians to conform to any single style or genre. Birmingham's tradition of combining a highly collaborative culture with an open acceptance of individualism and experimentation dates back as far back as the 18th century, and musically this has expressed itself in the wide variety of music produced within the city, often by closely related groups of musicians, from the "rampant eclecticism" of the Brum beat era, to the city's "infamously fragmented" post-punk scene, to the "astonishing range" of distinctive and radical electronic music produced in the city from the 1980s to the early 21st century.
