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Randy Raine-Reusch (born 1952) [1] is a Canadian composer, performer, improviser, and multi-instrumentalist specializing in New and Experimental Music for instruments from around the world, particularly those from East and Southeast Asia.
Raine-Reusch studied at the Creative Music Studio in the 1977 with artists such as Frederic Rzewski, Jack Dejohnette, and Karl Berger, playing only an Appalachian dulcimer. [2] In 1984, he received funding from the Canada Council for the Arts to undertake study overseas in Indonesia, Burma, and Thailand. He studied khaen in Mahasarakham, Thailand with master musicians Nukan Srichrangthin and Sombat Sinla. [3] After meeting famed Samul Nori drumming Kim Duk Soo in 1986, Raine-Reusch remained in Korea after a concert performance in 1987 to study kayageum with Living National Treasure (South Korea) Park Gwii Hi. [4] He studied didjeridu in Australia while performing at World Expo 88 in Brisbane. [5] 1n 1989, Raine-Reusch returned to Thailand to study khaen, then undertook research on traditional mouth organs in the upriver regions of Sarawak, in southern China, and finally studied the sho in Kyushu, Japan, including lessons with Living National Treasure (Japan) Ono Tada Aki. [6] In 1992, Raine-Reusch studied intensively in Hawaii with Chie Yamada on the Japanese ichigenkin, which he continued in 1996 in Tokyo under the Seikyodo School. [7] Raine-Reusch returned to Borneo on repeated trips throughout 1997 and 1998 to research and record the traditional music of Sarawak, resulting in two CDs on the Pan Records label.
With a collection of approximately 1000 instruments, Raine-Reusch regularly performs on the Chinese guzheng , bawu , hulusi and xun ; the Japanese shō and ichigenkin ; the Korean kayageum ; the Thai khaen and pin pia ; the Australian didjeridu; and the Appalachian dulcimer.
Raine-Reusch has recorded with Pauline Oliveros, Deep Listening Band, Aerosmith, [8] The Cranberries, Yes, Raffi, David Amram, Jon Gibson, Jin Hi Kim, and Henry Kaiser as well with as his own intercultural quartet, ASZA. He has performed with a wide range of artists including: Aerosmith, Robert Dick, Mats Gustafsson, Barry Guy, Sainkho Namtchylak, Pauline Oliveros, Trichy Sankaran, Paul Plimley, Miya Masaoka and Issui Minegishi, the Japanese Iemoto, or Hereditary Grand Master, of Seikyodo Ichigenkin. He also performs in a duo with his wife, the Chinese zheng virtuoso and scholar Mei Han.
Other credits include two Juno Award nominations, a performance on the famed American PBS “Prairie Home Companion,” and appearing in five documentary films on music.
He was the co-founder of the Rainforest World Music Festival held in Malaysia. He returned in 1998 as the Artistic Director and Consultant for both the Rainforest World Music Festival held just outside Kuching, Malaysia, and the Miri International Jazz Festival in Miri, Malaysia, re-branded in 2010 as Borneo Jazz. Both festivals are overseen by the Sarawak Tourist Board. He was a music consultant for the Korean Arts Management Service, the Sarawak Tourist Board, and Cirque du Soleil's Quidam.
He was the former Director of Acquisitions for the Musical Instrument Museum, which opened in early 2010 in Phoenix, Arizona. He also has been an instrument consultant for the Stearn's Collection at the University of Michigan, Ann Arbor and the Museum of Making Music in Carlsbad, California.
Raine-Reusch is an affiliate of the Canadian Music Centre, a member of the Canadian League of Composers, Board member of the Museum of World Music, a former Board Member of the Canadian New Music Network, and the Executive Director for the Red Chamber Cultural Society.
| Year | Title | With |
|---|---|---|
| 1989 | Pump | Aerosmith |
| 1994 | Bananaphone | Raffi |
| 1996 | To the Faithful Departed | The Cranberries |
| 1998 | In the Shadow of the Phoenix | Pauline Oliveros |
| 1999 | The Ladder | Yes |
| 1999 | Gudira | Barry Guy, Robert Dick |
| 2001 | Distant Wind: New Direction For Chinese Zheng | Mei Han |
| 2005 | Bamboo, Silk & Stone | Stuart Dempster, Jon Gibson, Jin Hi Kim, William O. Smith (Bill Smith), Barry Truax |
| 2012 | Kamüra | Henry Kaiser, and Torsten Müller (musician) |
| 2013 | Looking Back | Deep Listening Band, and Joe McPhee |
| 2020 | Crossover | David Cross and Peter Banks |
The hammered dulcimer is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet hammer in each hand to strike the strings. The Graeco-Roman word dulcimer derives from the Latin dulcis (sweet) and the Greek melos (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked.
The khaen is a Lao mouth organ whose pipes, which are usually made of bamboo, are connected with a small, hollowed-out hardwood reservoir into which air is blown. The khene is the national instrument of Laos. The khene music is an integral part of Lao life that promotes family and social cohesion and it was inscribed in 2017 on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. It is used among the ethnic Lao Isan and Some tai ethnic groups such as Tai dam In north Vietnam and Lao population of the province of Stung Treng and is used in lakhon ken, a Cambodian dance drama genre that features the khene as the main instrument In Vietnam, this instrument is used among the Tai peoples and the Muong people.
A mouth organ is any free reed aerophone with one or more air chambers fitted with a free reed. Though it spans many traditions, it is played universally the same way by the musician placing their lips over a chamber or holes in the instrument, and blowing or sucking air to create a sound. Many of the chambers can be played together or each individually.
The Deep Listening Band (DLB) was founded in 1988 by Pauline Oliveros, Stuart Dempster and Panaiotis. David Gamper replaced Panaiotis in 1990.
Pump is the tenth studio album by American rock band Aerosmith. It was released on September 12, 1989, by Geffen Records. The album peaked at No. 5 on the US charts, and was certified septuple platinum by the RIAA in 1995.
The shō (笙) is a Japanese free reed musical instrument that was introduced from China during the Nara period. It is descended from the Chinese sheng, of the Tang Dynasty era, although the shō tends to be smaller in size than its contemporary sheng relatives. It consists of 17 slender bamboo pipes, each of which is fitted in its base with a metal free reed. Two of the pipes are silent, although research suggests that they were used in some music during the Heian period. It is speculated that even though the pipes are silent, they were kept as part of the instrument to keep the symmetrical shape.
The ichigenkin is a Japanese Monochord zither. Its body is a slender, slightly curved plank carved from kiri wood. Its raw silk string is plucked with a tubular plectrum placed on the index finger of the right hand while a tubular ivory device similar to a guitar slide placed over the middle finger of the left hand slightly depresses the string—though not so hard that it presses against the hardwood soundboard—to vary the pitch. Both the plectrum and slide are referred to as rokan. As with the Chinese guqin, from which it was likely originally adapted, the ichigenkin has no frets, so sliding tones are an important part of the technique of the instrument. Traditionally, the ichigenkin is used to accompany traditional singing, although there are also purely instrumental works in its repertoire. The instrument was once popular among samurai, literati, and priests, but today players of the instrument are very rare. The only unbroken line of ichigenkin transmission is Seikyodo Ichigenkin, whose current Iemoto is Issui Minegishi. Minegishi performs widely in North America, Europe, and Asia, and occasionally with Canadian multi-instrumentalist Randy Raine-Reusch, perhaps the only non-Japanese ichigenkin performer, who composes and records new works for the instrument.
The Ladder is the eighteenth studio album by the English progressive rock band Yes, released in September 1999 on Eagle Records. It is their only studio album recorded with six full time members and their last with keyboardist Igor Khoroshev and with guitarist Billy Sherwood for 22 years.
Mei Han is a Chinese-Canadian guzheng performer and scholar.
"Janie's Got a Gun" is a song by American rock band Aerosmith and written by Steven Tyler and Tom Hamilton. The song was released as the second single from Pump in 1989, peaking at number four on the US Billboard Hot 100 and number two on the Billboard Album Rock Tracks chart in 1990. In Australia, the song reached number one, becoming Aerosmith's first of two number-one singles there. It also reached number two in Canada, number 12 in Sweden, and number 13 in New Zealand.
Paul Schütze is an Australian artist resident in London. Over thirty years his work has spanned composition, performance, installation, video, printmaking and photography.
The Rainforest World Music Festival is an annual three-day music festival celebrating the diversity of world music, held in Kuching, Sarawak, Malaysia, with daytime music workshops, cultural displays, craft displays, food stalls, and main-stage evening concerts. The festival has been awarded 25 of the best International Festivals by Songlines for six consecutive years; from 2010 to 2015.
The gourd mouth organ is a free reed mouth organ played across East and Southeast Asia. It consists of a gourd wind chest with several bamboo or bronze pipes inserted on top of it, the numbers of pipes differing from region to region.
Christopher Adler is a musician, composer and music professor at University of San Diego. A virtuoso player of the khaen, a reed instrument native to Laos and Thailand, he has been composing works for the khaen both as a solo instrument and in combination with western instruments since 1996. His works for solo piano include the three-part Bear Woman Dances, commissioned to accompany a dance depicting a Korean creation myth and largely based the Korean musical system nongak. Four of his compositions have been broadcast internationally on WGBH's Art of the States series. His composition for sheng, viola and percussion, Music for a Royal Palace, was commissioned by Carnegie Hall for Yo-Yo Ma's Silk Road Project. An homage to Thailand's Bang Pa-In Palace, the work incorporates traditional Thai melody and embellishments. It was performed at Zankel Hall in 2006 and recorded at the Tanglewood Music Center that same year. His Serpent of Five Tongues for sheng and guanzi premiered at the 2011 MATA Festival.
The sênh tiền is a Vietnamese musical instrument. The senh tien is a combination of clapper, rasp, and jingle made from three pieces of wood and old Chinese coins. It is also played among the Muong people.
The bro is a traditional musical instrument of the Bahnar, Sedang, Rhađe, Jarai, and Giẻ Xtiêng peoples of the Central Vietnam Highlands. It is a tube zither. It is played in a similar manner to the jejy voatavo used in the music of Madagascar, and is distantly related to the Indian Veena and the Thai Phin pia.
Han Terra is a Korean-born inventor, composer and musician. She was a child prodigy and was performing by age 6 as a Korean kayageum player beginning her training at the age of 4. She has invented a 24 stringed musical instrument called TeRra incorporating artificial intelligence.
The keluri or keledi or enkulurai is a free reed gourd mouth organ from Sarawak, East Malaysia and Kalimantan made of bamboo and gourd. Historically the keledi or keluri was played by the Orang Ulu people who come from Sarawak, Malaysia, the area northwest of the island of Borneo. Among the Iban people the instrument is called enkulurai. Other peoples that have played the instrument include the Kayan people and Kenyah people. In the 21st century, the instrument has largely disappeared; while not extinct, researchers have had a difficult time finding anyone making or using the instruments.
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