Rapture (Anita Baker album)

Last updated
Rapture
Anita Baker - Rapture.jpg
Studio album by
ReleasedMarch 20, 1986
Recorded1985
StudioYamaha R & D Studio (Glendale, California); United Sound Systems (Detroit, Michigan); Music Grinder Studios (Hollywood, California)
Genre
Length37:09
Label Elektra
Producer
Anita Baker chronology
The Songstress
(1983)
Rapture
(1986)
Giving You the Best That I Got
(1988)
Singles from Rapture
  1. "Sweet Love"
    Released: May 27, 1986
  2. "Caught Up in the Rapture"
    Released: October 3, 1986
  3. "Same Ole Love (365 Days a Year)"
    Released: February 1987
  4. "No One in the World"
    Released: July 1987

Rapture is the second album by American vocalist Anita Baker, released in 1986. This became Baker's breakout album and earning her two Grammy Awards. The album's first track, "Sweet Love", was a top 10 Billboard hit in addition to winning a Grammy Award. The music video for the track "Same Ole Love" was filmed at Baker's Keyboard Lounge. [1]

Contents

Background

In 1984, Baker was offered a considerably better recording contract than her previous label, Anita signed with Warner Communications and shortly thereafter begun recording what would become Rapture, teamed with former Chapter 8 bandmate Michael Powell for her Elektra debut. As she was having some difficulties  with Beverly Glen, she accepted Warner's offer and notified plaintiff that she was no longer willing to perform under the contract. [2]  Beverly Glen then sued Ms. Baker and sought to have her enjoined from performing for any other recording studio. The original injunction request was denied.

Following this ruling, the plaintiff voluntarily dismissed the action against Ms. Baker. Beverly Glen Music, however, then sued Warner Communications for inducing Ms. Baker to breach her contract and moved the court for an injunction against Warner to prevent it from employing her.  This injunction, too, was denied, the trial court reasoning that what one was forbidden by statute to do directly, one could not accomplish through the back door. [2] An unwilling employee cannot be compelled to continue to provide services to his employer either by ordering specific performance of his contract, or by injunction.  To do so runs afoul of the Thirteenth Amendment's prohibition against involuntary servitude. Plaintiff contends that this is not an action against Ms. Baker but merely an equitable claim against Warner to deprive it of the wrongful benefits it gained when it “stole” Ms. Baker away. The judge in the case concludes, An injunction adds nothing to plaintiff's recovery from Warner except to coerce Ms. Baker to honor her contract. Denying someone his livelihood is a harsh remedy.

The case was decided March 19, 1986 in favor of Ms. Baker/Elektra/Warner Communications [2]

Rapture was released on March 20, 1986.

Critical reception

Retrospective professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [3]
Christgau's Record Guide B− [4]
Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg[ citation needed ]
MusicHound R&B Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg[ citation needed ]
Pitchfork 9.0/10 [5]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg[ citation needed ]

Baker’s arrival onto the music industry signaled a musical rebellion, affording her voice and range to shine front-and-center. [6] In a contemporary review for Rolling Stone , Rob Hoerburger regarded Rapture as a relatively "modest" album compared to more histrionic female singers, while praising the symbiotic relationship Baker shared with her band. Occasionally, he believed, the groove-based music lacked variety, and the singer drifted into "some superfluous scatting and pseudo-jazz harmony", but Hoerburger ultimately deemed her "an acquired but enduring taste". [7] At the end of 1986, Rapture was ranked number 2 among the "Albums of the Year" by NME . [8] It was voted the 23rd best album of the year in the Pazz & Jop, an annual poll of American critics, published by The Village Voice . [9] Robert Christgau, the newspaper's lead music critic, was less impressed and viewed the record as merely a soulful, sexier version of soft rock and easy listening: "it's all husky, burnished mood, the fulfillment of the quiet-storm format black radio ... a reification of the human voice as vehicle of an expression purer than expression ever ought to be". [10]

In 1989, Rapture was ranked number 36 on Rolling Stone's list of the 100 greatest albums from the 1980s. [11] The same publication would later include the album as number 404 on their 2020 list of 500 Greatest Albums of All Time. [12] In retrospect, AllMusic's Alex Henderson said, "Rapture's tremendous success made it clear that there was still a sizeable market for adult-oriented, more traditional R&B singing." [3] According to The Mojo Collection (2007), "when provocative new trends in black music were exploding from the street by the month, Baker kept her head and made a traditional (i.e., with its roots in the '70s) soul record with brooding, slow-burn minor tunes of romantic celebration and earthy longing." [13] According to CBC Music journalist Amanda Parris, "Baker defined quiet storm in the '80's and her album Rapture is one of the subgenre's milestones." [14] Pitchfork placed the album at number 149 on its list of The 200 Best Albums of the 1980s. [15]

Commercial performance

Rapture peaked at number 11 on the Billboard 200 in the United States and number 13 on the UK Albums Chart. [13] Promoted with two hit singles in "Sweet Love" and "Caught Up in the Rapture", [13] the album received significant airplay on both black radio and Top 40 formats, unlike Baker's 1983 debut The Songstress . [16] By October 1987, Rapture had sold three million copies. [17] It propelled Baker to stardom in soul and pop music during the late 1980s, winning two Grammy Awards and eventually sold over eight million copies worldwide. [6]

Track listing

No.TitleWriter(s)Length
1."Sweet Love"Anita Baker, Louis A. Johnson, Gary Bias 4:26
2."You Bring Me Joy" David Lasley 4:24
3."Caught Up in the Rapture" Garry Glenn, Dianne Quander 5:17
4."Been So Long"Baker5:07
5."Mystery" Rod Temperton 4:56
6."No One in the World" (Produced by Marti Sharron and Gary Skardina) Ken Hirsch, Marti Sharron4:10
7."Same Ole Love (365 Days a Year)" Marilyn McLeod, Darryl K. Roberts4:05
8."Watch Your Step"Baker4:54

Personnel

Musicians

Production

Accolades

Grammy Awards

YearNominee / workAwardResult
1987 Rapture Best Female R&B Vocal Performance Won
"Sweet Love" Best R&B Song Won

American Music Awards

YearNominee / workAwardResult
1987 Anita Baker Favorite Soul/R&B Female Artist Nominated
Rapture Favorite Soul/R&B Album Nominated
1988 Anita BakerFavorite Soul/R&B Female ArtistWon
RaptureFavorite Soul/R&B AlbumWon

Charts

Certifications and sales

Certifications and sales for Rapture
RegionCertification Certified units/sales
Canada (Music Canada) [31] Gold50,000^
United Kingdom (BPI) [32] Platinum300,000^
United States (RIAA) [33] 5× Platinum5,000,000^
Summaries
Worldwide8,000,000 [34]

^ Shipments figures based on certification alone.

See also

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