| Red Alone | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1960 | |||
| Recorded | April 2, 1960 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Jazz | |||
| Length | 43:01 | |||
| Label | Moodsville MVLP 3 | |||
| Producer | Esmond Edwards | |||
| Red Garland chronology | ||||
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| Alternative cover | ||||
 2004 CD reissue | ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   |
Red Alone is a solo piano album by jazz musician Red Garland, recorded in 1960 and released the same year on Prestige Records, originally as part of the Moodsville series. [2]
William McKinley "Red" Garland, Jr. was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of piano playing.
Miles: The New Miles Davis Quintet is an album by jazz musician Miles Davis released in April 1956 on Prestige Records, catalogue 7014. It is the debut record by the Miles Davis Quintet, and generally known by the original title Miles as indicated on the cover.
The Believer is a jazz album credited to John Coltrane released in 1964 on Prestige Records, catalogue 7292. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1957 and 1958.
Settin' the Pace is an album credited to jazz musician John Coltrane, released in 1961 on Prestige Records, catalogue 7213. It is assembled from unissued results of a single recording session at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958. Coltrane on tenor saxophone is accompanied by the Red Garland Trio with Garland on piano, Paul Chambers on bass, and Art Taylor on drums. With Garland and Chambers Coltrane had played together since at least October 1955 in Miles Davis' band. With Art Taylor they were part of the Tenor Conclave recordings in September 1956. As a quartet they had already recorded two albums for Prestige, John Coltrane with the Red Garland Trio and Soultrane. The material the quartet recorded on this session were extended interpretations of three popular songs not played by jazz musicians before, and "Little Melonae", a classic bebop tune written by Jackie McLean.
Stardust is an album by jazz musician John Coltrane that was released in 1963 by Prestige Records. It was assembled from two separate sessions at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958. As Coltrane's fame grew during the 1960s, long after he had stopped recording for the label, Prestige used unissued recordings to create new marketable albums without his approval.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958; and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Red Garland's Piano is an album by jazz pianist Red Garland, released in 1957 on Prestige Records. It features tracks recorded mainly on March 22, 1957.
Soul Junction is an album by jazz pianist Red Garland, released in 1960 on Prestige Records. It features tracks recorded on November 15, 1957, the same day the pieces for All Mornin' Long were recorded, with the same lineup.
Manteca is an album by jazz pianist Red Garland, released in 1959 on Prestige Records. The CD reissue included a bonus track recorded during the same session.
Rojo is an album by jazz pianist Red Garland, released in 1961 on Prestige Records, featuring tracks recorded on August 22, 1958.
Solar is an album by jazz musician Red Garland, recorded in 1962 and released the same year on Jazzland as JLP 73.
Bright and Breezy is an album by jazz pianist Red Garland and his trio, recorded in 1961 and released on Jazzland as JLP 48. Sam Jones had been the trio's bassist for two years. Art Taylor, who had played drums in the Red Garland Trio since 1956, was replaced by Charlie Persip in 1960. This was the first of four sessions by Garland for the Riverside subsidiary label, that were recorded at the Plaza Sound Studios by Orrin Keepnews. In October 1962 he would record a last session for his former label Prestige before taking a hiatus of nearly ten years.
Can't See for Lookin' is an album by jazz pianist Red Garland, recorded in 1958 but not released until 1963 on Prestige Records.
When There Are Grey Skies is an album by the jazz pianist Red Garland, recorded in 1962 and released the following year on Prestige Records.
It's a Blue World is an album by jazz pianist Red Garland, recorded in 1958 but not released on Prestige Records until 1970.
Soul Burnin' is an album by jazz pianist Red Garland, recorded in 1960 and 1961, but not released on Prestige Records until 1964. The CD reissue features a bonus track, recorded in 1959, which originally appeared on Garland's album Satin Doll, first released in 1971.
Groovy is an album by jazz pianist Red Garland and his trio, released in 1957 on Prestige Records.
Red Garland Revisited! is an album by pianist Red Garland featuring tracks recorded in 1957 which were first released on the Prestige label in 1969.
Curtis Fuller with Red Garland is an album by trombonist Curtis Fuller with pianist Red Garland recorded in 1957 and originally released on the New Jazz label, a subsidiary of Prestige Records in 1963.
Red Garland at the Prelude is a live album by American pianist, composer and bandleader Red Garland which was recorded in 1959 and released on the Prestige label. The album was recorded at the Prelude Club at the same concert that produced Lil' Darlin' and Red Garland Live!.
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