Rhapsody (film)

Last updated
Rhapsody
Rhapsody1c.jpeg
Theatrical release poster
Directed by Charles Vidor
Written by
Screenplay by Fay Kanin
Michael Kanin
Based on Maurice Guest
1908 novel
by Henry Handel Richardson
Produced by Lawrence Weingarten
Starring
Cinematography Robert H. Planck
Edited by John Dunning
Music by
Production
company
Distributed byMetro-Goldwyn-Mayer
Release date
  • March 11, 1954 (1954-03-11)
Running time
115 minutes
CountryUnited States
LanguageEnglish
Budget$1,979,000 [1]
Box office$3,292,000 [1]

Rhapsody is a 1954 American musical drama film directed by Charles Vidor and starring Elizabeth Taylor, Vittorio Gassman, John Ericson, and Louis Calhern based on the 1908 novel Maurice Guest by Henry Handel Richardson.

Contents

It revolves around a debutante who follows the man she loves and hopes to marry to Zurich where he studies violin at a conservatory. There she meets a piano student who falls madly in love with her. She must then choose between this man who loves her more than his music and the violinist who loves his music more than anything else. [2] Rhapsody features music by Franz Liszt, Sergei Rachmaninov, Pyotr Ilyich Tchaikovsky, Felix Mendelssohn, Claude Debussy, and Pablo de Sarasate.

Plot

The film opens with debutante Louise Durant (Elizabeth Taylor) announcing to her haughty father (played by Louis Calhern) that she is leaving their luxurious home to go to Zurich with her lover—an aspiring violinist, Paul Bronte (Vittorio Gassman). Her father disapproves. She cannot leave, because he needs her as hostess of his luncheon of VIPs. He sees no reason to waste time with aspiring artists, when he has the cream of the crop at the luncheon she is about to miss. Besides, she lacks the discipline to study piano at the conservatory. She scoffs, "You'll see. Have you ever stopped me from doing what I want?" He replies "No".

The couple joyfully motor to Zurich in a convertible. Bronte playfully muses how crazy it is to take her, when he must work.

In Zurich, the couple bring Durant's bags to her elegant furnished flat. Paul inquires about the "For Rent" sign that the matron (played by Celia Lovsky) had just removed from the front window. She explains that the attic had just been rented to an American (James Guest, played by John Ericson). When the affable Guest shows, Bronte tries unsuccessfully to convince Guest that he must give his room to Bronte because of seniority. Guest won't be conned. Guest is immediately infatuated with Durant, but she doesn't notice, while Bronte lets him know she is off-limits.

Durant goes to the conservatory to audition. While waiting, she is enraptured with the piano player before her. She is pleased to discover it is Guest. The professor who oversaw the audition ushers in Bronte. They practice while Durant impatiently waits.

Tension mounts as Bronte prioritizes practice over companionship with Durant.

When Bronte learns he is scheduled to perform at the Zurich Symphony in three weeks, he tells a deeply disappointed Durant he will have no time for her until the concert. Meanwhile a grand piano arrives for Durant. Guest joins Durant to try out the new piano, becoming friends.

Durant's father visits her in Zurich. When she introduces him to Bronte, the father's disdain is palpable. When she asks her father if he will go to Bronte's Tchaikovsky concert at the symphony, he replies, "No. I have already heard Tchaikovsky." Yet, the father asks Bronte for a serenade. Bronte quips, "No. I only perform for pleasure or money. Something you would understand." Father admits he doesn't like Bronte's arrogance; Daughter retorts "You dislike him because he is like you and doesn't crumple like all the other men." Father correctly predicts their relationship is doomed, because Bronte can't give her the attention she needs, and he is a hummingbird that can't be caged.

Bronte's solo at the Symphony is a smashing success. During the concert Durant unsuccessfully tries to capture his attention, but he is oblivious, engrossed in the music, like everyone else but her. When she goes back stage, the joyous crowd surrounds him and she can't get near, but sees him spontaneously kiss another woman in ecstatic celebration. When music agents shuffle him off to a back room to make deals, Durant calls out to him, but he waives her off. When he leaves the room hours later, she is sulking. Energized and happy to see her, he spouts off all his future plans for a tour with a finale in Rome, but indicates she can't go with as she would be a distraction. The couple fight. He has no time for her; she is ruining the day his music career takes off.

The next day Durant sees him leave on the tour with another woman. She tries to kill herself with pills, but Guest intervenes.

Guest nurses Durant to health, giving her the cloying affection she needs. Her father approves. She is determined to leave Zurich and the awful memories. Guest, head over heals in love with a woman who only views him as a friend, is determined to go with her - even though it means giving up his music studies. She lets him follow her to Paris, where she marries him to try to get over Bronte.

Bronte bumps into Durant in Paris, and the two admit they have not fallen out of love. Meanwhile, Guest is floundering, squandering Durant's money on booze — undoubtedly not getting the romantic attention he desires. Bronte is disgusted that Durant has allowed his talent to go to rot.

When Durant tells her father she must divorce Guest, he urges her to wait. "Don't kick him when he is down. Help him get up first." She does. She moves back with him to Zurich and puts all of her focus on his musical development. Guest eventually secures a solo performance at the Symphony — nearly identical to Bronte's. But just prior to the important concert, Durant refuses to give him a token of herself for good luck. She insists he doesn't need her to succeed, that his talent is from his work alone. She confesses that she intends to leave with Bronte after the performance. Guest is devastated.

At the concert, Guest is distraught throughout performance. He repeatedly looks at the empty chair reserved for his wife. Despite his anguish, he pulls off a standing ovation. When the crowd has gone and he is about to leave alone, he discovers Durant waiting. "I thought you were leaving." Crying, she tells him she saw the entire performance. They hug as lovers.

Cast

Production

The novel Maurice Guest was published in 1908. [3] [4]

Rhapsody was filmed on location in Florhofgasse, Zürich (the street scenes) and Pontresina, Kanton Graubünden in Switzerland. [5]

Reception

According to MGM records, the film earned $1,291,000 in the U.S. and Canada and $2,001,000 in other markets, resulting in a loss of $217,000. [1] The movie was re-released in February 1962 to benefit from the publicity created for the movie Cleopatra.

The film is recognized by American Film Institute in these lists:

Related Research Articles

<span class="mw-page-title-main">Pyotr Ilyich Tchaikovsky</span> Russian composer (1840–1893)

Pyotr Ilyich Tchaikovsky was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin.

<span class="mw-page-title-main">Vittorio Gassman</span> Italian actor and director (1922–2000)

Vittorio Gassman, popularly known as Il Mattatore, was an Italian actor, director, and screenwriter.

<span class="mw-page-title-main">Nikolai Rimsky-Korsakov</span> Russian composer (1844–1908)

Nikolai Andreyevich Rimsky-Korsakov was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy-tale and folk subjects.

<span class="mw-page-title-main">Sergei Rachmaninoff</span> Russian composer, pianist and conductor (1873–1943)

Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness, dense contrapuntal textures, and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he used his skills as a performer to fully explore the expressive and technical possibilities of the instrument.

<span class="mw-page-title-main">Leopold Stokowski</span> British-born American conductor (1882–1977)

Leopold Anthony Stokowski was a British conductor. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed.

<span class="mw-page-title-main">Carl Schuricht</span> German conductor (1880–1967)

Carl Adolph Schuricht was a German conductor.

<span class="mw-page-title-main">Kirill Kondrashin</span> Soviet conductor (1914–1981)

Kirill Petrovich Kondrashin was a Soviet and Russian conductor. People's Artist of the USSR (1972).

<span class="mw-page-title-main">Nadezhda von Meck</span> Russian businesswoman

Nadezhda Filaretovna von Meck was a Russian businesswoman who became an influential patron of the arts, especially music. She is best known today for her artistic relationship with Pyotr Ilyich Tchaikovsky, supporting him financially for thirteen years, so that he could devote himself full-time to composition, while stipulating that they were never to meet. Tchaikovsky dedicated his Symphony No. 4 in F minor to her. She also gave financial support to several other musicians, including Nikolai Rubinstein and Claude Debussy.

<span class="mw-page-title-main">Philippe Entremont</span> French classical pianist and conductor

Philippe Entremont is a French classical pianist and conductor. His recordings as a pianist include concertos by Tchaikovsky, Maurice Ravel, Rachmaninoff, Saint-Saëns and others.

Misha Dichter is an American pianist.

Theodore Kerkezos is a Greek classical saxophonist. He is “…one of the most astounding performers of the day.” Gramophone

<i>Humoresque</i> (1946 film) 1946 film by Jean Negulesco

Humoresque is a 1946 American melodrama film by Warner Bros. starring Joan Crawford and John Garfield in an older woman/younger man tale about a violinist and his patroness. The screenplay by Clifford Odets and Zachary Gold was based upon the 1919 short story "Humoresque" by Fannie Hurst, which previously was made into a film in 1920. Humoresque was directed by Jean Negulesco and produced by Jerry Wald.

<i>Andante and Finale</i>

The Andante and Finale is a composition for piano and orchestra that was reworked by Sergei Taneyev from sketches by Pyotr Ilyich Tchaikovsky for the abandoned latter movements of his single-movement Piano Concerto No. 3 in E-flat, Op. 75.

<span class="mw-page-title-main">Benjamin Johnson Lang</span> American conductor

Benjamin Johnson Lang was an American conductor, pianist, organist, teacher and composer. He introduced a large amount of music to American audiences, including the world premiere of Pyotr Ilyich Tchaikovsky's Piano Concerto No. 1, which he conducted in Boston in 1875.

<span class="mw-page-title-main">Désirée Artôt</span> Belgian soprano

Désirée Artôt was a Belgian soprano, who was famed in German and Italian opera and sang mainly in Germany. In 1868 she was engaged, briefly, to Pyotr Ilyich Tchaikovsky, who may have coded her name into works such as his First Piano Concerto and the Romeo and Juliet Fantasy-Overture. After her 1869 marriage to the Spanish baritone Mariano Padilla y Ramos, she was known as Désirée Artôt de Padilla or Désirée Artôt-Padilla.

<span class="mw-page-title-main">George Georgescu</span> Romanian conductor

George Georgescu was a Romanian conductor. The moving force behind the Bucharest Philharmonic Orchestra for decades beginning shortly after World War I, a protégé of Artur Nikisch and a close associate of George Enescu, he received honors from the French and communist Romanian governments and lived to make recordings in the stereo era.

<span class="mw-page-title-main">Yuja Wang</span> Chinese pianist (born 1987)

Yuja Wang is a Chinese pianist. Born in Beijing, she began learning the piano there at age six, and went on to study at the Central Conservatory of Music in Beijing and the Curtis Institute of Music in Philadelphia. By the age of 21, she was already an internationally recognized concert pianist and signed an exclusive contract with Deutsche Grammophon. She has since established herself as one of the leading artists of her generation. Wang currently lives in New York.

Sondra Bianca is an American born concert pianist and pedagogue who retired early in her career from recording and live performances.

<i>Carnegie Hall</i> (film) 1947 film by Edgar George Ulmer

Carnegie Hall is a 1947 American musical drama film directed by Edgar G. Ulmer and starring Marsha Hunt and William Prince. The film was produced by Federal Films and released by United Artists.

Maurice Guest (1908) is the debut novel by Australian writer Henry Handel Richardson.

References

  1. 1 2 3 The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  2. "Rhapsody". Internet Movie Database. Retrieved January 16, 2013.
  3. "MAN, MUSIC, AND LOVE". The Register . Adelaide: National Library of Australia. 3 October 1908. p. 6. Retrieved 10 January 2014.
  4. "IN GRIM EARNEST". Western Mail . Perth: National Library of Australia. 10 October 1908. p. 50. Retrieved 10 January 2014.
  5. "Locations for Rhapsody". Internet Movie Database. Retrieved January 16, 2013.
  6. "AFI's 100 Years...100 Passions Nominees" (PDF). Retrieved 2016-08-19.