Richard Dyer (music critic)

Last updated

Richard Dyer
Born
Richard M. Dyer

1941 (age 8283)
Alma mater
Occupation
Notable credits

Richard M. Dyer (born 1941) is an American music critic who specializes in classical music. [1] Described by the music critic Alex Ross as "a dean of the profession", from 1976 to 2006 he was the chief classical music critic of The Boston Globe .

Contents

Educated with degrees in English, Dyer had studied piano and been an opera fan since his youth. He embarked on music criticism following a well-received 1973 article in The New York Times on the soprano Renata Tebaldi, and soon joined the staff of the Globe. A diverse critic, his writings have extended to numerous other news publications, as well as music encyclopedias, liner notes and program notes. He has served on the juries of many piano competitions, and lectured at a variety of universities.

Early life and education

Born in 1941 in Mineral Wells, Texas, Richard M. Dyer was raised first in Enid, Oklahoma and later in Hiram, Ohio. [1] [2] In his youth he was an avid opera enthusiast, and played the piano. [2] He attended Hiram College, graduating in 1963 summa cum laude, with a Bachelor of Arts in English and minor in French. [2] During his time at Hiram, Dyer studied piano with Beatrice Erdely at the Cleveland Institute of Music. [1] He continued his piano study in Paris at the Institute of European Studies, studying with Jacqueline Eymar from 1961 to 1962. [2] While in Paris, Dyer attended the final masterclasses of Alfred Cortot. [3] At Harvard University, he graduated with a Master's degree in English, and began teaching the subject at the University of Iowa. [2] He soon returned to Harvard, however, being appointed the Briggs-Copeland Lecturer in English, and receiving a PhD in English (1973) with a dissertation on the writer Oliver Goldsmith. [2] [3]

Career and later life

While studying for his PhD, Dyer received nation-wide attention for his 1973 article in The New York Times concerning the soprano Renata Tebaldi's "artistic decline". [1] [2] [4] The article was highly praised, and Dyer joined The Boston Globe that year to work as a music critic under the critic Michael Steinberg. [1] Dyer later reflected on joining the Globe, noting that it was "an unexpected sidestep into journalism"; when Steinberg left the paper in 1976, he succeeded him as chief classical music critic. [1] [5] In addition to the Times and Globe, his music criticism spans numerous other publications: American Music, Opera , Opera News , High Fidelity , Ovation, Symphony Magazine, Chamber Music, Gramophone , Musical America , The Connoisseur , The Nation and the Chicago Tribune . [1] [3] Grove described his criticism as "demonstrat[ing] penetrating insight and a highly sensitive ear to subtleties of performance, especially with regard to the piano." [1] ASCAP awarded him the Deems Taylor Award twice for his music criticism. [1] Dyer stepped down as chief classical music critic at The Boston Globe in 2006, being succeeded by Jeremy Eichler. [6] Reflecting on Dyer's retirement, the music critic Alex Ross noted that Dyer was "a dean of the profession" and that "no critic writes with more authority or passion." [7]

Dyer's writings have extended beyond music criticism, to encyclopedias, liner notes and program notes. [1] [2] His contributions to music encyclopedias, include articles in The New Grove Dictionary of Music and Musicians (and the subsequent Grove Music Online), the Metropolitan Opera Encyclopedia and the Encyclopedia Americana. [1] He wrote liner notes including those for Deutsche Grammophon, New World Record, Philips, RCA Victor, Sony Classical and Westminster Classics, while orchestras that he wrote program notes for include the Boston Symphony Orchestra, the Chamber Music Society of Lincoln Center, the Metropolitan Opera and the San Francisco Opera. [2] [3] Dyer also toured five times with Benjamin Zander and the Boston Philharmonic Youth Orchestra as a blogger for the orchestra. [3] Other topics of interest in his writings include literature and film; he was film critic at the Globe for a year. [1]

Due to his experience and familiarity with piano and piano repertoire, Dyer has been a jury member for numerous piano competitions. [2] These include the Cleveland International Piano Competition, Sendai International Music Competition, Toronto International Piano Competition and Van Cliburn International Piano Competition. [3] Since retirement from the Globe, he has taught at the Tanglewood Music Center and in Dawn Upshaw's graduate program at Bard College. [1] He has also lectured at the Aspen Music Festival, Boston University, the Juilliard School and the New England Conservatory. [1] [3] He has received honorary doctorates from both the New England Conservatory of Music and Salem State University. [3] Other activities of Dyer's include writing podcasts for the Boston Symphony Orchestra each week. [1]

Selected writings

Related Research Articles

<span class="mw-page-title-main">Boston Symphony Orchestra</span> American symphony orchestra in Boston

The Boston Symphony Orchestra (BSO) is an American orchestra based in Boston. It is the second-oldest of the five major American symphony orchestras commonly referred to as the "Big Five". Founded by Henry Lee Higginson in 1881, the BSO performs most of its concerts at Boston's Symphony Hall and in the summer performs at Tanglewood.

<span class="mw-page-title-main">Seiji Ozawa</span> Japanese conductor (1935–2024)

Seiji Ozawa was a Japanese conductor known internationally for his work as music director of the Toronto Symphony Orchestra, the San Francisco Symphony, and especially the Boston Symphony Orchestra (BSO), where he served from 1973 for 29 years. After conducting the Vienna New Year's Concert in 2002, he was director of the Vienna State Opera until 2010. In Japan, he founded the Saito Kinen Orchestra in 1984, their festival in 1992, and the Tokyo Opera Nomori in 2005.

<span class="mw-page-title-main">Renata Tebaldi</span> Italian opera singer (1922–2004)

Renata Tebaldi was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. Often considered among the great opera singers of the 20th century, she focused primarily on the verismo roles of the lyric and dramatic repertoires. Italian conductor Arturo Toscanini called her voice "la voce d'angelo", and La Scala music director Riccardo Muti called her "one of the greatest performers with one of the most extraordinary voices in the field of opera."

<span class="mw-page-title-main">Sarah Caldwell</span> American opera conductor

Sarah Caldwell was an American opera conductor, impresario, and stage director.

Dmitri Shostakovich composed his Symphony No. 4 in C minor, Op. 43, between September 1935 and May 1936, after abandoning some preliminary sketch material. In January 1936, halfway through this period, Pravda—under direct orders from Joseph Stalin—published an editorial "Muddle Instead of Music" that denounced the composer and targeted his opera Lady Macbeth of Mtsensk. Despite this attack and the political climate of the time, Shostakovich completed the symphony and planned its premiere for December 1936 in Leningrad. After rehearsals began, the orchestra's management cancelled the performance, offering a statement that Shostakovich had withdrawn the work. He may have agreed to withdraw it to relieve orchestra officials of responsibility. The symphony was premiered on 30 December 1961 by the Moscow Philharmonic Orchestra led by Kirill Kondrashin.

<span class="mw-page-title-main">Piano Concerto No. 1 (Tchaikovsky)</span> Composition by Pyotr Ilyich Tchaikovsky

The Piano Concerto No. 1 in B minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. It was revised in 1879 and in 1888. It was first performed on October 25, 1875, in Boston by Hans von Bülow after Tchaikovsky's desired pianist, Nikolai Rubinstein, criticised the piece. Rubinstein later withdrew his criticism and became a fervent champion of the work. It is one of the most popular of Tchaikovsky's compositions and among the best known of all piano concerti.

<span class="mw-page-title-main">William Steinberg</span> German-American conductor (1899–1978)

William Steinberg was a German-American conductor.

Anthony Carl Tommasini is an American music critic and author who specializes in classical music. Described as "a discerning critic, whose taste, knowledge and judgment have made him a must-read", Tommasini was the chief classical music critic for The New York Times from 2000 to 2021. Also a pianist, he has released two CDS and two books on the music of his colleague and mentor, the composer and critic Virgil Thomson.

<span class="mw-page-title-main">Kent Nagano</span> American conductor and opera administrator

Kent George Nagano GOQ, MSM is an American conductor and opera administrator. Since 2015, he has been Generalmusikdirektor (GMD) of the Hamburg State Opera.

Robert Spano is an American conductor and pianist. He is currently music director of the Fort Worth Symphony Orchestra, music director of the Aspen Music Festival and School, principal conductor of the Rhode Island Philharmonic Orchestra, and music director laureate of the Atlanta Symphony Orchestra (ASO).

<span class="mw-page-title-main">James Levine</span> American conductor and pianist (1943–2021)

James Lawrence Levine was an American conductor and pianist. He was music director of the Metropolitan Opera from 1976 to 2016. He was terminated from all his positions and affiliations with the Met on March 12, 2018, over sexual misconduct allegations, which he denied.

Lawrence Leighton Smith, was an American conductor and pianist.

Richard Mohr was one of RCA Victor’s most prominent producers of classical and operatic music recordings from 1943 through 1977. His producing credits included recording the casts of the world premieres of Samuel Barber's Vanessa and Gian Carlo Menotti's Amahl and the Night Visitors, as well as the first LP recordings of Ernani,Luisa Miller and Lucrezia Borgia and three versions each of Rigoletto,Aida,La Traviata and Il Trovatore.

<span class="mw-page-title-main">Jonathan Cohler</span> Musical artist

Jonathan Cohler is an American classical clarinetist, conductor, music educator and record producer.

Judith Gordon is a concert pianist and educator.

<span class="mw-page-title-main">Alessandro Siciliani</span> Italian composer

Alessandro Siciliani is an Italian conductor of opera and symphonic music. He is also a composer of symphonic music. Siciliani was born in Florence, Italy, the son of Ambra and Francesco Siciliani, the celebrated opera impresario. Siciliani currently resides in Columbus, Ohio, where he was the music director of the Columbus Symphony Orchestra from 1992 to 2004.

<span class="mw-page-title-main">Rob Kapilow</span>

Robert Kapilow is an American composer, conductor, and music commentator. He is a Phi Beta Kappa graduate of Yale University, a graduate of the Eastman School of Music, and a student of Nadia Boulanger. He initially gained recognition for his classical music radio program, What Makes It Great?, which was under the umbrella of National Public Radio's Performance Today; "PT" is now a stablemate of classical programs produced by American Public Media. "What Makes It Great?" is part of NPR's NPR Music website. On the program he presented live full-length concert evenings and series throughout North America. Kapilow's program became a recurring event at New York's Lincoln Center, in Boston, Los Angeles and Kansas City among other venues. In 2014 "What Makes It Great?" relocated to Merkin Hall at Kaufman Music Center, where Kapilow was a 2019-20 Artist-in-Residence.

<span class="mw-page-title-main">Michael Steinberg (music critic)</span> American music critic and author (1928-2009)

Carl Michael Alfred Steinberg was an American music critic and author who specialized in classical music. He was best known, according to San Francisco Chronicle music critic Joshua Kosman, for "the illuminating, witty and often deeply personal notes he wrote for the San Francisco Symphony's program booklets, beginning in 1979." He contributed several entries to the New Grove Dictionary of Music and Musicians, wrote articles for music journals and magazine, notes for CDs, and published a number of books on music, both collected published annotations and new writings.

James Maddalena is an American baritone who is chiefly associated with contemporary American opera. He gained international recognition in 1987 when he originated the role of Richard Nixon at the premiere of John Adams's opera Nixon in China at Houston. He has since reprised the role on many occasions, and recorded it for the Nonesuch Records release of the opera in 1987. In addition to Maddelena's role as Nixon, he has originated two other Adams characters: the Captain in The Death of Klinghoffer and Jack Hubbard in Doctor Atomic. He has also performed roles in the premieres of operas by Paul Moravec and Stewart Wallace among other American composers.

Jeremy Adam Eichler is an American music critic and cultural historian. Since 2006 he has been the chief classical music critic of The Boston Globe, frequently writing in his column the "Third Ear". Having written for a variety of newspaper publications, Eichler has received numerous awards and fellowships. His book Time's Echo (2023) explores music and the cultural memory of the Second World War. It has been named to the shortlist of the 2023 Baillie Gifford Prize, considered the UK's premier annual prize for non-fiction books.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Greene, Jayson (2015) [2013]. "Dyer, Richard" . Grove Music Online . Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.A2282714. ISBN   978-1-56159-263-0. Archived from the original on December 15, 2021. Retrieved December 15, 2021.(subscription or UK public library membership required)
  2. 1 2 3 4 5 6 7 8 9 10 "Richard M. Dyer". Hiram College. Archived from the original on October 22, 2020. Retrieved January 15, 2021.
  3. 1 2 3 4 5 6 7 8 "Richard Dyer". Sendai International Music Competition. January 22, 2015. Archived from the original on February 12, 2022. Retrieved January 15, 2021.
  4. Dyer 1973.
  5. Tommasini, Anthony (July 29, 2009). "Michael Steinberg, Music Critic, Teacher and Program Annotator, Is Dead at 80". The New York Times . Archived from the original on November 26, 2021. Retrieved November 26, 2021.
  6. Schweitzer, Vivien (September 29, 2009). "After 33 Years, Boston Globe's Critic Steps Down on Optimistic Note". Playbill . Archived from the original on December 4, 2021. Retrieved January 16, 2022.
  7. Ross, Alex (November 29, 2005). "News Good or Bad". therestisnoise.com. Archived from the original on October 7, 2021. Retrieved December 14, 2021.