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Rising Sons | |
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| Background information | |
| Origin | Los Angeles, California, U.S. |
| Genres | Folk rock [1] |
| Years active | 1965–1966 |
| Labels | Columbia |
| Past members |
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Rising Sons was an American folk-rock band formed in Los Angeles in 1965. [2] Their initial career was short-lived, but the group found retrospective fame for launching the careers of singer Taj Mahal and guitarist Ry Cooder.
The original lineup was a 17-year-old Ry Cooder (vocals, six- and 12-string guitar, mandolin, slide and bottleneck guitar, dobro), Taj Mahal (vocals, harmonica, guitar, piano), Gary Marker (bass), Jesse Lee Kincaid (born Nick Gerlach, [3] vocals and guitar) and Ed Cassidy (drums). [2] Cassidy left in 1965 after injuring his wrist playing a monumental version of "Statesboro Blues" with the band. He was replaced by Kevin Kelley. [2]
The group often played at the Los Angeles clubs The Troubadour and The Ash Grove. They were signed by Columbia Records. [2] Their only album, produced by Terry Melcher, was not issued at the time. [2] One single, "Candy Man" backed with "The Devil's Got My Woman", was released. The group disbanded in 1966. [2] They were contemporaries of the famous Los Angeles band The Byrds; fans wondered which band would be the bigger success, until the Byrds' album Mr. Tambourine Man became a hit. Recordings by Rising Sons were widely bootlegged and nearly three decades later were released by Columbia Records under the title Rising Sons Featuring Taj Mahal and Ry Cooder (1992). [2] "We were the problem," remembered Marker later. "We had difficulties distilling our multiple musical agendas down to a product that would sell. We had no actual leader, no clear musical vision.... I think [Melcher] went out of his way to make us happy – within the scope of his knowledge. He tried just about everything he could, including the live, acoustic session that produced '2:10 Train.'" [4]
Mahal went on to become a prominent solo blues and folk performer. [2] Cooder and Marker played with Captain Beefheart and his Magic Band. [2] Cooder went on to become a prominent session musician, [2] recorded numerous albums under his own name, and scored several soundtracks. Kincaid attended the California Institute of the Arts on a classical guitar scholarship and left the United States for six years in Europe. His music album, Brief Moments Full Measure, and his book, Ibiza Chronicles, were released in 2014. He currently resides in Mill Valley, California. Cassidy founded the band Spirit. Kelley became a member of his cousin Chris Hillman's band The Byrds in 1968, playing on their seminal album Sweetheart of the Rodeo .
Marker retired from the music industry but maintained an active interest (especially in Beefheart-related matters) until he died of a stroke, on December 8, 2015, at the age of 72. [5]
According to AllMusic, Rising Sons' "languid, bluesy, folksy sort of sound anticipated future recordings by outfits like Moby Grape, Buffalo Springfield, the Grateful Dead, and even the southern rock Allman Brothers, and the country-rock Byrds." [6]
According to Marc Kirkeby's 1992 liner notes, [7] except where noted:
| Year | Single details |
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| 1966 | "Candy Man" b/w "The Devil's Got My Woman" |
| Year | Album details |
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| 1992 | Rising Sons Featuring Taj Mahal and Ry Cooder |
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle, giving rise to the term bottleneck guitar to describe this type of playing. The strings are typically plucked while the slide is moved over the strings to change the pitch. The guitar may be placed on the player's lap and played with a hand-held bar.
The Byrds were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential.
Folk rock is a genre of rock music with heavy influences from English folk and American folk music. Combining the elements of folk and rock music, it arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
Ryland Peter Cooder is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries.
Henry St. Claire Fredericks Jr., better known by his stage name Taj Mahal, is an American blues musician. He plays the guitar, piano, banjo, harmonica, and many other instruments, often incorporating elements of world music into his work. Mahal has done much to reshape the definition and scope of blues music over the course of his more than 50-year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa, India, Hawaii, and the South Pacific.
"Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.
Joseph Spence was a Bahamian guitarist and singer. He is well known for his vocalizations and humming while playing the guitar. Several American musicians, including Taj Mahal, the Grateful Dead, Ry Cooder, Catfish Keith, Woody Mann, and Olu Dara, as well as the British guitarist John Renbourn, were influenced by and have recorded variations of his arrangements of gospel and Bahamian songs.
Edward Claude Cassidy was an American jazz and rock drummer who was one of the founders of the rock group Spirit in 1967.
"Statesboro Blues" is a Piedmont blues song written by Blind Willie McTell, who recorded it in 1928. The title refers to the town of Statesboro, Georgia. In 1968, Taj Mahal recorded a popular blues rock adaptation of the song with a prominent slide guitar part by Jesse Ed Davis. His rendition inspired a recording by the Allman Brothers Band, which is ranked number nine on Rolling Stone magazine's list of the "100 Greatest Guitar Songs of All Time". In 2005, the Atlanta Journal-Constitution ranked "Statesboro Blues" number 57 on its list of "100 Songs of the South".
Mr. Tambourine Man is the debut studio album by the American rock band the Byrds and was released on June 21, 1965, by Columbia Records. The album is characterized by the Byrds' signature sound of Jim McGuinn's 12-string Rickenbacker guitar and the band's complex harmony singing. The material on the album mostly consists of cover versions of folk songs, primarily composed by Bob Dylan, and originals written or co-written by singer Gene Clark. Along with the Dylan-penned single of the same name, Mr. Tambourine Man established the band as an internationally successful act and is widely regarded by critics as representing the first effective American challenge to the chart dominance of the Beatles and other British Invasion bands during the mid-1960s.
Safe as Milk is the debut studio album by American music group Captain Beefheart and his Magic Band, released in June 1967 by Buddah Records. A heavily blues-influenced work, the album features a 20-year-old Ry Cooder, who played guitar and wrote some of the arrangements.
Turn! Turn! Turn! is the second studio album by American rock band the Byrds, released on December 6, 1965, by Columbia Records. Like its predecessor, Mr. Tambourine Man, the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar. The album's lead single and title track, "Turn! Turn! Turn!", which was adapted by Pete Seeger from text in the Book of Ecclesiastes, had previously been arranged in a chamber-folk style by the Byrd's lead guitarist Jim McGuinn for folk singer Judy Collins' third album, but the arrangement he used for the Byrds' recording of the song utilizes the same folk-rock style as the band's previous hit singles.
Fifth Dimension is the third album by the American rock band the Byrds and was released in July 1966 on Columbia Records. Most of the album was recorded following the February 1966 departure of the band's principal songwriter Gene Clark. In an attempt to compensate for Clark's absence, guitarists Jim McGuinn and David Crosby increased their songwriting output. In spite of this, the loss of Clark resulted in an album with four cover versions and an instrumental, which critics have described as "wildly uneven" and "awkward and scattered". However, it was the first Byrds album not to include any songs written by Bob Dylan, whose material had previously been a mainstay of the band's repertoire.
The Magic Band was the backing band of American singer, songwriter and multi-instrumentalist Captain Beefheart between 1967 and 1982. Originally Beefheart had simply been the lead singer of the group, formed by guitarist Alex St. Clair, but eventually they morphed into a backing band for him. The rotating lineup featured dozens of performers, many of whom became known by nicknames given to them by Beefheart. Long-time members during the band's heyday included drummer/arranger John French, guitarist Bill Harkleroad, bassist/guitarist Mark Boston, percussionist/keyboardist Art Tripp, and guitarist Elliot Ingber. Ex-members of the Magic Band formed the short-lived group Mallard in 1974. The Magic Band reformed in 2003, without Beefheart.
Jeffrey Ralph Cotton is an American rock guitarist, known for his work as a member of Captain Beefheart's Magic Band.
Taj Mahal is the debut album by American guitarist and vocalist Taj Mahal. Recorded in 1967, it contains blues songs by Sleepy John Estes, Robert Johnson, and Sonny Boy Williamson II reworked in contemporary blues- and folk-rock styles. Also included is Taj Mahal's adaptation of Blind Willie McTell's "Statesboro Blues", which inspired the popular Allman Brothers Band recording.
Gary "Magic" Marker was an American bass guitarist and recording engineer, best known for his involvement in various psychedelic rock bands of the 1960s.
The Stone Poneys is the debut studio album by the Stone Poneys; other than the single of "So Fine" in 1965, this album marks the first official recordings by Linda Ronstadt.
Kevin Daniel Kelley was an American drummer, best known for his work with the rock bands the Byrds and the Rising Sons. Kelley also played drums for Fever Tree, although it is unknown whether he was an official member of the group or not. Kelley is the cousin of country rock pioneer and ex-member of the Byrds and the Flying Burrito Brothers, Chris Hillman.
"Take a Giant Step" is a song written by Gerry Goffin and Carole King, and first released by American pop rock band the Monkees in 1966.
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