Vivian Stanshall was an English singer-songwriter, musician, author, poet and wit, best known for his work with the Bonzo Dog Doo-Dah Band, for his exploration of the British upper classes in Sir Henry at Rawlinson End, and for acting as Master of Ceremonies on Mike Oldfield's album Tubular Bells.
Neil James Innes was an English writer, comedian and musician. He first came to prominence in the pioneering comedy rock group Bonzo Dog Doo-Dah Band and later became a frequent collaborator with the Monty Python troupe on their BBC television series and films, and is often called the "seventh Python" along with performer Carol Cleveland. He co-created the Rutles, a Beatles parody/pastiche project, with Python Eric Idle, and wrote the band's songs. He also wrote and voiced the 1980s ITV children's cartoon adventures of The Raggy Dolls.
Bob Kerr's Whoopee Band, also billed as Bob Kerr and His Whoopee Band, is a jazz band which started in 1967 and continues to perform today. It was an offshoot of the eclectic Bonzo Dog Doo-Dah Band, and shared many similarities with other outfits of the time such as The New Vaudeville Band and The Temperance Seven. Founder Bob Kerr had been a member of both the Bonzos and the New Vaudeville Band.
GRIMMS were an English pop rock, comedy, and poetry group, originally formed as a merger of The Scaffold with two members of the Bonzo Dog Doo-Dah Band and the Liverpool Scene for two concerts in 1971 at the suggestion of John Gorman.
Rodney Desborough Slater is a member of the Bonzo Dog Doo-Dah Band, playing saxophones and other musical instruments.
Ruskin Spear, CBE, RA was an English painter and teacher of art, regarded as one of the foremost British portrait painters of his day. He is the father of Bonzo Dog Doo-Dah Band member Roger Ruskin Spear.
Gorilla is the debut album by Bonzo Dog Doo-Dah Band, originally released by Liberty Records, LBL 83056, in 1967. In 2007, EMI reissued the album on CD with seven bonus tracks.
The Doughnut in Granny's Greenhouse is the second album by the British comedy rock group Bonzo Dog Doo-Dah Band. In the United States, it was released as Urban Spaceman and added their U.K. hit single "I'm the Urban Spaceman" to the track listing.
Tadpoles is the third album by the Bonzo Dog Band. It is largely a compilation of their work from the television show Do Not Adjust Your Set, on which they were the house band. The US version of the album had a track list slightly different from that of the UK version: the US version removed "I'm the Urban Spaceman" and added "Readymades" the B-side of their follow-up single "Mr. Apollo".
Keynsham is the fourth album by the Bonzo Dog Band. It was released in 1969 on Liberty Records.
Let's Make Up And Be Friendly is the fifth studio album by the Bonzo Dog Band and their last album until 2007. The group had already disbanded when United Artists Records informed band members that the group owed the label one more album. This 1972 farewell album was the result, recorded at The Manor Studio in November 1971, while the building itself was still in the process of being converted to accommodate the recording studio that was being built.
Larry Smith, often known as "Legs" Larry Smith is an English drummer of the satirical comedy jazz group the Bonzo Dog Doo-Dah Band.
Bill Posters Will Be Band was a comic musical group formed by musicians who were members of The Bonzo Dog Band and Bob Kerr's Whoopee Band. The band was formed late 1983 by Biff Harrison, Jim "Golden Boots" Chambers, Evil John Gieves Watson, Sam Spoons, Hugh Crozier and Dave Clennel.
Sir Henry at Rawlinson End, released in 1978, is a largely spoken-word, solo comedy recording by British musician Vivian Stanshall, formerly of the Bonzo Dog Doo-Dah Band. It originated in his Rawlinson End sessions for the John Peel Show on BBC Radio 1 beginning in 1975, and a similarly-named track on the Bonzo Dog Band's 1972 album Let's Make Up and Be Friendly.
Pour l'Amour Des Chiens is the first all new studio album by the Bonzo Dog Doo-Dah Band in 35 years, and their sixth album overall. It was released on 12 December 2007, produced by Mickey Simmonds and Neil Innes, by Storming Music Company.
Colour Me Pop was a British music TV programme broadcast on BBC2 from 1968–1969. It was a spin-off from the BBC 2 arts magazine show Late Night Line-Up. Designed to celebrate the new introduction of colour to British television, it was directed by Steve Turner, and showcased half-hour sets by pop and rock groups of the period. The programme was a pioneering precursor to the better-remembered BBC music programme The Old Grey Whistle Test (1971–87). Unlike its successor, most of the editions of Colour Me Pop are missing, due to the BBC's archival policy of the time.
The Bonzo Dog Doo-Dah Band was created by a group of British art-school students in the 1960s. Combining elements of music hall, trad jazz and psychedelia with surreal humour and avant-garde art, the Bonzos came to public attention through appearances in the Beatles' 1967 film Magical Mystery Tour and the 1968 ITV comedy show Do Not Adjust Your Set.
"The Intro and The Outro" is a recording by the Bonzo Dog Doo-Dah Band. It appears on their debut album, Gorilla (1967). It is not so much a song as a comic monologue in which the speaker introduces the musicians who ostensibly appear on the recording. The recording fades out before the emcee completes the introductions and without the "orchestra" being able to play anything more than a vamp. The piece was written by Bonzo member Vivian Stanshall, who also provides the vocal. Stanshall first introduces the seven members of the Bonzo Dog Doo-Dah Band, who are credited with their actual instruments, over a vamp that resembles Duke Ellington’s "C Jam Blues".
Teddy Boys Don't Knit is the third solo album by Vivian Stanshall. As with his 1974 debut solo album Men Opening Umbrellas Ahead, it consists entirely of songs, rather than the comedy-narrative-with-integral-songs of its immediate predecessor Sir Henry at Rawlinson End.
Unpeeled is a 1995 compilation of sessions recorded by The Bonzo Dog Band for the John Peel show on the BBC during the late sixties.
