Blind Willie McTell was a Piedmont blues and ragtime singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues. Unlike his contemporaries, he came to use twelve-string guitars exclusively. McTell was also an adept slide guitarist, unusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenor, differed greatly from many of the harsher voices of Delta bluesmen such as Charley Patton. McTell performed in various musical styles, including blues, ragtime, religious music and hokum.
Big Bill Broonzy was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African-American audiences. In the 1930s and 1940s, he navigated a change in style to a more urban blues sound popular with working-class black audiences. In the 1950s, a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century.
John Dawson Winter III was an American singer, guitarist, songwriter, and record producer. Winter was known for his high-energy blues rock albums, live performances, and slide guitar playing from the late 1960s into the early 2000s. He also produced three Grammy Award-winning albums for blues singer and guitarist Muddy Waters. After his time with Waters, Winter recorded several Grammy-nominated blues albums. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time".
Booker T. Washington "Bukka" White was an American Delta blues guitarist and singer.
Norman L. Blake is a traditional American stringed instrument artist and songwriter. He is half of the eponymous Norman & Nancy Blake band with his wife, Nancy Blake.
Colin Kendall Linden is a Canadian guitarist, songwriter and record producer. Linden plays acoustic and electric guitar, specializing in slide guitar, country blues, and ragtime fingerpicking, who frequently collaborates with country and folk performers.
Gary D. Davis, known as Reverend Gary Davis and Blind Gary Davis, was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah" and "Death Don't Have No Mercy".
Larry Campbell is an American singer and multi-instrumentalist who plays many stringed instruments in genres including country, folk, blues, and rock. Campbell is best known for his time as part of Bob Dylan's Never Ending Tour band from 1997 to 2004, his association with Levon Helm of The Band, and the musical director of the Midnight Rambles.
Clarence "Gatemouth" Brown was an American singer and multi-instrumentalist from Louisiana. He won a Grammy Award for Best Traditional Blues Album in 1983 for his album, Alright Again!
Vassar Carlton Clements was an American jazz, swing, and bluegrass fiddler. Clements has been dubbed the Father of Hillbilly Jazz, an improvisational style that blends and borrows from swing, hot jazz, and bluegrass along with roots also in country and other musical traditions. He was posthumously inducted into the International Bluegrass Music Hall of Fame in 2018.
The Del McCoury Band is a Grammy award-winning American bluegrass band.
Lonnie Brooks was an American blues singer and guitarist. The musicologist Robert Palmer, writing in Rolling Stone, stated, "His music is witty, soulful and ferociously energetic, brimming with novel harmonic turnarounds, committed vocals and simply astonishing guitar work." Jon Pareles, a music critic for the New York Times, wrote, "He sings in a rowdy baritone, sliding and rasping in songs that celebrate lust, fulfilled and unfulfilled; his guitar solos are pointed and unhurried, with a tone that slices cleanly across the beat. Wearing a cowboy hat, he looks like the embodiment of a good-time bluesman." Howard Reich, a music critic for the Chicago Tribune, wrote, "...the music that thundered from Brooks' instrument and voice...shook the room. His sound was so huge and delivery so ferocious as to make everything alongside him seem a little smaller."
Stefan Grossman is an American acoustic fingerstyle guitarist and singer, music producer and educator, and co-founder of Kicking Mule records. He is known for his instructional videos and Vestapol line of videos and DVDs.
Connie Curtis Crayton, known as Pee Wee Crayton, was an American R&B and blues guitarist and singer.
"You Gotta Move" is a traditional African-American spiritual song. Since the 1940s, the song has been recorded by a variety of gospel musicians, usually as "You Got to Move" or "You've Got to Move". It was later popularized with blues and blues rock secular adaptations by Mississippi Fred McDowell and the Rolling Stones.
Ernie Hawkins is an American acoustic blues guitar player, singer, songwriter, recording artist, and educator.
Ramon Goose is an English guitarist, singer and producer, known for his work with the West African Blues Project and the hip hop blues band NuBlues, for his mastery of the slide guitar, and for producing albums for American blues artists. As a solo artist he has toured across the world performing concerts and released several albums to critical acclaim. He has also written the first-ever instructional book for the n'goni, a string instrument used by the people of Mali, Senegal, Gambia, and other West African countries.
Little Sammy Davis was an American blues musician based in New York's Hudson Valley. His music career began in the 1940s, but he was not widely known until the mid-1990s, when he began working in radio, singing, performing on tour, and recording studio albums.
"Crosscut Saw", or "Cross Cut Saw Blues" as it was first called, is a hokum-style song "that must have belonged to the general repertoire of the Delta blues". Mississippi bluesman Tommy McClennan's recording of the song was released in 1941 and has since been interpreted by many blues artists. "Crosscut Saw" became an early R&B chart hit for Albert King, "who made it one of the necessary pieces of modern blues".
"Death Don't Have No Mercy" is a song by the American gospel blues singer-guitarist Blind Gary Davis. It was first recorded on August 24, 1960, for the album Harlem Street Singer (1960), released by Prestige Records' Bluesville label during a career rebirth for Davis in the American folk music revival. The recording was engineered by Rudy Van Gelder at his studio in Englewood Cliffs, New Jersey, and produced by Kenneth S. Goldstein, who had pursued Davis in Prestige's effort to capitalize on the revival.
