Wainwright was signed to the DreamWorks label in 1996 after Waronker heard the demo tape he recorded with Marchand. Over the course of two years, Wainwright and Brion recorded 56 songs on 62 rolls of tape at a cost that exceeded $700,000. These were then narrowed down to twelve tracks for the album. No singles were released from Rufus Wainwright, though Sophie Muller directed the music video for "April Fools", which featured Wainwright in Los Angeles attempting to prevent the deaths of opera heroines. To support the album, Wainwright toured throughout the United States and Canada following its release.
Overall, reviews for the album were positive. Though it failed to chart in any country, Wainwright reached number 24 on Billboard'sTop Heatseekers chart (which highlights sales by new and developing musical recording artists) and Rolling Stone named Wainwright the Best New Artist of 1998. Rufus Wainwright also earned him recognition from the Gay & Lesbian American Music Awards, the GLAAD Media Awards, and the Juno Awards. The album was released in Japan with the bonus track "A Bit of You", and later in 2008 in LP form through the record label Plain Recordings.
Background
Wainwright recorded a demo tape with Pierre Marchand, who would later produce and mix "In My Arms" for Rufus Wainwright.
Wainwright attended McGill University in Montreal for a short time to study Classical music composition. With his mother's support, he began writing pop songs and learned how to play guitar. Wainwright started performing at the night club Sarajevo, and eventually recorded a demo tape with record producer Pierre Marchand, a family friend, who had worked with Kate and Anna and who later produced Wainwright's second studio album Poses. Songs were recorded at Marchand's studio in Morin-Heights, Quebec, and no edits were made to the simple live tunes.[4] The tape impressed Wainwright's father, who passed the songs along to producer Van Dyke Parks, who in turn presented them to DreamWorks executive Lenny Waronker.[5][6] Waronker had signed McGarrigle to Warner Bros. Records in the 1970s.[7] Wainwright acknowledged that having musicians as parents gave him a "foot in the door", but attributed his success to hard work.[5]
Development
The songs are very demanding musically, and they really require someone who knows what they're doing... It's very orchestrated, very produced, very big. I was a little worried about that at first, but I'm really happy with it now. It's the way I wanted it to be.
Wainwright, describing the collection of songs recorded with producer Jon Brion during 1996–1997[8]
Wainwright was signed to DreamWorks in 1996. Waronker paired the singer with producer Jon Brion, and together they spent "most of 1996 and 1997" recording 56 songs on 62 rolls of tape.[9] Costs for the recording sessions reached between $700,000 and $1,000,000.[7] Wainwright admitted that he and Brion took their time recording the album in Los Angeles, and considered the extended time a "blessing" and "luxury", claiming that "most people have two weeks to record their first album".[8] According to Wainwright, Waronker "didn't care how long it took, as long as we were doing good work."[9] Waronker was pleased with the final product, and he and Wainwright agreed on the twelve tracks that made up the album.[10]
Many of the album's tracks were produced by Jon Brion (pictured in 2004).
Songs on the album were produced by Brion, except "In My Arms" was produced and mixed by Marchand, and "Millbrook" and "Baby" were produced by Brion and Van Dyke Parks.[11] Waronker served as the executive producer. Rufus Wainwright was recorded mostly in Los Angeles studios—Ocean Way studios 3 and 7, Sunset Sound Factory, Sunset Sound, Media Vortex, Hook Studios, Groove Masters, Red Zone, Sony, The Palindrome Recorder, and NRG Recording Services—although recording also took place in Marchand's Wild Sky in Morin-Heights, Quebec.[9][11] Parks conducted his orchestrations at Studio B in the Capitol Studios complex.[9]
Wainwright and Brion did not always get along, the latter admitting to The New York Times: "Rufus had all these beautiful songs but every time the vocals would kick in, he'd write some complicated keyboard part so you couldn't hear them. He wasn't interested in listening to ideas about simplifying arrangements."[9] The duo, with Ethan Johns, also contributed the songs "Le Roi D'Ys" and "Banks of the Wabash" (both "contemporary" cover versions) to the 1997 soundtrack to the film The Myth of Fingerprints.[12] Johns later considered "Le Roi D'Ys", recorded in around six hours, to be one of his favorite tracks by Wainwright.[10]
Rufus Wainwright was released on May 19, 1998, through DreamWorks. Following the album's release, which earned him mostly positive reviews, Wainwright contributed to The McGarrigle Hour, a 1998 album by Kate & Anna McGarrigle featuring family members Loudon and Martha along with singers Emmylou Harris and Linda Ronstadt.[13] In December 1998, Wainwright appeared in a Gap television advertisement in which he performed Frank Loesser's 1947 song "What Are You Doing New Year's Eve?"[14][15] In 1999, he was one of several featured artists promoted by Best Buy as part of a campaign to promote young talent.[16] The album was re-issued in 2008 in LP form through the record label Plain Recordings.[1]
Songs
"Foolish Love" was arranged by Van Dyke Parks (pictured in 2004).
The "neo-operatic" opening track "Foolish Love", arranged by Van Dyke Parks, was described by AllMusic contributor Matthew Greenwald as a "lush, orchestral-soaked ballad, with incredible strings".[17] He asserted that Wainwright's lyrics took the form of a letter to himself, defining his goals and "sense of purpose".[17] The song "Danny Boy", with its "fabulous wordplay that stays literate and easy to understand at the time", contains "subtle" horn lines and sampled percussion. The song alludes to Wainwright's homosexuality, which Greenwald considered a "brave move".[18] According to biographer Kirk Lake, "Danny Boy" is a companion piece to "Foolish Love" and together they represent the start and end of a relationship between a gay and a straight man.[19] Danny, the straight "drug-addled" title figure with whom Wainwright had a three-year relationship, is the subject of both songs in addition to others on the album; he appears in the album's collage artwork.[19][20] Wainwright sings of being so blinded by love that he fails to notice the "ship with eight sails" threatening to come around the bend, a reference to Bertolt Brecht's 1928 musical The Threepenny Opera.[19]
The chorus in "April Fools" begins with an "unusually upbeat attitude" and was considered by Greenwald to be the most accessible track on the album.[21] The song showcases Jim Keltner's drum performance as well as Wainwright's piano playing.[21] Driven by Wainwright's guitar playing, "In My Arms" was described by Greenwald as a "forlorn", Spanish-influenced ballad that sounded as though it "could have been recorded in France in the 1920s".[22] The song "Millbrook" is an ode to his boarding school compatriots.[23] Wainwright has admitted to being "upset and drunk" when recording the final take.[24] "Baby", which has been considered one of the most melancholic songs on the album, contains "oddly placed" and "slightly quirky" major seventh chords. Greenwald called the lyrics "a stream-of-consciousness pleasure, relating the confusing and intoxicating emotions of young love".[25]
Kate McGarrigle, Wainwright's mother and subject of the song "Beauty Mark", performing in 2008
"Beauty Mark" is an ode to Wainwright's mother, the title referring to the beauty mark above her lip.[26] The song is one of the few up-tempo tracks on the album and contains multiple keyboardoverdubs by Brion.[26] Chris Yurkiw of the Montreal Mirror considered the track to be the most moving love song on the album, with an "overt and open-hearted" reference to his homosexuality: "I may not be so manly, but still I know you love me."[27] Wainwright's Summer Stage performance of "Beauty Mark" appears on his 2005 DVD All I Want.[28] In "Barcelona", Wainwright recalls a love affair that took place in the city of the same name.[29] The song is loosely about AIDS and contains the Italian language lyric "Fuggi, regal fantasima", taken from Giuseppe Verdi's opera Macbeth. According to Wainwright, the line appears in a scene when "Macbeth is going mad and sees the ghost, and in [Wainwright's] mind the ghost was AIDS."[27] "Matinee Idol" is about the rise and fall of an entertainment figure, inspired by the death of actor River Phoenix.[30][31] According to Greenwald, the musical song has a "1920s, cabaret musical feel".[30]
"Damned Ladies" is a slow ballad about the "beloved yet doomed ladies of opera".[32] Wainwright said the following of "Damned Ladies", which contains references to nine opera heroines: "In the song, I lament how these women are constantly dying brutal deaths, which I can see coming but cannot stop. It gets me every time."[19] Greenwald described "Sally Ann" as a 1920s love ballad of "lost love and emotional regret".[33] The melody in "Imaginary Love", the album's closing track, contains sixth and major seventh chords.[34]
Wainwright acknowledged that his debut album was "not a single driven album"; no singles were released from it.[35] To promote the album, a music video was produced for the song "April Fools".[36] Directed by Sophie Muller, the video features Wainwright in Los Angeles "amidst a clique of classic opera characters" such as Madame Butterfly, attempting to prevent each of them from committing suicide. However, in each instance he arrives too late.[35] The video also contains cameo appearances by No Doubt's Gwen Stefani, a friend of Muller's, and Hole bassist Melissa Auf der Maur, a high school acquaintance and former roommate of Wainwright's. Part of the video was filmed in Stefani's house.[35]
In the year prior to the album's release, Wainwright opened for artists such as Barenaked Ladies and Sean Lennon. On March 1, 1999, Wainwright began his first tour as a headlining act in Hoboken, New Jersey. During that month, Wainwright toured throughout New England and the mid-Atlantic states, Ontario (Ottawa and Toronto), Quebec (Montreal), the southern United States (Nashville, and Atlanta), and the midwestern United States (Cincinnati, Chicago, and Pontiac).[35] Wainwright continued to tour throughout the month of April before heading to Europe.[35] Stops were mostly along the West Coast, including four in California, Portland, Oregon, and Seattle. Three concerts were also held in western Canada, including Vancouver, Edmonton, and Calgary.[40]
Reception of the album was positive. Speaking of second-generation artists emerging around the same time, AllMusic's Jason Ankeny wrote that Wainwright "deserves to be heard regardless of his family tree". Furthermore, Ankeny complimented the musician for his songwriting abilities and his "knack for elegantly rolling piano melodies and poignantly romantic lyrics".[1]Music journalistRobert Christgau characterized Wainwright as a "mind-boggling original" whose talent is "too big to let pass".[49]Los Angeles Times critic Marc Weingarten found that the "abiding, uncynical" view of love expressed in Wainwright's lyrics does not come off as "mawkish" due to his considerable skills as a songwriter and arranger.[44]NME reviewer John Mulvey called the album "floridly impersonal" and "grandiosely arranged", but also criticized Wainwright for being "too overwrought and naff".[45] Greenwald complimented Martha's backing vocals on the song "In My Arms", as well as Parks' "positively sterling" string arrangement on "Millbrook".[22][23] Furthermore, he praised the vocal duet between Rufus and Martha on "Sally Ann", claiming that a similar sibling performance had not been heard since the Everly Brothers.[33] The album's cabaret elements and 1970s singer-songwriter style drew comparisons to Cole Porter and Joni Mitchell.[6] Josh Kun of Salon wrote that Wainwright poetically incorporated "foolish love and fantasy love, healing love and destructive love and love that makes you want to lose your sense of self just so you can find it again." Kun asserted that the songs were "built on a similar set of angled melodies and hairpin turns of phrase", and that each "succeeds as its own distinctly intimate portrait of emotion and desire."[50]
Ann Powers, music critic for The New York Times, included the album at number five on her list of the Top 10 albums of 1998.[51] The album was also included in The Village Voice's 1998 Pazz & Jop Critics Poll, which combined ballots from 496 critics.[35][52]Rufus Wainwright was nominated four times by the Gay & Lesbian American Music Awards, an organization that provided the foundation for the recognition of the excellence of LGBT artists.[53] Wainwright received the award for Best New Artist, the album was nominated for Album of the Year, and "April Fools" was nominated for Video of the Year and Best Pop Recording.[54] The GLAAD Media Awards, created by the Gay & Lesbian Alliance Against Defamation (GLAAD) to recognize and honor the mainstream media for their fair and accurate representations of the LGBT community, presented Wainwright with the award for Outstanding Music Album.[55] At the Juno Awards of 1999, Rufus Wainwright earned Wainwright the Juno Award for Best Alternative Album.[56]
Commercial reception
Album sales were limited—by March 1999 only 35,000 copies had been sold.[38][57] In 2001, Michael Giltz of The Advocate wrote that Wainwright's biggest sales boost came from the Gap advertisement rather than radio play.[58] Despite low sales, Wainwright reached number 24 on Billboard'sTop Heatseekers chart, and Rolling Stone named him 1998's Best New Artist.[59][60] The January 19, 1999 CMJ New Music Report showed that Rufus Wainwright spent nine weeks on CMJ Radio 200 reaching a peak position of number 52, five weeks on CMJ Code Radio reaching a peak position of number 42, as well as nine weeks on CMJ Triple A reaching a peak position of number 9.[61]
Track listing
All songs written by Wainwright. Track listing adapted from AllMusic.[1]
In May 2023, a new remastered version was released for the album's 25th anniversary, with remasters of the original album, songs previously released on the 2011 box set House of Rufus, and three new tracks labeled as session outtakes. The track list consists of the original album plus the following tracks:[63]
Rufus McGarrigle Wainwright is a Canadian-American singer, songwriter, and composer. He has recorded eleven studio albums and numerous tracks on compilations and film soundtracks. He has also written two classical operas and set Shakespeare's sonnets to music for a theatre piece by Robert Wilson.
Poses is the second studio album by the American-Canadian singer-songwriter Rufus Wainwright, released through DreamWorks Records in June 2001. The album was recorded, mixed, and produced by Pierre Marchand, with select tracks produced by Propellerheads' Alex Gifford ("Shadows"), Ethan Johns ("California"), Damian LeGassick, and Greg Wells.
Jon Brion is an American singer, songwriter, multi-instrumentalist, record producer, and composer. He performed with the Excerpts, the Bats, 'Til Tuesday and the Grays before becoming an established producer and film score composer.
Canadian singer Shania Twain has released six studio albums, three compilation albums, three remix albums, one box set, two live albums, 45 singles, 38 music videos, six promotional singles, and made six guest appearances. Twain's repertoire has sold over 34 million albums in the United States alone, placing her as the top-selling female artist in country music. Moreover, with 48 million copies shipped, she is ranked as the 26th best-selling artist overall in the US, tying with Kenny G for the spot. She is also recognized as one of the best-selling music artists in history, selling over 100 million records worldwide and thus becoming the top-selling female artist in country music ever.
American singer Brandy Norwood entered the music business as a backing vocalist for R&B boy bands such as Immature, prior to launching her own career in 1994. Her discography, as a solo artist, includes eight studio albums, one compilation album, one extended play, 42 singles, 46 album appearances and 26 soundtrack appearances. Norwood has sold over 8.6 million albums in the United States, and more than 40 million records worldwide. Additionally, she has won over 100 awards as a recording artist. In 1999, Billboard ranked Norwood among the top 20 of the Top Pop Artists of the 1990s.
"Cigarettes and Chocolate Milk" is a song written and performed by the Canadian–American singer-songwriter Rufus Wainwright. It appears as the opening track on his second studio album, Poses (2001). The song addresses decadence and desire, and has been called an "ode to subtle addictions and the way our compulsions rule our lives".
Release the Stars is the fifth studio album by Canadian-American singer-songwriter Rufus Wainwright, released through Geffen Records on May 15, 2007. Pet Shop Boys' Neil Tennant was the executive producer; the album was mixed by Record producer Marius de Vries and Andy Bradfield. Wainwright's most commercially successful album to date, Release the Stars charted in 13 countries, reaching Top 10 positions in Denmark, Norway, and the United Kingdom, and was certified gold in Canada and the UK. The album generated three singles: "Going to a Town", which peaked at number 54 on the UK Singles Chart, "Rules and Regulations", and "Tiergarten".
Rufus Does Judy at Carnegie Hall is the sixth album by the Canadian-American singer-songwriter Rufus Wainwright, released through Geffen Records in December 2007. The album consists of live recordings from his sold-out June 14–15, 2006, tribute concerts at Carnegie Hall to the American actress and singer Judy Garland. Backed by a 36-piece orchestra conducted by Stephen Oremus, Wainwright recreated Garland's April 23, 1961, concert, often considered "the greatest night in show business history". Garland's 1961 double album, Judy at Carnegie Hall, a comeback performance with more than 25 American pop and jazz standards, was highly successful, initially spending 95 weeks on the Billboard charts and garnering five Grammy Awards.
The discography of Rufus Wainwright, a Canadian-American singer-songwriter, consists of eleven studio albums, six live albums, three compilations, three extended plays (EPs), three video albums, nine singles, and nine music videos. Wainwright's self-titled debut album was released through DreamWorks Records in May 1998. Wainwright reached number 24 on Billboard's Top Heatseekers chart, and Rolling Stone named him 1998's Best New Artist. Wainwright's second album, Poses, was released through the same label in June 2001, resulting in a number one on the Heatseekers Chart and number 117 on the Billboard 200. With material recorded from the same session, Want One was released through DreamWorks in September 2003, and Want Two was released through Geffen Records in November 2004.
Maybe This Christmas Too? is a holiday compilation album released in October 2003 through Nettwerk Records featuring contemporary musicians performing both classic and original Christmas songs. The compilation served as a sequel to Maybe This Christmas (2002) and preceded Maybe This Christmas Tree (2004). A portion of the proceeds from the album went to Toys for Tots, a charity supported by the United States Marine Corps. Critical reception of the compilation, which failed to chart in any nation, was mixed.
"Oh What a World" is a song written and performed by Canadian-American singer-songwriter Rufus Wainwright. It was released as the second single from Wainwright's third studio album, Want One (2003), released digitally via iTunes and 7digital in the United Kingdom on November 8, 2004. Promotional copies were also distributed to radio stations in an attempt to increase awareness of the song and album. The song includes several arrangements from Maurice Ravel's Boléro.
The discography of Martha Wainwright, a Canadian-American singer-songwriter, consists of six studio albums, one live album, one soundtrack album, five extended plays (EPs), six singles, and ten music videos. Wainwright's self-titled debut album was released through Zoë Records and Drowned in Sound in April 2005. Although its success was limited, Wainwright reached number 43 on Billboard's Top Heatseekers chart. Wainwright's second album, I Know You're Married But I've Got Feelings Too, was released through the same labels in June 2008, resulting in a No. 10 position on the Top Heatseekers chart and No. 6 in Canada, among other chart positions throughout Europe and Australia. Sans Fusils, Ni Souliers, à Paris: Martha Wainwright's Piaf Record, a tribute to legendary French singer Édith Piaf, was released in November 2009.
All Days Are Nights: Songs for Lulu is the sixth studio album by Canadian-American singer-songwriter Rufus Wainwright, first released in Canada through Decca Records on March 23, 2010. The album was produced by Wainwright, and mixed by Marchand, who produced Wainwright's second album, Poses (2001).
House of Rufus is a collection of six studio albums, two live albums, four additional albums of previously unreleased material, and six DVDs recorded by Canadian-American singer-songwriter Rufus Wainwright, reissued as a 19-disc box set in the United Kingdom on July 18, 2011. Wainwright's official site claimed that the collection "spans Rufus' entire career and represents the most complete collection of Rufus Wainwright recordings to date."
Vibrate: The Best of Rufus Wainwright, sometimes referred to simply as Vibrate: The Best Of, is the greatest hits album by American-Canadian singer-songwriter Rufus Wainwright, released on February 28, 2014 in Australia and Ireland by Universal Music Enterprises and in other nations subsequently. The standard issue of the album includes eighteen songs from six of Wainwright's studio releases, including his self-titled debut album (1998), Poses (2001), Want One (2003), Want Two (2004), Release the Stars (2007) and Out of the Game (2012), plus soundtrack contributions and one previously unreleased track. The deluxe version includes a bonus disc with sixteen rare and unreleased recordings, both live and studio recorded. Featured are "Chic and Pointless", previously unreleased and produced by Guy Chambers, and "WWIII", a song that was co-written by Chambers and had not been released in a physical form until Vibrate.
Rufus Wainwright: Live from the Artists Den is a live album by American-Canadian singer-songwriter Rufus Wainwright, released by Artists Den Records and Universal Music Enterprises on March 3, 2014. The album was recorded at a concert on May 17, 2012 at the Church of the Ascension in Greenwich Village, New York City, which was originally filmed for the PBS program Live from the Artists Den.
"April Fools" is a song written and performed by American-Canadian singer-songwriter Rufus Wainwright. It originally appeared on his eponymous debut studio album, released by DreamWorks Records in May 1998. The song's music video was directed by Sophie Muller and features cameo appearances by Gwen Stefani and Melissa Auf der Maur.
↑ "Juno Awards Database". Canadian Academy of Recording Arts and Sciences. Archived from the original on June 20, 2011. Retrieved March 19, 2011. Note: User must define search parameters as "Rufus Wainwright".
↑ Greenwald, Matthew. "Baby: Song Review". Allmusic. Rovi Corporation. Retrieved March 19, 2011.
1 2 Greenwald, Matthew. "Beauty Mark: Song Review". Allmusic. Rovi Corporation. Archived from the original on November 10, 2010. Retrieved March 19, 2011.
↑ "CMJ's Top 30 Editorial Picks". CMJ New Music Report. 57 (601). CMJ Network: 3. January 11, 1999. Archived from the original on March 29, 2017. Retrieved September 25, 2016.
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