Rum and Coca-Cola

Last updated
"Rum and Coca-Cola"
Single by Andrews Sisters
B-side One Meat Ball [1]
PublishedDecember 11, 1944 (1944-12-11) by Leo Feist, Inc., New York [2]
ReleasedDecember 1944 (1944-12)
RecordedOctober 18, 1944 (1944-10-18) [3]
Studio Decca Studios, New York City
Genre Popular music, Calypso
Length3:08
Label Decca 18636
Composer(s) Jeri Sullivan & Paul Baron
(Lionel Belasco)
Lyricist(s) Morey Amsterdam
(Rupert Grant a/k/a Lord Invader)

"Rum and Coca-Cola" is a popular calypso song composed by Lionel Belasco with lyrics by Lord Invader. The song was copyrighted in the United States by entertainer Morey Amsterdam and was a hit in 1945 for the Andrews Sisters.

Contents

History

The song was published in the United States with Amsterdam listed as lyricist and Jeri Sullivan and Paul Baron as composers. The melody had been previously published as the work of Venezuelan calypso composer Lionel Belasco on a song titled "L'Année Passée," which was in turn based on a folk song from Martinique. [4] The lyrics to "Rum and Coca-Cola" were written by Rupert Grant, another calypso musician from Trinidad who used the stage name Lord Invader. [5]

The song became a local hit and was at the peak of its popularity when Amsterdam visited the island in September 1943 as part of a U.S.O. tour. Although he claimed never to have heard the song during the month he spent on the island, the lyrics to his version are clearly based on the Lord Invader version, with the music and chorus being virtually identical. However, Amsterdam's version strips the song of its social commentary. The Lord Invader version laments that U.S. soldiers are debauching local women who "saw that the Yankees treat them nice/and they give them a better price." Its final stanza describes a newlywed couple whose marriage is ruined when "the bride run away with a soldier lad/and the stupid husband went staring mad." The Amsterdam version also hints that women are prostituting themselves, preserving the Lord Invader chorus which says, "Both mother and daughter/Working for the Yankee dollar."

Since the Yankee come to Trinidad
They got the young girls all goin' mad
Young girls say they treat 'em nice
Make Trinidad like paradise

The Andrews Sisters also seem to have given little thought to the meaning of the lyrics. [6] According to Patty Andrews, "We had a recording date, and the song was brought to us the night before the recording date. We hardly really knew it, and when we went in we had some extra time and we just threw it in, and that was the miracle of it. It was actually a faked arrangement. There was no written background, so we just kind of faked it." [7] In under ten minutes they made a record that sold seven million units and sat at number one on the Billboard magazine chart for seven weeks. [7] [8] Maxine Andrews recalled, "The rhythm was what attracted the Andrews Sisters to 'Rum and Coca-Cola'. We never thought of the lyric. The lyric was there, it was cute, but we didn't think of what it meant; but at that time, nobody else would think of it either, because we weren't as morally open as we are today and so, a lot of stuff—really, no excuses—just went over our heads." [7] Some stations refused to play the song because it mentioned rum, and alcohol couldn't be advertised on the air, [7] or because it mentioned the brand name Coca-Cola, which was perceived as advertising for the soft drink. [9]

In the Songs That Won The War Vol. 8 Swing Again, Yes Indeed! CD program notes, Edward Habib writes, "'Rum and Coca Cola' has naughty lyrics but not quite naughty enough to deny its hit status...During the forties, comedians as songwriters was the norm, Phil Silvers, Joey Bishop and Jackie Gleason all had a part in writing hit songs. While there were a number of records of 'Rum and Coca Cola', the Andrews Sisters' version was far and away the most popular."

After the release of "Rum and Coca-Cola", Belasco and Lord Invader sued for copyright infringement of the song's music and lyrics, respectively. In 1948, after years of litigation, both plaintiffs won their cases, with Lord Invader receiving an award of $150,000 in owed royalties. However, Morey Amsterdam was allowed to retain copyright to the song. [4] Lord Invader also wrote a follow-up song to "Rum and Coca-Cola", titled "Yankee Dollar".

Calypsonian and Calypso Monarch winner Devon Seale, first premiered his tribute to Lionel Belasco entitled "Lio", at the Calypso Revue tent in 1999. [10] That year, he would take it to the annual Calypso Monarch finals. In the tribute, Seale references the Andrews Sisters' recording of "Rum and Coca-Cola" and the winning copyright case. He sings, "I bring evidence quick to show them that I write the song in 1906", and "thirty years later Invader changed the lyrics ... I am Lio-Lionel Belasco." [11] Since the Andrew Sisters' release, many other artists have shared their renditions of the popular tune, including American singer-songwriter Harry Belafonte.

Chart performance

"Rum and Coca-Cola" spent ten weeks at the top of the Billboard Pop Singles chart. [8] On the Harlem Hit Parade chart, it went to number three. [12]

Related Research Articles

<span class="mw-page-title-main">Rum and Coke</span> Highball cocktail

Rum and Coke, or the Cuba libre, is a highball cocktail consisting of cola, rum, and in many recipes lime juice on ice. Traditionally, the cola ingredient is Coca-Cola ("Coke") and the alcohol is a light rum such as Bacardí; however, the drink may be made with various types of rums and cola brands, and lime juice may or may not be included.

Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelled "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelled "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of Calypso/Kaiso, with influences from East Indian rhythms and hooks.

Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to the mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.

<span class="mw-page-title-main">The Andrews Sisters</span> American close harmony singing group

The Andrews Sisters were an American close harmony singing group of the swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia Andrews, soprano Maxene Anglyn Andrews, and mezzo-soprano Patricia "Patty" Marie Andrews. The sisters have sold an estimated 80 million records. Their 1941 hit "Boogie Woogie Bugle Boy" can be considered an early example of jump blues. Other songs closely associated with the Andrews Sisters include their first major hit, "Bei Mir Bist Du Schön " (1937), "Beer Barrel Polka " (1939), "Beat Me Daddy, Eight to the Bar" (1940), "Don't Sit Under the Apple Tree " (1942), and "Rum and Coca Cola" (1945), which helped introduce American audiences to calypso.

<span class="mw-page-title-main">Lord Invader</span>

Lord Invader was a prominent calypsonian with a very distinctive, gravelly voice.

Slinger Francisco ORTT CM OBE, better known as Mighty Sparrow, is a Trinidadian calypso vocalist, songwriter, and guitarist. Known as the "Calypso King of the World", he is one of the best-known and most successful calypsonians. He has won Trinidad's Carnival Road March competition eight times, Calypso King/Monarch eight times, and has twice won the Calypso King of Kings title.

The music of Saint Vincent and the Grenadines includes thriving music scenes based on Big Drum, calypso, soca, steelpan and also reggae. String band music, quadrille, bélé music and traditional storytelling are also popular.

"Ac-Cent-Tchu-Ate the Positive" is a popular song which was published in 1944. The music was written by Harold Arlen and the lyrics by Johnny Mercer. The song was nominated for the "Academy Award for Best Original Song" at the 18th Academy Awards in 1945 after being used in the film Here Come the Waves.

<span class="mw-page-title-main">Calypso Rose</span> Tobagonian calypsonian

Calypso Rose or Linda McCartha Monica Sandy-Lewis is a Trinidadian calypsonian. She started writing songs at the age of 13; over the years, she has composed more than 1000 songs and recorded more than 20 albums. Considered the "mother of calypso", Rose was the first female calypso star and her lyrics frequently address social issues like racism and sexism. Her influence over the calypso music genre forced the renaming of the Calypso King competition to the Calypso Monarch instead. In addition to writing songs about social issues, Rose is also an activist and was given the title of UNICEF Goodwill Ambassador for former child soldiers along with performing at numerous events for social change. She has received every award available to living artists in the Caribbean.

In Trinidad and Tobago, Guyana, and Suriname, chutney soca music is a crossover style of music incorporating soca and calypso elements and English, Hindustani, and Hinglish lyrics, chutney music, with Western instruments such as the guitar, piano, drum set, and Indian instruments such as the dholak, harmonium, tabla, and dhantal.

<i>Discover America</i> 1972 studio album by Van Dyke Parks

Discover America is the second album by American recording artist Van Dyke Parks, released in May 1972 by Warner Bros. Its sound is a major departure from his debut album, Song Cycle (1967), featuring all cover versions of previously written songs.

"Jumbie Jamberee" is a calypso song credited to Conrad Eugene Mauge, Jr. In 1953 Lord Intruder released the song as the B-side to "Disaster With Police". The song is also known as "Zombie Jamboree" and "Back to Back". The introduction to the Kingston Trio's version humorously credits "Lord Invader and his Twelve Penetrators" with authorship of the song instead of Lord Intruder.

"Sly Mongoose" is a Trinidadian folk song and calypso which is widely recognized in the Caribbean.

Rum and Coke is a cocktail consisting of cola, rum, and traditionally lime juice.

<i>Sheet Music</i> (Barry White album) 1980 studio album by Barry White

Sheet Music is the self-produced eleventh album by American R&B singer Barry White, and the second release on his own CBS-affiliated custom label, Unlimited Gold. Although it peaked at #19 in the R&B charts, it was a commercial disappointment. "Love Makin' Music" was the most successful of the single releases, peaking at #25 in the R&B charts. White also recorded this track as well as "She's Everything to Me" in Spanish for the Latin-American market as "Mi nueva canción" and "Ella es todo para mí" respectively. The London branch of CBS Records went for "Rum and Coke" as the second single, but as none of his singles on his new labels had managed to reach the UK Singles Charts, they stopped releasing any further singles off any of his following 4 albums. The Netherlands belatedly released the track "Ghetto Letto" as a single in August 1981, choosing it over White's then current single "Louie Louie".

Rufus Callender (1910–1976), better known as Lord Caresser, was a Trinidadian calypsonian. He is best known for his 1937 recording of "Edward the VIII", a calypso about the 1936 Abdication of Edward VIII of England. This was one of the best-selling records in the golden age of calypso of the 1930s and early 1940s, and generated further hits for Jamaican singer Lord Flea and American singer Harry Belafonte when they covered it in the 1950s.

Lord Executor was a Trinidadian calypsonian. He belonged to the first generation of calypso pioneers that included Julian Whiterose, Norman le Blanc, Henry Forbes the Inventor and Black Prince. Unlike those other early figures, however, Executor recorded extensively during the golden age of calypso of the 1930s and early 1940s, producing 28 record sides (78-rpm) and directly exerting influence on the second generation of calypsonians he worked alongside. According to the Roaring Lion, Executor "helped raise the general standard of the Calypso genre, gaining it more respect and acceptability in the public eye".

<span class="mw-page-title-main">Bobby Sox Idol</span> 1947 song by Wilmoth Houdini

Bobby Sox Idol is a calypso song by Trinidadian musician Wilmoth Houdini about singer Frank Sinatra.

References

  1. "Decca 18636 (10-in. double-faced) - Discography of American Historical Recordings". adp.library.ucsb.edu. Retrieved 2022-05-17.
  2. Library of Congress. Copyright Office. (1945). Catalog of Copyright Entries 1945 Music New Series Vol 40 Pt 3 No 1. United States Copyright Office. U.S. Govt. Print. Off.
  3. "Decca matrix 72460. Rum and Coca Cola / The Andrews Sisters - Discography of American Historical Recordings". adp.library.ucsb.edu. Retrieved 2022-05-17.
  4. Unterberger, Richie. "Lord Invader". AllMusic. Retrieved 19 November 2018.
  5. Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN   978-1-55935-147-8. OCLC   31611854. Tape 1, side B.
  6. 1 2 3 4 John Sforza (13 January 2015). Swing It!: The Andrews Sisters Story. University Press of Kentucky. pp. 75–. ISBN   978-0-8131-4897-7.
  7. 1 2 Joel Whitburn, Billboard Pop Hits, Singles & Albums, 1940–1954, Record Research, 2002.
  8. Nimmo, H. Arlo (2004). The Andrews Sisters: A Biography and Career Record. Jefferson, N.C.: McFarland & Co. p. 211. ISBN   9780786432608 . Retrieved 2021-06-17.
  9. "The Kaiso Newsletters No 22". www.mustrad.org.uk. Retrieved 2020-09-22.
  10. Seale, Devon (21 March 2019). "Lio- Calypso Fiesta". Facebook.
  11. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 31.

Further reading