Sailor Beware! | |
---|---|
Directed by | Gordon Parry |
Written by | Philip King Falkland Cary |
Based on | Sailor Beware! by Falkland Cary and Philip King |
Produced by | Jack Clayton John Woolf |
Starring | Peggy Mount Shirley Eaton Ronald Lewis |
Cinematography | Douglas Slocombe |
Edited by | Stan Hawkes |
Music by | Lambert Williamson |
Production companies | |
Distributed by | Independent Film Distributors |
Release date |
|
Running time | 81 minutes |
Country | United Kingdom |
Language | English |
Box office | £221,779 (UK) [1] |
Sailor Beware! is a 1956 British comedy film directed by Gordon Parry and starring Peggy Mount, Shirley Eaton and Ronald Lewis. [2] It was released in the United States by Distributors Corporation of America in 1957 as Panic in the Parlor .
The film is an adaptation of the successful stage play of the same name. It follows the story of a sailor betrothed to be married, but wary that home-life may echo that of his parents: a hen-pecked husband and battle-axe mother. It is Michael Caine's film debut; he has a small, uncredited role as a sailor.
Royal Navy sailor Albert Tufnell, is to marry Shirley Hornett the next day. He and his best man, fellow sailor Carnoustie Bligh, travel to the Hornett household.
However, Albert begins to have second thoughts when he spends the day with her family. He has no problem with her father, Henry, or with meek spinster, aunt Edie, but her domineering mother, Emma, is another matter entirely. (Meanwhile, Carnoustie and Shirley's beautiful cousin, Daphne Pink, are attracted to each other.) When Albert announces that he and Carnoustie are going to see their pals that night, Emma objects strenuously, as does Shirley, but they go anyway. Later, Emma sends Henry to fetch them, but it is they who have to bring back a thoroughly drunk Henry.
Edie lets slip plans for the couple to live in a house three doors away; plans made without consulting the bridegroom. Albert gives Shirley a chance to inform him, but she does not do so, which concerns him.
The day of the wedding, Albert does not appear at the church, so the Hornetts go home. Then, Albert shows up, as does the Reverend Purefoy, who was to preside over the ceremony. Albert states that he loves Shirley and wants to marry her. However, he has his doubts. Mr. Purefoy asks to speak to the couple privately. Everyone else leaves the room (but eavesdrops). Albert then explains that the unhappy example of her family life and the unilateral decision about where they were to live have made him hesitate. Henry comes in and surprisingly states that his wife has actually taken good care of him, and that he is fond of her. Upon hearing that, Emma breaks down and weeps; she tells Purefoy she wants to change her ways. Albert marries Shirley, but after they leave, Emma finds it hard to break old habits.
John Woolf bought the screen rights for $56,000. In late 1958 Woolf bought the rights to the sequel Hornet's Nest for $70,000 but it was not made. [3]
It was shot at Shepperton Studios with sets designed by the art director Norman G. Arnold.
The film was one of the ten most popular films at the British box office in 1956. [4]
Monthly Film Bulletin said "Based on the stage success, this domestic comedy provides reliable extrovert entertainment. It is efficiently and straight-forwardly mounted within the conventions of the filmed play, and the acting throughout is consistent. Peggy Mount, as Emma Hornett, gives a skilful performance, although its distinctly theatrical emphasis occasionally threatens to throw the film off balance." [5]
Kine Weekly said "The picture is little more than a photographed stage play, but it nevertheless keeps on the move. Peggy Mount goes all out to repeat her theatre triumph as Mum, but her performance would have been more effective if she had shown some restraint. Ronald Lewis is, however, a likeable Albert, Shirley Eaton makes a winsome Shirley, Gordon Jackson and Joy Webster have their moments as Carnoustic and Daphne, and Cyril Smith and Esma Cannon furnish additional laughs as Pa and Aunt Edie. The supporting players also do their stuff and help to prevent the film from becoming a one-man show. Its time honoured cracks are securely linked by shrewd commentary on working class life and the climax registers." [6]
Leslie Halliwell said: "Plain but adequate film version of a successful lowbrow stage farce about an archetypal female dragon." [7]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Broad farce from enormous stage hit, with rampaging central performance." [8]
The Radio Times Guide to Films gave the film 2/5 stars, writing: "This politically incorrect comedy established Peggy Mount in the booming shrew persona that was to make her such a hit in television series such as George and the Dragon . Here she terrorises hubby Cyril Smith and prospective son-in-law Ronald Lewis on the eve of daughter Shirley Eaton's wedding. However, while Mount dominates the proceedings, the peerless Esma Cannon steals every scen." [9]
Lewis Gilbert was an English film director, producer and screenwriter who directed more than 40 films during six decades; among them such varied titles as Reach for the Sky (1956), Sink the Bismarck! (1960), Alfie (1966), Educating Rita (1983) and Shirley Valentine (1989), as well as three James Bond films: You Only Live Twice (1967), The Spy Who Loved Me (1977) and Moonraker (1979).
Shirley Jean Eaton is an English actress. Eaton appeared regularly in British films throughout the 1950s and 1960s, and gained her highest profile for her iconic appearance as Bond Girl Jill Masterson in the James Bond film Goldfinger (1964), which gained her bombshell status. Eaton also had roles in the early Carry On films.
Esma Ellen Charlotte Littmann, credited as Esme or Esma Cannon, was a diminutive [4 feet 7 inches (1.40 m)] Australian-born character actress and comedian, who moved to Britain in the early 1930s. Although she frequently appeared on television in her latter years, Cannon is best remembered as a film actress, with a lengthy career in British productions from the 1930s to the 1960s.
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Margaret Rose Mount OBE was an English actress. As a child, she found acting an escape from an unhappy home life. After playing in amateur productions, she was taken on by a repertory company and spent nine years in various British towns, learning her craft. In 1955, she got her big break in the comic play Sailor Beware!: she created the leading role in a repertory production and, though unknown to London audiences, was given the part when the play was presented in the West End. She became known for playing domineering middle-aged women in plays, films and television shows.
Mae Clarke was an American actress. She is widely remembered for playing Henry Frankenstein's bride Elizabeth, who is chased by Boris Karloff in Frankenstein, and for being on the receiving end of James Cagney's halved grapefruit in The Public Enemy. Both films were released in 1931.
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On the Beat is a 1962 British comedy film directed by Robert Asher and starring Norman Wisdom, Jennifer Jayne and Raymond Huntley.
Dry Rot is a 1956 British comedy film directed by Maurice Elvey, and starring Ronald Shiner, Brian Rix, Peggy Mount, and Sid James.
Sailor Beware may refer to:
Richard Coleman was a British film, television and stage actor.
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Cyril Edward Bruce-Smith was a Scottish actor who began his career as a child in 1900 and went on to appear in numerous stage plays as well as over 100 films between 1914 and his death almost 50 years later. The son of Frederick and Elsa Smith; his mother travelled with him on his engagements during his boyhood.
Watch it, Sailor! is a 1961 black and white British comedy film directed by Wolf Rilla and starring Dennis Price, Liz Fraser and Irene Handl. It was based on the 1960 play of the same name by Falkland L. Cary and Philip King, which was a sequel to their earlier play, Sailor Beware, and was filmed in 1956.
My Teenage Daughter, later Teenage Bad Girl, is a 1956 British drama film directed by Herbert Wilcox and starring Anna Neagle, Sylvia Syms and Norman Wooland. The screenplay concerns a mother who tries to deal with her teenage daughter's descent into delinquency. It was intended as a British response to Rebel Without a Cause. It was the last commercially successful film made by Wilcox.
Sailor Beware! is a comic play by Philip King and Falkland Cary. After a repertory company production in Worthing in 1954, it opened in the West End of London on 16 February 1955 and ran for 1,231 performances.