Edward Everett Horton Jr. was an American character actor. He had a long career in film, theater, radio, television, and voice work for animated cartoons.
Soup to Nuts is a 1930 American pre-Code comedy film written by cartoonist, sculptor, author, and inventor Rube Goldberg and directed by Benjamin Stoloff. It was the film debut of the original four members who would later, minus Ted Healy, go on to become known as The Three Stooges comic trio. Goldberg made a cameo appearance in the film as himself, opening letters in a restaurant. Several other comedians are also featured.
Springtime in the Rockies is an American Technicolor musical comedy film released by Twentieth Century Fox in 1942. It stars Betty Grable, with support from John Payne, Carmen Miranda, Cesar Romero, Charlotte Greenwood, and Edward Everett Horton. Also appearing were Grable's future husband Harry James and his band. The director was Irving Cummings. The screenplay was based on the short story "Second Honeymoon" by Philip Wylie.
Angel is a 1937 American romantic comedy drama film produced and directed by Ernst Lubitsch and starring Marlene Dietrich, Herbert Marshall and Melvyn Douglas with Edward Everett Horton, Laura Hope Crews and Herbert Mundin. The screenplay by Samson Raphaelson and an uncredited Frederick Lonsdale was based on an adaptation by Guy Bolton and Russell Medcraft from the play Angyal by Melchior Lengyel. The music score was by Frederick Hollander with additional music by Gioacchino Rossini from The Barber of Seville. The cinematography was by Charles Lang and the costume design by Travis Banton. The film was produced and distributed by Paramount Pictures.
Every Night at Eight is a 1935 American comedy musical film starring George Raft and Alice Faye and made by Walter Wanger Productions Inc. and Paramount Pictures. It was directed by Raoul Walsh and produced by Walter Wanger from a screenplay by C. Graham Baker, Bert Hanlon and Gene Towne based on the story Three On a Mike by Stanley Garvey.
The Lady's from Kentucky is a 1939 film directed by Alexander Hall and starring George Raft and Ellen Drew. It was written by Malcolm Stuart Boylan from a story by Rowland Brown. The screenplay involves a failing bookie (Raft) who becomes half owner of a racehorse, with a Kentucky lady (Drew) owning the other half. ZaSu Pitts plays a supporting role.
Spring Fever is a novel by P. G. Wodehouse, first published on 20 May 1948, in the United Kingdom by Herbert Jenkins, London, and on the same date in the United States by Doubleday and Co, New York. Although not featuring any of Wodehouse's regular characters, the cast contains a typical Wodehousian selection of English aristocrats, Stoker family relations, wealthy Americans, household staff and imposters.
Danger – Love at Work is a 1937 American screwball comedy film directed by Otto Preminger and starring Ann Sothern, Jack Haley and Edward Everett Horton. It was produced and distributed by 20th Century Fox. The screenplay by James Edward Grant and Ben Markson focuses on an attorney's frustrating efforts to deal with a wildly eccentric family.
Tangier is a 1946 American film noir mystery film directed by George Waggner and starring Maria Montez, Robert Paige and Sabu. It is set in the international city of Tangier, Morocco and was one of the last final Universal Pictures films before the studio's reorganization as Universal-International in July 1946.
The Man in the Mirror is a 1936 British comedy film, directed by Maurice Elvey and starring Edward Everett Horton, Genevieve Tobin and Ursula Jeans.
It's a Boy is a 1933 British comedy film directed by Tim Whelan and starring Leslie Henson, Albert Burdon and Edward Everett Horton. It is a farce about a blackmailer who attempts to demand money from a young woman on the brink of marriage. It was based on the 1931 play It's a Boy by Austin Melford, an English adaption of the 1926 play Hurra, ein Junge by Franz Arnold and Ernst Bach. with sets designed by the art director Alex Vetchinsky.
Smart Woman is a 1931 pre-Code comedy-romance and drama film directed by Gregory La Cava and starring Mary Astor, Robert Ames, and John Halliday.
Louise Allbritton was an American film and stage actress born in Oklahoma City, Oklahoma. Her name was sometimes seen as Louise Albritton.
Ruggles of Red Gap is a 1923 American silent Western film directed by James Cruze and written by Anthony Coldeway and Walter Woods that was adapted from the novel by Harry Leon Wilson. The film stars Edward Everett Horton, Ernest Torrence, Lois Wilson, Fritzi Ridgeway, Charles Stanton Ogle, Louise Dresser, Anna Lehr, and William Austin. The film was released on October 7, 1923, by Paramount Pictures.
Wild Money is a 1937 American comedy film directed by Louis King and written by Paul Gallico, Edward T. Lowe, Jr., Marguerite Roberts and Eddie Welch. The film stars Edward Everett Horton, Louise Campbell, Lynne Overman, Lucien Littlefield, Esther Dale and Porter Hall. The film was released on July 9, 1937, by Paramount Pictures.
Men in Her Diary is a 1945 American comedy film. It stars Peggy Ryan and Jon Hall and was written by Lester Cole and directed by Charles Barton. It followed from the success of San Diego, I Love You.
Once a Gentleman is a 1930 American comedy film directed by James Cruze and starring Edward Everett Horton, Lois Wilson and Francis X. Bushman. A butler goes on vacation, where he is wrongly supposed to be a wealthy man.
Her Primitive Man is a 1944 American comedy film directed by Charles Lamont and written by Michael Fessier and Ernest Pagano. The film stars Louise Allbritton, Robert Paige, Robert Benchley, Edward Everett Horton, Helen Broderick, Stephanie Bachelor, Walter Catlett and Ernest Truex. The film was released on March 30, 1944, by Universal Pictures.
Take the Heir is a 1930 American comedy film directed by Lloyd Ingraham and starring Edward Everett Horton, Dorothy Devore and Edythe Chapman. It was produced during the transition to sound film and a separate silent version was also released. Location shooting took place around Broadway. A review in the Motion Picture News considered the film "very, very weak" and a waste of Everett Horton's talents.
