Lawrence James Tierney was an American film and television actor who is best known for his many screen portrayals of mobsters and tough guys in a career that spanned over 50 years. His roles mirrored his own frequent brushes with the law. In 2005, film critic David Kehr of The New York Times described "the hulking Tierney" as "not so much an actor as a frightening force of nature".
My Six Convicts is a 1952 American film noir crime drama directed by Hugo Fregonese. The screenplay was adapted by Michael Blankfort from the autobiographical book My Six Convicts: A Psychologist's Three Years in Fort Leavenworth, written by Donald Powell Wilson.
The Pleasure Seekers is a 1964 American musical romantic comedy film directed by Jean Negulesco from a screenplay by Edith Sommer, based on the 1952 novel Coins in the Fountain by John H. Secondari. The film stars Ann-Margret, Tony Franciosa, Carol Lynley, Gardner McKay, and Pamela Tiffin, with Gene Tierney and Brian Keith. Ann-Margret sings four songs composed by Sammy Cahn and Jimmy Van Heusen.
Barton MacLane was an American actor, playwright, and screenwriter. He appeared in many classic films from the 1930s through the 1960s, including his role as General Martin Peterson on the 1960s NBC television comedy series I Dream of Jeannie, with Barbara Eden and Larry Hagman.
You Only Live Once is a 1937 American crime drama film directed by Fritz Lang and starring Sylvia Sidney and Henry Fonda. Considered an early film noir, the film was the second directed by Lang in the United States. At least 15 minutes were trimmed from the original 100-minute version of the film due to its then unprecedented violence. Despite the removal of such scenes, the film is widely considered an early film noir classic. The film is also known for being one of the first box-office bombs.
The Devil Thumbs a Ride is a 1947 American film noir directed by Felix E. Feist and featuring Lawrence Tierney, Ted North, Nan Leslie and Betty Lawford. It was produced and distributed by RKO Pictures.
Riot in Cell Block 11 is a 1954 American film noir crime film directed by Don Siegel and starring Neville Brand, Emile Meyer, Frank Faylen, Leo Gordon and Robert Osterloh. Director Quentin Tarantino called it "the best prison film ever made."
San Quentin is a 1937 Warner Bros. drama film directed by Lloyd Bacon and starring Pat O'Brien, Humphrey Bogart, and Ann Sheridan. It was shot on location at San Quentin State Prison.
Go into Your Dance is a 1935 American musical drama film starring Al Jolson, Ruby Keeler, and Glenda Farrell. The film was directed by Archie Mayo and is based on the novel of the same name by Bradford Ropes. It was released by Warner Bros. on April 20, 1935. An irresponsible Broadway star gets mixed up with gambling and gangsters.
Prison Break is a 1938 American crime-drama film directed by Arthur Lubin and starring Barton MacLane, Glenda Farrell and Paul Hurst. The film was based on the story "Walls of San Quentin" by Norton S. Parker. It was released by Universal Pictures on July 12, 1938.
Best of the Badmen is a 1951 Western film directed by William D. Russell that is set in Missouri during the post-American Civil War period. It stars Robert Ryan, Claire Trevor and Robert Preston. It was a loose follow-up to Return of the Bad Men (1948).
Noose for a Gunman is a 1960 American Western film directed by Edward L. Cahn and starring Jim Davis and Barton MacLane. It was later remade as The Quick Gun.
Cell 2455, Death Row is a 1955 American crime film noir directed by Fred F. Sears and starring William Campbell and Robert Wright Campbell. It is based on the 1954 book of the same name.
The Steel Cage is a 1954 American film noir drama film directed by Walter Doniger, written by Oliver Crawford, Walter Doniger, Scott Littleton, Berman Swarttz and Guy Trosper, and starring Paul Kelly, Maureen O'Sullivan, Walter Slezak, John Ireland, Lawrence Tierney and Arthur Franz. It was released in December 1954, by United Artists.
East of the River is a 1940 American drama film directed by Alfred E. Green and written by Fred Niblo, Jr. The film stars John Garfield, Brenda Marshall, Marjorie Rambeau, George Tobias, William Lundigan and Moroni Olsen. The film was released by Warner Bros. on November 9, 1940.
Duffy of San Quentin is a 1954 American film noir crime film directed by Walter Doniger and written by Walter Doniger and Berman Swarttz. The film stars Louis Hayward, Joanne Dru, Paul Kelly, Maureen O'Sullivan, George Macready and Horace McMahon. The film was released by Warner Bros. on March 16, 1954.
Bengal Tiger is a 1936 American drama film directed by Louis King and starring Barton MacLane, June Travis and Warren Hull. The plot closely resembles that of the 1932 film Tiger Shark.
God's Country and the Woman is a 1937 American Technicolor lumberjack drama film directed by William Keighley and written by Norman Reilly Raine. The film stars George Brent, Beverly Roberts, Barton MacLane, Robert Barrat, Alan Hale, Sr. and Joe King. The film is based on a 1915 novel by James Oliver Curwood entitled God's Country and the Woman and was released by Warner Bros. on January 16, 1937.
Jailbreak is a 1936 American (Precursor) film noir, crime, mystery, drama film directed by Nick Grinde and written by Robert Hardy Andrews and Joseph Hoffman. The film stars Barton MacLane, June Travis, Craig Reynolds, Dick Purcell, Joe King, and George E. Stone. The film was released by Warner Bros. on August 5, 1936.
Relentless is a 1948 American Western film directed by George Sherman and starring Robert Young and Marguerite Chapman in the main roles. The film was based on the story, "Three Were Thoroughbreds," by Kenneth Perkins, originally published in the June 1938 issue of Blue Book and then as a hardcover novel in 1939. IMDb and other sources mistakenly claim that the film was remade as the 1953 Audie Murphy film Tumbleweed, which was based on a similarly named story, "Three Were Renegades," by Perkins. The later story, "Three Were Renegades," was published as a sort-of sequel to the earlier story, "Three Were Thoroughbreds," and the plotlines of the two films mirror the plotlines of their respective source stories.
