Archibald "Archie" Andrews, created in 1941 by publisher John L. Goldwater and artist Bob Montana in collaboration with writer Vic Bloom, is the main character in the Archie Comics franchise, including the long-running Archie Andrews radio series, a syndicated comic strip, The Archie Show, Archie's Weird Mysteries, and Riverdale. He is the rhythm guitarist and one of the three singers of the fictional band The Archies. He is portrayed by KJ Apa on Riverdale and Agastya Nanda in The Archies. For his physical appearance, he mainly has red hair, freckles on his cheeks, and light-colored skin. In Archie's Weird Mysteries, he appears to be of Scottish-American descent, as shown in the episode "The Day the Earth Moved", when his father wanted to keep with their family tradition and wear a kilt while ringing the bell of Riverdale.
Night Must Fall is a play, a psychological thriller, by Emlyn Williams, first performed in 1935. There have been three filmed adaptations: Night Must Fall (1937); a 1954 adaptation on the television anthology series Ponds Theater starring Terry Kilburn, Una O'Connor, and Evelyn Varden; and Night Must Fall (1964).
Frank Randle was an English comedian. A contemporary of fellow Lancastrians George Formby and Gracie Fields, he was regarded as more subversive.
John E. Blakeley was a British film producer, director and screenwriter, the founder of Mancunian Films.
Mancunian Films was a British film production company first organised in 1933. From 1947 it was based in Rusholme, a suburb of Manchester, and produced a number of comedy films, mostly aimed at audiences in the North of England.
Those Were the Days is a 1934 British comedy film directed by Thomas Bentley and starring Will Hay, Iris Hoey and John Mills. It was based on Arthur Wing Pinero's 1885 farce The Magistrate and was the first of two Hay movies based on Pinero's plays, the other being Dandy Dick. The film also features music hall acts of the time – acts of a type rarely committed to film. It is primarily remembered as Will Hay's first major screen role.
Millions Like Us is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It starred Patricia Roc, Gordon Jackson, Anne Crawford, Eric Portman and Megs Jenkins.
The Dolly Sisters is a 1945 American Technicolor biographical film about the Dolly Sisters, identical twins who became famous as entertainers on Broadway and in Europe in the early years of the 20th century as Jennie and Rosie Dolly, Hungarian-born entertainers. It starred Betty Grable as Jenny, June Haver as Rosie and John Payne as Harry Fox.
The Good Companions is a 1933 British comedy film directed by Victor Saville starring Jessie Matthews, John Gielgud and Edmund Gwenn. It is based on the 1929 novel of the same name by J.B. Priestley.
The Weapon is a 1956 black and white British thriller film directed by Val Guest and starring Steve Cochran, Lizabeth Scott, Herbert Marshall, and Nicole Maurey. It was made by Republic Pictures. Its themes were originally explored in the 1951 British film The Yellow Balloon.
Christmas Night with the Stars is a television show broadcast each Christmas night by the BBC from 1958 to 1972. The show was hosted each year by a leading star of BBC TV and featured specially-made short seasonal editions of the previous year's most successful BBC sitcoms and light entertainment programs. Most of the variety segments no longer exist in accordance with the BBC's practice of discarding programmes at the time.
Holidays with Pay is a 1948 British comedy film directed by John E. Blakeley and starring Frank Randle, Tessie O'Shea and Dan Young. The film follows the Rogers family as they go on holiday to Blackpool and enjoy a series of adventures.
Somewhere in England is a 1940 British comedy film directed by John E. Blakeley and starring Frank Randle, Harry Korris and Winki Turner. It follows the adventures of an anti-authoritarian private stationed in a military camp in the North of England during the Second World War. It was the first in the Somewhere film series, followed by its sequel Somewhere in Camp in 1942.
Somewhere in Camp is a 1942 British comedy film directed by John E. Blakeley and starring Frank Randle, Harry Korris and Robbie Vincent. The film continues the adventures of Private Randle from the 1940 film Somewhere in England. It was followed in 1943 by Somewhere on Leave.
Somewhere on Leave is a 1943 British comedy film directed by John E. Blakeley and starring Frank Randle, Harry Korris and Dan Young. It was the third in the series of Somewhere films following Private Randle and his comrades. It was followed by Somewhere in Civvies.
Somewhere in Politics is a 1948 British comedy film directed by John E. Blakeley and starring Frank Randle, Tessie O'Shea and Josef Locke. It was the fifth film in the Somewhere series of films featuring Randle followed by It's a Grand Life (1953).
Demobbed is a 1944 British comedy film directed by John E. Blakeley and starring Norman Evans, Nat Jackley, Gus McNaughton and Dan Young. Billed as "a musical comedy burlesque," its plot concerns a group of ex-soldiers who attempt to gain employment after being demobbed from the army.
Under New Management, also known as Honeymoon Hotel, is a 1946 British comedy film directed by John E. Blakeley and starring Nat Jackley, Norman Evans and Dan Young. The screenplay concerns a chimney sweep inherits a hotel and calls on a number of ex-army friends to staff it. The film was one of a number of films at the time dealing with the contemporary issue of demobilisation following the end of the Second World War.
Dickenson Road Studios was a film and television studio in Rusholme, Manchester, in North-West England. It was originally set up in 1947 in a former Wesleyan Methodist Chapel by the film production company Mancunian Films and was acquired by BBC Television in 1954. The studio was used for early editions of the music chart show Top of the Pops from 1964.
Over the Garden Wall is a 1950 British "B" comedy film directed by John E. Blakeley and starring Norman Evans, Jimmy James and Dan Young. Although made on a low budget, the film often topped double bills at cinemas in the North of England because of the popularity of the performers.
